Erik will be mad as hell that I took his car, but I can deal with that later. Before I get in, I grab the crowbar out of the back of mine. My heart is beating out of my chest by the time I make it out onto the road. I grip my phone in one hand, the steering wheel in the other.
Twenty minutes later, I’m bumping down a narrow dirt lane. My headlights swing wildly against the trees pressing in, and I spare a thought about turning them off. To sneak. It doesn’t really matter—the sun has risen, casting the forest in streams of golden light.
Plus, I’ve never snuck up on anything—and I’m not about to start now. As bull-headed as it may be, I don’t give a fuck.
Violet’s stalker has nothing on me.
The road finally dead ends at a log cabin. There’s a porch light on, and a dog immediately rises to attention from its spot on the porch. It snarls at me, drool dripping from its mouth. No car, though. Nothing to indicate anyone is actually here.
Maybe it’s a dead end.
But I recheck the tracker on her phone, and it has mine practically on top of hers. Sure enough, I spot the slim phone on the porch step. Like it was waiting for me.
I eye the dog, but it doesn’t move when I climb the steps up onto the leaning porch. The boards are loose under my feet. The dog seems to be chained to the house far enough away as to not impede the people coming and going.
Vicious thing. The growl that comes out of it is steady and low, a warning that doesn’t explode until I grasp the handle.
I shove the door open and raise the crowbar, ready to attack. Not sure what I’m going to find—and terrified that I’m going to see Violet dead. Or hurt.
The room is a mess. All the furniture has been shoved aside, leaving an empty expanse in the middle. There’s a lingering smell of rot, like stagnant water and mold under a heavy artificial pine scent.
I keep the crowbar up and step farther inside. The door creaks as it drifts closed behind me.
Then I see her.
She’s curled on the floor off to the side, next to a stereo speaker. Someone draped an ugly blanket over her, obscuring her form.
I rush to her side and fling the blanket off, running my hands over her body. Checking for damage, I guess. I don’t know.
She’s still breathing. And she moans when I shake her shoulder.
Blue and red lights slip in through the partially open door, and the dog barks in earnest. I drop the crowbar and tip my head back, letting out a disbelieving laugh. I fucking hate the police. The last time I saw their lights, I was arrested.
Of course, I deserved it back then.
I cup the back of Violet’s neck and pull her halfway into my lap. “Wake up, baby,” I urge.
She blinks up at me, her expression going from sleep to surprise in an instant. She reaches for me, and I curl my hand around hers.
“I’ve got you.”
Then the police swarm inside.
57
VIOLET
“The cabin has been abandoned for almost thirty years,” the police detective says. He’s sitting in the chair beside my hospital bed, a pen poised over his notepad. “And you’re saying your captor never showed their face?”
I look away. I’ve been claiming memory loss due to the drugs, but it’s officially all out of my system. I’ve been in the hospital for two days, for no other reason than Grey isworriedand demanded the best care for me.
But this detective, a guy named Samuel Beck, is persistent.
“We found a trapdoor in the kitchen,” he says. “And a hidden room where we foundyourclothes. A cuff and chain attached to the wall. There’s no doubt someone was holding you against your will, Ms. Reece. We just need you to give us a name.”
I open my mouth and close it. My chest constricts, and my heart rate on the monitor picks up speed. I catch the increasing numbers out of the corner of my eye as my body reacts to the panic.
I can’t tell him. Mia will kill Grey. I don’t doubt it.