Page 83 of A Rip Through Time

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TWENTY-FIVE

We find no indication that the witness who described “a man in a black cape and mask” also spoke to a reporter. Isla says that at the height of broadside popularity, a witness could expect to make a small fortune selling their story. But that time has passed and writers have learned that it hardly matters whether they quote a legitimate source or not. Making shit up works as well, if not better.

Over the last few days, multiple writers have reported people seeing the killer. All are anonymous sources who saw things like “a man with bird wings” or “a man covered in feathers,” as if a killer would walk down the street wearing a costume.

While I discuss the case with Isla, half of my brain is busy analyzing data from the perspective she doesn’t have—my suspicion that the “raven killer” is the guy who attacked me in twenty-first-century Edinburgh.

Thereisone section of those questions Isla might be able to help with. If he did cross into the body of Catriona’s attacker, how would he find out who he was?

“What kind of ID do you carry?” I ask.

Isla startles from her reading. “ID?”

“Identification. You won’t have a driver’s license, predating cars here. Probably not a passport either. You don’t hop on planes or zip from country to country. Health card? I think we predate free health care, too.”

“You do love doing that.”

“Doing what?”

“Teasing me with words and concepts I do not know. You realize that I am going to ask you to explain each, and then you’ll demand some personal information in return. It is a very clever game.”

“It would be, if I had any intention of explaining myself. Can’t, though. Butterfly effect.”

She fixes me with a hard look.

“Butterfly effect,” I say. “Taken from an old story—old to me, not written yet—that involves time travel and the theory that if one could travel in time, one’s actions could have catastrophic effects. Simply killing a butterfly could destroy the world.”

“That is preposterous.”

I shrug. “I agree, which is why I’m not too worried about accidentally stepping on insects. But I do need to be careful what I bring into the past.”

“You are saying that you will not tell me about advances lest I invent something fifty years before its time and become wealthy beyond measure?”

“Or get burned for witchcraft.”

“We have not burned a witch in over a hundred years. We simply drown them, and only in small English villages, which are usually in England.”

“I thought the witch trials were mostly in Scotland. Pretty sure it was the Scots who—”

“Fie.” She waves a hand at me and mock-scowls. “You are distracting me from my purpose.”

“And you’re distracting me from mine. Identification. What do you carry on you when you’re out and about?”

“Why should we carry identification? We have records of birth, but we hardly go about with them in our pockets.”

“What happens when the police need to see your ID?”

“Why ever should they do that?” She folds the paper with a snap. “Are you telling me that in your world, police go about demanding people prove who they are? That sounds positively tyrannical.”

“Er, possibly, yes. But I was just thinking that it’s a good thing someone recognized Catriona after her attack. That made me wonder about identification. What do people carry on their person when they go out here?”

“An umbrella.”

I laugh. “Good call.”

“I take a handbag with a bit of money, but mostly paper, pencil, handkerchief…”

An idea hits. “What about keys?”


Tags: Kelley Armstrong Mystery