They were in New York again, looking out past the bootblacks and the sidewalk carts of the food vendors with their smoking charcoal fires lining the streets near the front entrance to the bus terminal, looking past the PABT building to the two barren architectural towers of the World Trade Center, still possibly the tallest commercial structures in the universe.
Another time, while certain he was in MASSPOB in Washington, the chaplain saw by default mode that he was inside PABT, parked somewhere below while they switched engines and laboratory cars. He was able to gaze out through his window even into the Operations Control Center of the terminal and tie into any of the video screens there, to watch the buses arrive and depart, the diurnal tides of people, the undercover policemen who dressed like drug dealers and drug dealers who dressed like undercover policemen, the prostitutes, addicts, and runaways, the sordid, torpid couplings and other squalid acts of community life in the emergency stairwells, and even to peek inside the different washrooms to see humans peeing and doing laundry and, if he wanted to, inside the toilet cubicles themselves to observe the narcotic injections, oral sex, and defecations. He did not want to. He had television sets that could bring in programs with excellent reception on three hundred and twenty-two channels, but he found it was not fun to watch anything without his wife watching with him. Television was not much fun when they were together either, but they could at least fix their faces on the common point of the set while they fished around for something new to talk about that might lighten the lethargy. This was old age. He was still merely just past seventy-two.
Another time in New York he looked through his window at the Metropolitan Museum of Art at an hour when a meeting of ACACAMMA was disbanding, and he was certain again that he saw Yossarian leaving in the company of an elderly woman in fashionable dress and a man taller than both, and he wanted to cry out again, for this time he observed a man with red hair and a green rucksack eyeing the three craftily and falling in behind them, and then two other men, with brighter orange hair, following also, and behind them came still another man, who unmistakably was following them all. He distrusted his eyes. He felt he must be seeing things again, like that time of the vision of the man in the tree.
"And what is that other noise I continue to hear?" the chaplain finally inquired of General Groves, when they were rolling again and moving out of the city.
"You mean of water? That stream or river?"
"I hear it often. Maybe all the time."
"I can't say."
"You don't know?"
"My orders are to tell you everything I do know. That one is out of my jurisdiction. It's more secret and lower down. We know from our sonar that it's a fairly narrow, slow-moving body of water and that small boats without power, maybe rowboats, come by on it regularly, moving always in one direction. There's music too. The pieces have been identified as the prelude and wedding march from the third act of the opera Lohengrin." And faintly underlying that music, from someplace deeper, was an unrelated children's chorus of anguish that the government musicologists had not yet been able to identify. Germany was consulted and was in anguish also over the existence in performance of a choral piece of advanced musical complexity, perhaps genius, of which they knew nothing. "The water is on my papers as the river Rhine. That's all I know."
"The Rhine River?" The chaplain was awed.
"No. The river Rhine. We are not in Germany now."
They were back in the nation's capital.
There was no good reason to doubt General Groves, who made a noticeable point of being present at all the sessions with Ace, Butch, and Slugger. The chaplain understood that even the general's friendship might be no more than a calculated tactic in a larger strategy involving a clandestine plot with the three intelligence men, of whom he was most in fear. There was no way of knowing anything, he knew, not even that there was no way of knowing anything.
"I often feel that same way," the general was quick to agree, when he voiced his misgivings.
"Me too," admitted the psychiatrist.
Was the sympathizing psychiatrist also a trick?
"You've no right to do this to me," the chaplain protested to General Groves when they were again alone. "I think I know that much."
"You're mistaken, I'm afraid," answered the general. "I think you'll find that we have a right to do to you anything you can't stop us from doing. In this case, it's both legal and regular. You were a member of the army reserves. They've simply called you back into service."
"But I was discharged from the reserves," responded the chaplain with triumph. "I have the letter to prove it."
"I don't think you do anymore, Chaplain. And it doesn't show in our records."
"Oh, yes it does," said the chaplain, gloating. "You can find it in my Freedom of Information file. I saw it there with my own eyes."
"Chaplain, when you look again, you'll find it's been blacked out. You're not completely innocent, you know."
"Of what am I guilty?"
"Of offenses the intelligence agents don't know about yet. Why won't you say that you're guilty?"
"How can I say if they won't tell me what they are?"
"How can they tell you if they don't know? To begin with," General Groves went on, in a more instructive tone, "there's this thing with the heavy water you're producing naturally and won't say how."
"I don't know how," protested the chaplain.
"It's not I who don't believe you. Then there's this second thing, with a man named Yossarian, John Yossarian. You paid him a mysterious visit in New York as soon as we found out about this. That's one of the reasons they picked you up."
"There was nothing mysterious about it. I went to see him when all of this started to happen. He was in a hospital."
"What was wrong with him?"