ACKNOWLEDGMENTS
I had no idea, eleven years ago, that I’d written a novel that would be published, much less that Some Girls Bite would be the first in a thirteen-book series. I hadn’t been one to hope fiercely back then, but I’m grateful and awed by it now.
Writing a book is both a team effort and a solitary one—and both in fits and starts. I am so grateful to everyone who has contributed to this process, especially my editor, Jessica Wade, who pulled Merit from a slush pile all those years ago, and my agent, Lucienne Diver, who took a chance on an unknown. My assistant, Krista, keeps the machine working, and my boys, Jeremy, Baxter, and Scout, provide support and comic relief. My family and friends, including my mother and Jeremy’s, distribute copies of Some Girls Bite across the country, hoping to snare readers into continuing the series. And my friends and work colleagues have been remarkably supportive, from assistance with scenes to helping me balance, as best I could, the two strange worlds in which I live. Thank you all for your support and love.
Readers, you’ve stuck with me and Merit—with food and sarcasm, bad puns and eyebrow arching—through thirteen novels. Words are insufficient to express how grateful I am that you offer your time to us. I hope that you’ve found joy and sanctuary in reading these books just as I have in writing them.
Most of all, I suppose thanks are due to Merit. She is me and not-me, a friend, and, as my creation, a kind of child. She was originally Kate, once in a band, and eventually dropped into a world that would have confounded the bravest of humans. Sorry about that, Mer, and good luck to you and your beloved.
I can’t wait to see what’s next.
“Tis now the very witching time of night . . .”
—William Shakespeare, Hamlet
CHAPTER ONE
FIVE BY FIVE
Late August
Chicago, Illinois
It was midnight in Chicago, and all was well.
I stood in front of Cadogan House, a stately and luxurious three-story stone house on a rolling bit of lawn in Chicago’s Hyde Park. It was surrounded by an imposing fence meant to keep our enemies at bay, guarded by men and women who risked their lives to keep the House safe from attack.
Tonight, as summer gave way to fall and a cool breeze spilled across the quiet dark, there was peace.
Katana at my side, and having finished my patrol of the expansive grounds, I nodded at the guard at the gate and jogged up the stairs to the glowing portico. One final look, one last glance, to ensure quiet in the realm, and then I opened the door . . . and walked back into chaos.
Cadogan House’s pretty foyer—hardwood floors, pedestal table bearing richly scented flowers, gleaming chandelier—was crowded with people and noise. A vampire manned the front desk, and three others—supplicants seeking time with Ethan Sullivan, Master of the House—waited on a bench along one side. Vampires carried boxes toward the basement stairs for the waiting truck, watched with an eagle eye by Helen, the House’s den mother.
There was a flurry of movement and activity because the Master of Cadogan House was getting married tomorrow.
To me.
A vampire with dark skin and a shaved head rounded the corner into the foyer. This was Malik, Ethan’s second-in-command. He wore a slim-cut dark suit—the official Cadogan House uniform—his skin contrasting vividly with the crisp white shirt and pale green of his eyes. He tracked the room, found me, and walked my way.
“Busy night,” he said.
“It is.”