“Then he will recover?”
“It appears so. He’s very weak. Dehydrated.”
Henri removed his hat and wiped his brow with a handkerchief. “Thank God. I tried to rescue him but was unable to convince him of the danger.”
Pissarro, who had been looking at the painting since Henri had entered, trying to keep his mind off the atrocious odor, said, “Rescue him? From what?”
“From her,” said Henri, nodding to the painting.
“Danger is not the first impression she inspires,” said Gachet.
“Not just her,” said Toulouse-Lautrec. “The Colorman, too.”
Now both Gachet and Pissarro looked to the diminutive painter.
“They are together,” said Lautrec.
“Vincent said something about a color man right before he died,” said Gachet. “I thought it was just delirium.”
“Vincent knew him,” said Henri. “A very specific color man. Small, brown, broken looking.”
“And this girl, Lucien’s model, is associated with him?” asked Pissarro.
“They live together in the Batignolles,” said Henri.
Pissarro looked to Gachet. “Do you think Lucien is strong enough to talk?”
Lucien studied Gachet’s eyes, which were large and always a bit doleful, as if he could see some sadness in the heart of everything. Portrait of Doctor Gachet—Vincent van Gogh, 1890
RÉGINE FED LUCIEN BROTH AND A LITTLE BREAD—THE COLOR GRADUALLY returned to his cheeks. Madame Lessard brought in a basin and shaved him with a straight razor while Pissarro and Dr. Gachet looked on. When she left the room, Dr. Gachet closed the door behind her and took a seat on the stool by Lucien’s bed. Pissarro and Toulouse-Lautrec stood by.
Lucien looked to each of them, then grimaced. “Good God, Henri, is that smell coming from you?”
“I was going to come right over as soon as I heard you were awake, but the girls insisted upon giving me a bath first. I sat vigil for you for a week, my friend.”
“One sits vigil over the dying, not ten blocks away, on a pile of whores, out of his mind on opium and absinthe.”
“Each grieves his own way, Lucien. And since you are going to survive, it appears that my method may have therapeutic benefits. But I will defer to the good doctor’s judgment.” Henri looked over his pince-nez at Gachet.
“No, I don’t think that’s the case,” said the doctor.
“My apologies, then, Lucien, you aren’t going to survive.”
Gachet was nonplussed. “That’s not what I was saying—”
“If not, may I have the new painting? It is your masterpiece.”
“It’s not finished,” said Lucien.
“Should we go?” Pissarro asked the doctor, gesturing to himself and Toulouse-Lautrec.
“No. I may need you two to help me diagnose Lucien’s trouble.”
“But we are painters—”
“And therefore somewhat useless,” said Lautrec.
The doctor held up his finger to stop him in his place. “You will see.” To his patient, he said, “Lucien, when you first woke up, you asked about Minette. You said ‘the blue’ and asked if it had taken her. What did you mean?”