She had followed Mitchell McCord right along that imaginary path, just as she’d known she was doing.
And she had walked off that cliff into thin air.
Oh, but what a fall!
Chapter 61
* * *
The King Cole Room at the St. Regis on Fifty-fifth Street was not Michael’s idea of a good place for the sort of discussion with Solomon that he had in mind. Wide, shallow, and dimly lit, it was paneled in dark wood. Stretching its length was a long bar lined with barstools, all of them already occupied with the room’s usual Manhattan crowd stopping for drinks after work.
The only other seating in the room was a few feet from the bar at a parallel row of tiny cocktail tables lined up along the wall with chairs jammed around them. It was not only dark as pitch in there, it was noisy, which, Michael thought with a knowing smile, was probably why Leigh had chosen it for her obligatory meeting with Jason. In the bad light, she wouldn’t be recognized, and Jason would have to raise his voice to “badger” her about coming back to work.
Next to that room was a discreet little “salon” with cocktail tables, better lighting, and only a few customers. Michael chose a table that would at least enable him to see Leigh if she used the side entrance, which was across the room and down a long, wide ramp; then he ordered a drink and impatiently watched the time.
Solomon arrived fifteen minutes late, exuding regret and bursting with nervous ire over the reason he’d been delayed.
“I can’t apologize enough!” he said, shaking hands with Michael and sitting down. Since they’d never met, Michael expected him to start talking about Leigh right away, since she was the only thing they had in common. However, as Michael immediately realized, Solomon now felt he had something else—something very significant—in common with Michael.
“I’m late because of the cops!” Solomon exclaimed irately. “Two detectives showed up at the theater—without an appointment—asking me a lot of questions about my relationship with Logan Manning. I couldn’t get rid of them! They’re tenacious bastards, aren’t they?”
“You won’t get an argument from me on that,” Michael replied.
“You have to deal with those people all the time,” he reminded Michael. “How do you handle cops when they show up and start prying into your business?”
“I usually bribe them to go away.”
“Does that work?”
“If it doesn’t, I shoot them.”
Belatedly realizing that he was being politely informed his comments were in bad taste, Jason leaned back in his chair and briefly closed his eyes. “Would you mind very much,” he said bluntly, “if we started all over again?”
Michael glanced at his watch. “Let’s just go on as we were.”
“Are you interested in what the cops were asking me about?”
“Should I be?”
“They wanted to know how Logan paid me for his share in the play.”
That interested Michael very much, so he lifted his brows inquiringly, and the nervous playwright gave him the details. “I told them Logan had two hundred thousand dollars in cash he wanted to use as payment for his share in the play, so I took it. We signed a contract, I gave him a receipt, and I deposited the money into the play’s main bank account. What’s the big damned deal? We deposit five or six hundred thousand dollars a week from box office receipts into that account.”
Michael casually raised his glass to his lips in order to seem less intrigued than he was. “How much of your box office receipts are cash?”
“A big chunk, usually.”
“But Manning’s two hundred thousand dollars wasn’t box office receipts. Why didn’t you deposit Manning’s money into a general account instead of calling it box office receipts and depositing it into your box office account?”
Solomon lifted his hands. “That’s what the cops asked.”
“What did you tell them?”
“I told them the truth. I’m not a bookkeeper and I’m not an accountant. Logan gave me cash and suggested I deposit it into the box office receipts account, and I did. I told the bookkeeper it was a shareholder payment, and she made the appropriate internal adjustments, whatever the hell they are. I hate accountants.”
Jason looked up to signal a waitress and order a drink. He was very fussy about the way his martinis were made, Michael noted impatiently, so that took another two minutes of time that Michael didn’t have to spare.
“Did Manning give you any idea where he got the money?” Michael asked when Jason had finished ordering.
“Logan said,” Jason explained, “that somebody paid him in cash and he’d been hanging on to the money because he didn’t want to deposit it into his own account.”
“Did he say why he didn’t?”
“The cops asked me the same question.”
“What answer did you give them?”
Before replying, Solomon paused to search for a particular kind of nut in the bowl on their table. “Logan said he didn’t want to deposit it into his bank account because he’d have to make twenty different trips to his bank. Did you know that if you deposit or withdraw one dollar more than ten thousand dollars in cash, your bank notifies the IRS? I mean,” he asked Michael seriously, “who the hell wants the IRS crawling all over them?”
“Not I,” Michael said gravely.
“They’re the American gestapo.”
“I couldn’t agree more.”
“In my case, though,” Jason explained, hunting for another nut in the bowl, “we’re a legitimate cash business, because of our box office receipts, so the IRS doesn’t look at us in the same way.” He watched the waitress carrying his drink to him, and while she waited, he tasted it to make certain it was “stirred, not shaken,” and that “one drop, not two drops,” of vermouth was in it. “This is fine,” he told her; then he took a fortifying swallow, relaxed in his chair, and seemed to suddenly remember that Michael had specifically requested this private meeting with him before Leigh arrived. “Now then,” he said cordially, “what can I do for you, Mr. Valente? Or—shall I call you Michael, since Leigh says you’re actually an old friend of hers?”
Michael felt, absurdly, a pang of nonsensical hurt that Leigh hadn’t told Solomon he was a little more than an old friend. On the other hand, he reasoned fairly, it was one thing to love him in private, but it was going to be difficult for her to explain to friends how she could possibly consider allying herself with the name Valente—whether she actually ever used it or not. Neither Michael, nor his name, would ever be an asset to her publicly. Just the opposite, in fact. “Call me whatever you’d like,” Michael said. “There’s nothing you can do for me, but there’s something I may be able to do for you.”
If there was one way to get Solomon’s attention, Michael noted, it was to offer him something he wanted—even if he didn’t know what it was. “Leigh tells me you want her to come back to work,” he said.
“God, yes!”
“She won’t do it as long as she has to share a stage with Jane Sebring.”
“Leigh has no choice! She’s a professional—”
“She does have a choice, and she’s made it,” Michael told him coolly. “She feels, understandably, that she’d be turning herself—her private self—into a public spectacle.” At his implacable tone, Jason stopped arguing, and for several seconds he appeared to lose himself in contemplation of the olives in the bottom of his glass. “I’m going to tell you the blunt truth,” he said filially, lifting his gaze to Michael. “Jane Sebring is a little insane. I do not say that lightly. She has a sick obsession with becoming Leigh. Leigh is going to have something Jane wants more than anything in life.”
“Which is?”
“Theatrical immortality.”
“Excuse me?”
“The Barrymores and the Sebrings, except for Jane, have been immortalized for their work on Broadway. Only three actresses have ever reached that pinnacle—Ethel Barrymore, Marianna Sebring, and Delores Sebring.
Leigh Kendall will be the fourth, but if she willfully banishes herself from the theater at this stage in her career—and over nothing but a cheating husband—she will lose her place in the clouds. Actors act!” Jason said fiercely, and Michael suddenly had the feeling he was hearing the speech Solomon had prepared to give Leigh. “They act when they’re sick, when their father is dying, when they’re so drunk they can’t see straight, and when they’re almost catatonic with clinical depression. When the curtain goes up, they get on stage, and they act!”
Michael was about to interrupt Solomon’s lecture on theatrical customs, but the playwright’s next words instantly captivated him. “Do you have any idea how incredibly, richly multitalented Leigh really is?” He held up a hand without waiting for a reply. “Don’t try to answer because you don’t know. No one knows. At NYU, they called her a prodigy because they didn’t know how else to describe what she can do. The critics call her ‘magical’ because they can’t explain it either.” Folding his arms on the table, he leaned forward and said, “During opening night for Blind Spot, in the second act, when Leigh leans toward the audience and says she knows a secret, I watched the whole damned audience lean forward in their chairs to hear it.”
Michael looked up and saw several people coming from the lobby toward the bar, and reluctantly ended stories that he would happily have listened to for hours. “Let’s talk about Jane Sebring.”
Jason shuddered and flopped back in his chair. “She’s moved into Leigh’s dressing room. The day after Jane’s affair with Logan hit the papers, she told me Leigh would never come back to the play, and she told me she wanted Leigh’s dressing room. I told her absolutely not. I mean, for god sakes, both dressing rooms are identical, but she wants to be where Leigh is. Literally and figuratively. Logan’s death has turned out to be a complete boon to her.