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"I'll bet you do. And you have been listening, haven't you? Maybe watching too."

"Listening to what?"

"You think I'm simpleminded, Gaffney? Would you like to hear my joke? Jerry, go fuck yourself."

"That's not a bad one, Yo-Yo," said Gaffney, sociably, "although I've heard it before."

The opera Siegfried brought to mind, Yossarian was recalling in the pearl-gray limousine, that the heldentenor in that one, after a mere touch to his lips of the blood of the slain dragon, illustriously began to understand the language of birds. They told him to take the gold, kill the dwarf, and dash to the mountain through the circle of fire to find Brunnhilde lying there in charmed sleep, this message in bird notes to a youth who had never laid eyes on a woman before and needed more than one look at the buxom Brunnhilde to make the startling discovery that this was not a man!

Siegfried had his birds, but Yossarian had his Gaffney, who could report, when Yossarian phoned him from the car, that the chaplain was passing tritium in his flatulence.

Nurse Melissa MacIntosh had not heard of an intestinal condition like that one before but promised to ask a number of gastro-enterologists she was friendly with.

Yossarian was not certain he wanted her to.

He was wounded and abashed by the question that leaped to mind, and too shamed to voice it: to ask if she'd dated these doctors and slept with them too, even with only four or five. It told him again, to his inconceivable delectation, that he indeed thought himself in love. Such pangs of jealousy for him were extremely few. Even far back in his torrid affair with Frances Beach, though almost monogamous himself, he had indifferently assumed that she, in the vernacular of the age, was at that time also "boffing" others who were potentially supportive of her aspirations as actress. Now he reveled like an epicure in the euphoria of impressions of love that were again rejuvenating him. He was not embarrassed or afraid, except that Michael or the other children might find out, while it was still in the outlandish character of a rapture.

In the car she held his hand, pressed his thigh, ran fingers through the curls at the back of his head.

Whereas Siegfried from the start was in the evil hands of a wicked dwarf greedy for dragon's gold and drooling to liquidate him as soon as he had collared it.

Melissa was preferable.

She and her roommate, Angela Moore, or Moorecock, as he now called her, disapproved righteously of married men in quest of secret girlfriends, except for the married men who had quested specifically for them, and Yossarian was glad his newest divorce was final. He thought best not to divulge co her that, even with ravishing women, the seduction over, there was only the infatuation and sex, and that often in men of his years, caprice and fetishism were more arousing than Spanish fly. He was already scheming to take the last shuttle plane back with her from Washington and in the semidarkness of the interior attempt, while she sat near the window, to succeed in removing her underpants in the fifty or so minutes they had. Unless, of course, she wore jeans.

Unlike Angela, she herself never verbally tendered evidence of the versatile range of amatory experiences her roommate and best friend had bawdily claimed for them both. Her vocabulary tended toward the pristine. But she seemed a stranger to nothing and evinced no need for guidance or definitions. In fact, she knew a trick or two he had not imagined. And she so stubbornly resisted conversing about her sexual history that he soon left off searching for it.

"Who is Boris Godunov?" she asked in the car.

"The opera I was listening to the other night when you came in from work and then had me turn it off because you wanted to hear the fucking television news."

"When you get back," she next wanted to know, "can we listen to the Ring together?"

Here again, he considered, they both enjoyed another large advantage over the Wagnerian prototypes.

For good Brunnhilde had savored little delight once Siegfried set out on his mission of heroic deeds and had experienced only betrayal, misery, and jealous fury after he returned to seize and deliver her to another man. It did not once cross her mind while conspiring in his death that he might have been slipped a potion that caused him to forget who she was.

Whereas Yossarian was making Melissa happy.

This was a thing he had not been able to do for long with any other woman. He was hearing bird notes too.

Melissa found him expert and benevolent when he concluded she could indeed give up her staff job and have more money and time as a private-duty nurse, if--and it was a big if--she was willing to forgo her paid vacations and an eventual pension. But for her future security she must make up her mind that she must soon marry a man, handsome or not, even a boor, a dolt, forget charm, who did have a pension plan and would have a retirement income to bequeath when he died. Melissa listened blissfully, as though he were caressing and celebrating her.

"Do you have a pension plan?"

"Forget about me. It must be someone else."

She thought his brain immense.

A simple discharged promise made shortly after they'd met in the hospital affecting outdated silver fillings in two upper teeth meant more than he would have guessed; they were exposed when she laughed; and he'd pledged to have them replaced by porcelain crowns if she kept her eyes out for oversights and he came out of the hospital alive. And this, when done, went farther with her than all the long-stemmed red roses and lingerie from Saks Fifth Avenue, Victoria's Secret, and Frederick's of Hollywood, and suffused her with an exhilarated gratitude he had never witnessed before. Not even Frances Beach, who had so much from Patrick, knew how to feel grateful.

John Yossarian lay awake some nights in a tremulous agitation that this woman with whom he was entertaining himself might already be somewhat in love with him. He was not that positive he wanted what he wished for.

Since the shock in the shower, the course of this true love had run so smoothly as to beguile him into a presumption of the notional, fictitious, and surreal. On the memorable evening following his talk with Michael, in the movie house down from the lobby level of his apartment building, she showed no surprise when he put a hand on her shoulder to fondle her neck awhile, then another on the inside of her knee to see what good he could do for himself there. He was the one surprised when her resistance this time was perfunctory. With the coming of spring she wore no panty hose. Her jacket lay folded in her lap for tasteful concealment. When he moved upward to arrive at the silken touch of the panties and the feel of the lacework of curls underneath, he had come as far as he had aspired to and was content to stop. But she then said:

"We don't have to do that here." She spoke with the solemnity of a surgeon rendering a verdict that was inevitable. "We can go upstairs to your apartment."

He found he preferred to see the rest of the movie. "It's okay here. We can just keep watching."


Tags: Joseph Heller Catch-22 Classics