Loafing voices echoed mellifluously from above. The stairway was practically empty, the floor almost tidy. But the odors in this civilization were strong, the air reeking of smoke and unwashed bodies and their waste, a stench of rot and degradation that was violently disgusting and vilely intolerable to all but the mass producing it daily. By midnight there was scarcely a charmed body with enough living space to be free of another body more dissipated and fetid tumbled against it. People squabbled. There were shouts, quarrels, stabbings, burns, sex, drugs, drinking, and breaking glass; by morning there were casualties and an accumulation of filth of all sorts save industrial waste. There was no water or toilet. Garbage was not collected until morning, when the locals roused and took themselves to the sinks and the toilets in the rest rooms in sanitary preparation for the day's work ahead and, despite posted bans, to bathe and do laundry in the washbasins.
By this hour, the maintenance men had been through with their hoses and face masks to clean away the messes of excrement, trash, and garbage left the night before, the charred matchsticks and empty vials from dope, the soda cans, needles, wine bottles, and used condoms and old Band-Aids. The astringent smell of caustic disinfectant hung ineradicably in the air like the carbolic harbinger of a remorseless decay.
McBride took the staircase down past two raffish men of insolent and bored demeanor who were smoking marijuana and drinking wine and fell silent in tacit approbation after sizing him up and acknowledging with a kind of objective acceptance the latent authority and prowess he exuded. Near the bottom of the steps a solitary man slept with his back to the banister.
They passed to the concrete landing without disturbing him and tiptoed carefully around the one-legged woman being raped by a man with scrawny blanched buttocks and a livid scrotum not many yards from a large, brown-skinned woman who had taken off her bloomers and her skirt and was swabbing her backside and her armpits with a few damp towels she had laid out on newspapers with some folded dry ones near two brown shopping bags. She had splotchy freckles about her puffy eyes and bore scarred, tar-colored moles on her neck and back that made him think of melanoma. She stared at each in turn with a separate nod of matter-of-fact amity. Her pendulous breasts in a pink chemise were huge and her armpits were dark and bushy. Yossarian did not want to look down at her exposed vaginal area. He did not know who she was, but he knew he had not one thing he wanted to talk to her about.
On the last flight down to the sub-level outside, there sat only a skinny blonde woman with a bruised eye and a tattered red sweater, dreamily engaged in sewing a rip in a dirty white blouse. At the bottom, where the staircase came to an end facing an exit door to the street, someone had already shit in a corner. They looked away and walked looking down, as though in dire misgiving of a step into something sinful. Instead of heading outside, McBride turned beneath the staircase and proceeded into heavy shadows almost to the end of this lowest landing, until he came to a colorless door that Yossarian would have supposed invisible.
He switched on a light that was weak and yellow. The small room into which they stepped held only a metal closet with rusting doors on broken hinges that stood against a wall. McBride forced these doors apart and stepped inside the wasted relic. It had no back. He located a latch and pushed open an entranceway built into the wall itself.
"An addict found it," he mumbled rapidly. "I let him believe he was imagining it. Go on in."
Yossarian gasped with surprise in a cramped vestibule blocked by a wide fire door a few feet in front of his face. The slick surface was military green and painted at eye level with a warning in bold letters that could not be overlooked by anyone able to read.
EMERGENCY ENTRANCE
KEEP OUT
VIOLATORS WILL BE SHOT
The sturdy door seemed new, the letters fresh on the unmarred surface.
"Go on in. It's what I want to show you."
"I'm not allowed."
"Neither am I."
"Where's the key?"
"Where's the lock?" McBride grinned victoriously, his head cocked. "Go on."
The handle turned and the massive door slid open as though leveraged by counterweights and pivoting on noiseless bearings.
"They make it easy for people to get in, don't they?" said Yossarian softly.
McBride hung back, forcing Yossarian through first. Yossarian recoiled as he discovered himself on a tiny landing of wrought iron near the roof of a tunnel that seemed greatly higher than it was because of the dizzying angle downward of the staircase on which he was standing. Instinctively, he grasped the handrail. Here the flights of steps were small and reversed direction abruptly around an elliptical tiny platform of metal grillwork, where the next flight turned sharply back beneath him and dropped away out of sight at that same precipitous angle of descent. He could not see where the staircase came to an end in that abyss of a basement, whose dark floor seemed newly paved with some kind of rubberized compound. Looking down through the wrought-iron pattern of winding vine leaves that seemed to mock its own heavy composition, he was all at once reminded ridiculously of one of those vertical slides at an old-fashioned amusement park in which one embarked supine into darkness inside a cylindrical pillar with arms folded and went spiraling down with increasing momentum, to be expelled at last into a flat round arena of polished wood with disks rotating in contrary directions that bore him this way and that way for the pleasure of idle watchers until ultimately spilling him aside onto the stationary embankment that ringed the circular area of that particular attraction. The one he remembered best was named the Human Pool Table in the old George C. Tilyou Steeplechase Park in Coney Island. There, an iron handrail circling the viewing enclosure had been rigged electrically to administer stinging shocks of harmless voltage to unwary patrons whenever one of the red-suited attendants in green jockey caps thought the timing appropriate. That sudden onrush of tiny prickling needles bursting into the hands and arms was intolerable and memorable, and all who observed that half second of fright and panicked embarrassment of others laughed; the victims laughed too, afterward. There was laughter bursting from loudspeakers as well. Not many blocks away were freak shows featuring people with small heads.
Yossarian was standing now near the top of something nearly two stories high, a strange subterranean thoroughfare of impressive breadth and no discernible use, with a vaulted ceiling insulated with scored and pitted peach-colored acoustical tiles and outlined with slender borders of apple green. The high, flat walls of stone were of dark-reddish hue. These were tiled in white at the base like those of the underground stations of the subway system. The strange passageway was as wide as a city avenue, without curbs or sidewalks. It could have served as a train station too, except that he saw no rails or platforms. Then he spied near the bottom on the other side a long reflecting arrow in red that reminded him one moment of a fiery penis and the next of a flaming missile that shot vividly to the left and then dipped downward perpendicularly toward words in black that proclaimed:
Sub-Basements A-Z
Above the arrow, where the white tiling ended, and perhaps thirty feet to the right, he recognized a large stenciled letter S of luminescent amber on a square of glossy black. Obviously, they were inside an old bomb shelter, he knew, until he spotted near the ground a door of metal of the same olive-drab shade as on the one behind him, with writing on it in white he could not believe, even after he had donned his trifocals to see into the distance more clearly.
DANGER NO EXPLOSIVES
"That could mean at least two different things, couldn't it?" he said.
McBride nodded grimly. "That's what I thought too." Unexpectedly, he let out a laugh, as though proud of himself. "Now look at that plaque."
"What plaque?"
"In dark letters. It's set into the wall near the doorway and says that a man named Kilroy was here."
Yossarian gave McBride a searching look. "Kilroy? It says that? Kilroy was here?"
"You know Kilroy?"