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Kassim arrived with a glass of hot tea. Fisel nodded and picked up his magnifies The audience with the cousin of the king had ended.

Nina seethed with anger as she and Knox walked away from Fisel's tent. "Imperious little bastard! He knows damned well that I'm right."

Knox gave an avuncular chuckle. "My guess is that Fisel agrees entirely with your findings and will waste no time reporting them."

She grabbed the professor's arm and peered into his dusty face. "I don't understand. Why the act?"

"Oh, it's perfectly dear. He wants to claim the credit for discovering your Phoenician port."

"That's it!' She started back toward Fisel's tent. "If he thinks he's going to get away"

"Hold on, my dear. I promised you'd get credit for all underwater finds, and I meant it. Remember, we hold the important cards. You're the only one on this expedition who knows how to dive."

"He can bring in other divers."

"Yes, he can. Short, plump, bald, and nearsighted though he may be, Fisel swings a lot of weight, figuratively and literally, within his antiquities department. He can bring in all the resources he will need. In the meantime, I want you to finish your sketches, classify what you've found, and continue your survey using scientific methods."

She was still unconvinced. "What if he tries to stop me from diving?"

"This is a joint expedition. I am equal in command to him. He can only go so far until he gets permission. It will take days. If you think our red tape is formidable, remember Morocco is heavily influenced by the French, who invented the word bureaucrat. I will massage his ego, but I want you to do a very difficult thing. Consider giving Fisel some credit for this coup, if it truly turns out to be Phoenician. This is his country that we're digging up, after all. He may have some Phoenician forebears." .

Nina calmed down and allowed herself a laugh. "You're right. I'm sorry for the outburst. It's been a long day."

"No need for an apology. He is a bastard, but I'll remind him that if he doesn't have our cooperation in making this a joint find, he will have the credit taken from him by one of his own bastards at a higher level."

Nina thanked the professor, kissed him on the cheek, and returned to her tent. She worked on her sketches until the dinner bell rang. Fisel avoided her eyes at the table. The Iowa couple, who had dug up an intact water jug handle, held center stage. No one paid attention when Nina excused herself and went back to her tent.

After she finished writing a report of her findings on an IBM laptop computer, Nina propped up her noted and shot some pictures of the sketches with her digital camera. Then she fed images from the camera into the computer. The photos and sketches were razor sharp.

"Okay Fisel, let me see you try to get a jump on this. "

The computer was hooked up to a small suitcase that

contained a satellite phone. The solarpowered package cost her an arm and a leg, but it put her in touch with her home base from anywhere in the world. She punched out a number and sent the electronic packet of words and photos winging through the ether until it bounced off a loworbit Inmarsat global communications satellite, which inlayed it to a dish that fed the information at the speed of light into the database at the University of Pennsylvania.

Nina clicked off her computer, satisfied that her reports and pictures were safely in the databank at the university. She was unaware that even on the 'information highway, there are such things as dangerous detours.

San Antonio, Texas

3 ON OFFICIAL BLUEPRINTS THE WINDOWLESS room near the top of the glass office tower overlooking the peaceful waters of the San Antonio River did not exist. Even the city inspectors had no idea it was there. The subcontractors who installed the soundproof walls, the separate electrical conduits, and the voiceactivated security locks were paid well to keep their mouths zipped. If they thought it strange to build a secret door through the shower stall of a private bathroom, they kept their opinions to themselves.

The room's decor was as clinically functional as a laboratory. Uncluttered beige walls. A bank of oversized IBM computer monitors and hard drives, a document safe, and a center worktable. A man sat in front of a computer, his hardened face washed by the cold light from the oversized monitor. He scrolled down several pages of type and photos and stopped at a series of line drawings.

With a click of the cursor he enlarged one particular sketch and zoomed in on a section of the screen, hard blue eyes taking in every detail. Satisfied he had seen the entire file, he saved it on a floppy disk and pressed the print command. As the highspeed printer whirred away, he put the disk in an envelope and locked it in the safe. He gathered the printed file into a manila folder, stepped through the shower stall, went through another door into his office, and switched on an intercom.

"I'll need a few minutes. Right away" he said.

"He has time now," a female voice replied. "Ten minutes in between appointments."

He left his office with the folder and walked through a maze of thickly carpeted hallways. He was tall, at least six feet, no longer young, but the only concession to age was his close-cropped silver hair and a slight stoop to his muscular shoulders. His athletic body was still limber and rock hard thanks to a Spartan regimen of diet and exercise. Because he rarely smiled or frowned, his face was relatively unlined around the mouth and eyes, as if the skin had been lifted off and stretched over the square jaw and high cheekbones.

The floor held the company's administrative offices arid could be entered only by those with hand and voice ID: The work spaces were all on other levels, and he saw nobody until he came to the spacious reception area.

The highceiling space was done in burnt red, brown, and green earth colors, repeating a stylized arrow and square Indian pattern on floor and walls. Behind the receptionist was a semiabstract mural whose brownskinned figures and giant sprouting quetzal feathers were so intertwined it was hard to tell whether the painting depicted a human sacrifice or a cocktail party. The receptionist sat at a desk that seemed to float on a carpeted sea of burnt orange, unmindful of the painted drama behind her head.

The man stopped in front of the desk and without speaking glanced toward a thick, darkwood door carved with dozens of writhing figures being tormented in a peasant artist's depiction of hell.

"Mr. Halcon will see you," said the receptionist, a middle-aged woman chosen for her blandness; efficiency, and unquestioning loyalty.


Tags: Clive Cussler NUMA Files Thriller