"I see."
"Afra
id of the word 'politics' (which eventually became a synonym for Communism among the more reactionary elements, so I hear, and it was worth your life to use the word!), and with a screw tightened here, a bolt fastened there, a push, a pull, a yank, art and literature were soon like a great twine of taffy strung about, being twisted in braids and tied in knots and thrown in all directions, until there was no more resiliency and no more savor to it. Then the film cameras chopped short and the theaters turned dark. and the print presses trickled down from a great Niagara of reading matter to a mere innocuous dripping of 'pure' material. Oh, the word 'escape' was radical, too, I tell you!"
"Was it?"
"It was! Every man, they said, must face reality. Must face the Here and Now! Everything that was not so must go. All the beautiful literary lies and flights of fancy must be shot in mid-air. So they lined them up against a library wall one Sunday morning thirty years ago, in 1975; they lined them up, St. Nicholas and the Headless Horseman and Snow White and Rumpelstiltskin and Mother Goose--oh, what a wailing!--and shot them down, and burned the paper castles and the fairy frogs and old kings and the people who lived happily ever after (for of course it was a fact that nobody lived happily ever after!), and Once Upon A Time became No More! And they spread the ashes of the Phantom Rickshaw with the rubble of the Land of Oz; they filleted the bones of Glinda the Good and Ozma and shattered Polychrome in a spectroscope and served Jack Pumpkinhead with meringue at the Biologists' Ball! The Beanstalk died in a bramble of red tape! Sleeping Beauty awoke at the kiss of a scientist and expired at the fatal puncture of his syringe. And they made Alice drink something from a bottle which reduced her to a size where she could no longer cry 'Curiouser and curiouser,' and they gave the Looking Glass one hammer blow to smash it and every Red King and Oyster away!"
He clenched his fists. Lord, how immediate it was! His face was red and he was gasping for breath.
As for Mr. Bigelow, he was astounded at this long explosion. He blinked and at last said, "Sorry. Don't know what you're talking about. Just names to me. From what I hear, the Burning was a good thing."
"Get out!" screamed Stendahl. "You've done your job, now let me alone, you idiot!"
Mr. Bigelow summoned his carpenters and went away.
Mr. Stendahl stood alone before his House.
"Listen here," he said to the unseen rockets. "I came to Mars to get away from you Clean-Minded people, but you're flocking in thicker every day, like flies to offal. So I'm going to show you. I'm going to teach you a fine lesson for what you did to Mr. Poe on Earth. As of this day, beware. The House of Usher is open for business!"
He pushed a fist at the sky.
The rocket landed. A man stepped out jauntily. He glanced at the House, and his gray eyes were displeased and vexed. He strode across the moat to confront the small man there.
"Your name Stendahl?"
"Yes."
"I'm Garrett, Investigator of Moral Climates."
"So you finally got to Mars, you Moral Climate people? I wondered when you'd appear."
"We arrived last week. We'll soon have things as neat and tidy as Earth." The man waved an identification card irritably toward the House. "Suppose you tell me about that place, Stendahl?"
"It's a haunted castle, if you like."
"I don't like. Stendahl, I don't like. The sound of that word 'haunted.'"
"Simple enough. In this year of our Lord 2005 I have built a mechanical sanctuary. In it copper bats fly on electronic beams, brass rats scuttle in plastic cellars, robot skeletons dance; robot vampires, harlequins, wolves, and white phantoms, compounded of chemical and ingenuity, live here."
"That's what I was afraid of," said Garrett, smiling quietly. "I'm afraid we're going to have to tear your place down."
"I knew you'd come out as soon as you discovered what went on."
"I'd have come sooner, but we at Moral Climates wanted to be sure of your intentions before we moved in. We can have the Dismantlers and Burning Crew here by supper. By midnight your place will be razed to the cellar. Mr. Stendahl, I consider you somewhat of a fool, sir. Spending hard-earned money on a folly. Why, it must have cost you three million dollars--"
"Four million! But, Mr. Garrett, I inherited twenty-five million when very young. I can afford to throw it about. Seems a dreadful shame, though, to have the House finished only an hour and have you race out with your Dismantlers. Couldn't you possibly let me play with my Toy for just, well, twenty-four hours?"
"You know the law. Strict to the letter. No books, no houses, nothing to be produced which in any way suggests ghosts, vampires, fairies, or any creature of the imagination."
"You'll be burning Babbitts next!"
"You've caused us a lot of trouble, Mr. Stendahl. It's in the record. Twenty years ago. On Earth. You and your library."
"Yes, me and my library. And a few others like me. Oh, Poe's been forgotten for many years now, and Oz and the other creatures. But I had my little cache. We had our libraries, a few private citizens, until you sent your men around with torches and incinerators and tore my fifty thousand books up and burned them. Just as you put a stake through the heart of Halloween and told your film producers that if they made anything at all they would have to make and remake Earnest Hemingway. My God, how many times have I seen For Whom the Bell Tolls done! Thirty different versions. All realistic. Oh, realism! Oh, here, oh, now, oh hell!"
"It doesn't pay to be bitter!"