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The captain shut his eyes. "I want to see Marilyn very much."

The room was square and quiet except for their breathing.

"Good night, Ed."

A pause. "Good night, John."

He lay peacefully, letting his thoughts float. For the first time the stress of the day was moved aside; he could think logically now, It had all been emotion. The bands playing, the familiar faces. But now ...

How? he wondered. How was all this made? And why? For what purpose? Out of the goodness of some divine intervention? Was God, then, really that thoughtful of his children? How and why and what for?

He considered the various theories advanced in the first heat of the afternoon by Hinkston and Lustig. He let all kinds of new theories drop in lazy pebbles down through his mind, turning, throwing out dull flashes of light. Mom. Dad. Edward. Mars. Earth. Mars. Martians.

Who had lived here a thousand years ago on Mars? Martians? Or had this always been the way it was today?

Martians. He repeated the word idly, inwardly.

He laughed out loud almost. He had the most ridiculous theory quite suddenly. It gave him a kind of chill. It was really nothing to consider, of course. Highly improbable. Silly. Forget it. Ridiculous.

But, he thought, just suppose ... Just suppose, now, that there were Martians living on Mars and they saw our ship coming and saw us inside our ship and hated us, Suppose, now, just for the hell of it, that they wanted to destroy us, as invaders, as unwanted ones, and they wanted to do it in a very clever way, so that we would be taken off guard. Well, what would the best weapon be that a Martian could use against Earth Men with atomic weapons?

The answer was interesting. Telepathy, hypnosis, memory, and imagination.

Suppose all of these houses aren't real at all, this bed not real, but only figments of my own imagination, given substance by telepathy and hypnosis through the Martians, thought Captain John Black. Suppose these houses are really some other shape, a Martian shape, but, by playing on my desires and wants, these Martians have made this seem like my old home town, my old house, to lull me out of my suspicions. What better way to fool a man, using his own mother and father as bait?

And this town, so old, from the year 1926, long before any of my men were born. From a year when I was six years old and there were records of Harry Lauder, and Maxfield Parrish paintings still hanging, and bead curtains, and "Beautiful Ohio," and turn-of-the-century architecture. What if the Martians took the memories of a town exclusively from my mind? They say childhood memories are the clearest. And after they built the town from my mind, they populated it with the most-loved people from all the minds of the people on the rocket!

And suppose those two people in the next room, asleep, are not my mother and father at all, But two Martians, incredibly brilliant, with the ability to keep me under this dreaming hypnosis all of the time.

And that brass band today? What a startlingly wonderful plan it would be. First, fool Lustig, then Hinkston, then gather a crowd; and all the men in the rocket, seeing mothers, aunts, uncles, sweethearts, dead ten, twenty wears ago, naturally, disregarding orders, rush out and abandon ship. What more natural? What more unsuspecting? What more simple? A man doesn't ask too many questions when his mother is soddenly brought back to life; he's much too happy. And here we all are tonight, in various houses, in various beds, with no weapons to protect us, and the rocket lies in the moonlight, empty. And wouldn't it be horrible and terrifying to discover that all of this was part of some great clever plan by the Martians to divide and conquer us, and kill us? Sometime during the night, perhaps, my brother here on this bed will change form, melt, shift, and become another thing, a terrible thing, a Martian. It would be very simple for him just to turn over in bed and put a knife into my heart. And in all those other houses down the street, a dozen other brothers or fathers suddenly melting away and taking knives and doing things to the unsuspecting, sleeping men of Earth ...

His hands were shaking under the covers. His body was cold. Suddenly it was not a theory. Suddenly he was very afraid.

He lifted himself in bed and listened. The night was very quiet The music had stopped. The wind had died. His brother lay sleeping beside him.

Carefully he lifted the covers, rolled them back. He slipped from bed and was walking softly across the room when his brother's voice said, "Where are you going?"

"What?"

His brother's voice was quite cold. "I said, where do you think you're going?"

"For a drink of water."

"But you're not thirsty."

"Yes, yes, I am."

"No, you're not."

Captain John Black broke and ran across the room. He screamed. He screamed twice.

He never reached the door.

In the morning the brass band played a mournful dirge. From every house in the street came little solemn processions bearing long boxes, and along the sun-filled street, weeping, came the grandmas and mothers and sisters and brothers and uncles and fathers, walking to the churchyard, where there were new holes freshly dug and new tombstones installed. Sixteen holes in all, and sixteen tombstones.

The mayor made a little sad speech, his face sometimes looking like the mayor, sometimes looking like something else.

Mother and Father Black were there, with Brother Edward, and they cried, their faces melting now from a familiar face into something else.


Tags: Ray Bradbury Science Fiction