She couldn’t say why it made her smile to see the house. She hoped it was late enough in the day that Shane was settled in somewhere, or off with one of his lady friends. She knew that farm work started early in the day, so it seemed safe to assume it would be done by now.
She could see that part of a hayfield had been mowed, but there was no tractor, or whatever was used to cut it, in sight now. She was sorry she’d missed the action. Undoubtedly Shane MacKade riding through the fields on a large, powerful machine would make quite an interesting picture.
But it was really solitude she wanted, before she went back to her rooms and hunkered down with her equipment and notes for the rest of the night.
That was why she veered away from the house, rather than toward it.
She liked the smells here, found them oddly familiar. Some deeply buried memory, she supposed. Perhaps a former life. She was really going to start exploring the theory of reincarnation sometime soon. Fascinating subject.
Because she knew the story of the two corporals well, she wandered toward the outbuildings. She didn’t know precisely what a smokehouse might look like, but Regan had told her it was stone, and that it still stood.
There were wildflowers in the grass, little blue stars, yellow cups, tall, lacy spears of white. Charmed, she forgot her mission and began to gather a few. Beyond where she stood was a meadow, lushly green, starred with color from more wild blooms and the flutter of butterflies.
Had she ever taken time to walk in a meadow? she wondered. No, never. Her botany studies had been brief, and crowded with Latin names rather than with enjoyment.
So, she would enjoy it now. Light of heart, she walked toward the wide field of high grass, noting the way the sun slanted, the way the flowers swayed—danced, really—in the light breeze.
Then her throat began to ache, and her heartbeat thickened. For a moment there was such a terrible sadness, such a depth of loneliness, she nearly staggered. Her fingers clutched tightly at the flowers she’d picked.
She moved through the high grass, among the thistles shooting up purple puffs on thick stalks, and the sorrow clutched in her stomach like a fist. She stopped, watched butterflies flicker, listened to birds chirping. The strong sun warmed her skin, but inside she was so very cold.
What else could we have done? she asked herself, shivering with a grief that wasn’t her own, yet was stunningly real. What else was there to do?
Opening her hand, she let the flowers fall in the meadow grass at her feet. The tears stinging her eyes left her shaken, baffled. As carefully as a soldier in a minefield, she backed away from where her flowers lay in the grass.
Done about what? she wondered, a little frantic now. Where had the question come from, and what could it possibly mean? Then she turned, taking slow, deliberate breaths, and left the meadow behind.
All those strong, confusing emotions faded so that she began to doubt she’d ever felt them. Perhaps it was just that she was a little lonely, or that it was lowering to realize she wasn’t a woman to gather wildflowers or walk in meadows.
She was a creature of books and classrooms, of facts and theory. She’d been born that way. Certainly she’d been raised that way, uncompromisingly. The brilliant child of brilliant parents who had outlined and dictated her world so well, and for so long, that she was fully adult before she thought to question and rebel. Even in such a small way.
And the life she wanted to create for herself was still so foreign. Even now, she was thinking of going back, of keeping to her timetable, of sitting down with her equipment. No matter that it was something out of the ordinary that she intended to study, it was still studying.
Damn it.
Jamming her hands in her pockets, she deliberately turned away from the direction that would take her back to the inn. She would have her walk first, she ordered herself. She’d pick more wildflowers if she wanted to. Next time, she’d take off her shoes and walk in the meadow.
She was muttering to herself when she saw the cows, bumping together under a three-sided shed that was attached to the milk barn. Didn’t cows belong in the fields? she wondered. There were so many of them crowded together there, munching on what she supposed was hay or alfalfa.
Curious, she walked closer, keeping some distance only because she wasn’t entirely sure cows were as friendly as they looked. But when they didn’t seem the least concerned with her, she moved closer.
And heard him singing.
“One for the morning glory, two for the early dew, three for the man who stands his ground and four for the love of you…”
Delighted with the sound, Rebecca moved to the doorway and had her first glimpse of a milking parlor.
Whatever she’d imagined, it wasn’t this organized, oddly technical environment. There were big, shiny pipes and large chutes, the mechanical hum of a compressor or some other type of machine. A dozen cows stood in stanchions, eating contentedly from individual troughs. Some of them munched on grain as devices that looked like clever octopuses relieved them of their milk.
And Shane, stripped down to one of those undeniably sexy undershirts, a battered cap stuffed onto all that wonderful, wild hair, moved among them, still singing, or dropping into a whistle, as he checked feed or the progress of the milking machines.
“Okay, sweetie, all done.”
Caught up in the process, Rebecca stepped closer. “How does that work?”
He swore ripely, bumping the cow hard enough to have her moo in annoyance. The look he aimed at Rebecca was not one of friendly welcome.
“I’m sorry. I didn’t mean to sneak up on you. It’s noisy.” She tried a smile, and forced herself not to take a step in retreat. “I was out walking, and I saw the cows out there, and I wondered what was going on.”