and only.”
He recovered his pace and shook his head. “I heard you were dead.”
“Well, yeah,” I said, “but I’m taking it in stride.”
“They say you’re a lunatic,” Fitz said.
“Oh yeah?”
Fitz nodded. “They also . . .” He frowned. I could see the wheels spinning. “They also say you help people.”
“So?”
“So which is it?”
“You’ve got half a clue, Fitz,” I said. “You know that talk is cheap. There’s only one way to find out.”
Fitz tilted his head to one side and then nodded. “Yeah. So. Where we going?”
“To visit an old friend.”
We went to a street toward the north end of the South Side. Seedy wasn’t a fair description for the place, because seeds imply eventual regrowth and renewal. Parts of Chicago are wondrous fair, and parts of Chicago look postapocalyptic. This block had seen the apocalypse come, grunted, and said, “Meh.” There were no glass windows on the block—just solid boards, mostly protected by iron bars, and gaping holes.
Buildings had security fences outside their entrances, literally topped with razor wire. You’d need a blowtorch to get through them. At least one of the fences in my line of sight had been sliced open with a blowtorch. Metal cages covered the streetlights, too—but they were all out anyway. Tough to make a cheap metal cage that stops rounds from a handgun.
Every flat, open space had been covered in spray-painted graffiti, which I guess we’re supposed to call urban art now. Except art is about creating beauty. These paintings were territorial markers, the visual parallel to peeing on a tree. I’ve seen some gorgeous “outlaw” art, but that wasn’t in play here. The thump-thud of a ridiculously overpowered woofer sent a rumbling rhythm all up and down the block, loud enough to make the freshly fallen snow quiver and pack in a little tighter.
There was no one in sight. No one. Granted, it was getting late, but that’s still an oddity in Chicago.
I watched as Fitz took in the whole place and came to the same conclusion I had the first time I’d seen it—the obvious squalor, the heavy security, the criminally loud music with no one attempting to stop it.
“This is territory,” he said, coming to an abrupt halt. “I’m alone, I’m unarmed, and I’m not going there.”
“Vice Lords,” I said. “Or they were a few years ago. They’re a long-term gang, so I assume they still are.”
“Still not going there,” said Fitz.
“Come on, Fitz,” I said. “They aren’t so bad. For a gang. They almost always have a good reason to kill the people they kill. And they keep the peace on this street, if you aren’t too far behind on your payments.”
“Yeah. They sound swell.”
I shrugged, though he couldn’t see it. “Police response time for this place is way the hell after everything has already happened. People here are more likely to get help from a gang member than a cop if they’re in trouble.”
“You’re a fan?”
“No,” I said. “It shouldn’t be like this. The gangs are dangerous criminals. They rule through force and fear. But at least they don’t pretend to be anything else.”
Fitz grimaced and looked down to stare at his open palms for a moment. Then he said, “Guess I’m not in a place where I can throw stones.”
“You couldn’t break anything if you did,” I said. “You’re of no use to me dead, kid. We’re not going down the block. First place on the right. If you don’t walk past there, you won’t be crossing any lines.”
Fitz frowned. “The place with the metal shutters?”
“Yeah. You remember what I told you to say?”
“Yeah, yeah, I remember the script,” Fitz said, scowling. “Can we get this over with?”
“I’m not the one who can knock on the door.”
He scowled more deeply and started walking.
The building he went to was part of a larger building that had once held four small businesses. One had been a clinic, one a lawyer, and one a small grocery. They were gutted and empty now. Only the fourth one remained. The metal shutter over the doorway held the only thing that looked like actual art: a nearly life-sized portrait of a rather dumpy angel, the hem of his robe dirty and frayed, his messy hair doing nothing to conceal his oncoming baldness. He held a doughnut in one hand and had a sawed-off shotgun pointing straight toward the viewer in the other.
“Heh,” I said. “That’s new.”
Fitz regarded the painting warily. “What is this place again?”
“A detective agency,” I said. “Ragged Angel Investigations.”
“Looks kinda