I take off my coat and climb onto the edge of the fountain. She asks me what I'm doing.
"I'm going to walk over to that column in the middle of the fountain."
"You're mad. It's spring now, the ice will be getting really thin."
"I need to walk over to the column."
I place one foot on the surface, the whole sheet of ice moves, but does not crack. With one eye on the rising sun, I make a kind of wager with God: if I manage to reach the column and come back without the ice cracking, that will be a sign that I am on the right path, and that his hand is showing me where I should go.
"You'll
fall in the water."
"So? The worst that can happen is that I'll get a bit cold, but the hotel isn't far away and I won't have to suffer for long."
I put my other foot on the ice: I am now in the fountain. The ice breaks away from the edges and a little water laps onto the surface of the ice, but the ice does not break. I set off toward the column. It's only about four meters there and back, and all I risk is getting a very cold bath. However, I mustn't think about what might happen: I've taken the first step and I must continue to the end.
I reach the column, touch it with my hand, hear everything around me creaking, but I'm still on the ice. My first instinct is to run back, but something tells me that if I do that, my steps will become heavier, firmer, and I'll fall into the water. I must walk back slowly, at the same pace.
The sun is rising ahead of me; it dazzles me slightly. I can see only Marie's silhouette and the shapes of the buildings and the trees. The sheet of ice keeps shifting, water spills over onto the surface, but I know--with absolute certainty--that I will reach the edge. I am in communion with the day, with my choices. I know the limits of the frozen water; I know how to deal with it, how to ask for its help, to keep me from falling. I begin to enter a kind of trance, a euphoric state; I am a child again, doing something that is wrong, forbidden, but which gives me enormous pleasure. Wonderful! Crazy pacts with God, along the lines of "If I manage to do this, then so and so will happen," signs provoked not by anything that comes from outside, but by instinct, by my capacity to forget the old rules and create new situations.
I am grateful for having met Mikhail, the epileptic who thinks he can hear voices. I went to his meeting at the restaurant in search of my wife and discovered that I was turning into a pale reflection of myself. Is Esther still important? I think so, for it was her love that changed my life once and which is transforming me now. My history had grown old and was becoming ever heavier to carry, and far too serious for me ever to take risks like walking on ice, making a wager with God, forcing a sign to appear. I had forgotten that one has to continue walking the road to Santiago, to discard any unnecessary baggage, to keep only what you need in order to live each day, and to allow the energy of love to flow freely, from the outside in and from the inside out.
Another cracking sound, and a fault line appears across the surface, but I know I will make it, because I am light, so light that I could even walk on a cloud and not fall to earth. I am not carrying with me the weight of fame, of stories I have told, of itineraries to follow. I am so transparent that the sun's rays can penetrate my body and illumine my soul. I see that there are still many dark areas inside me, but with perseverance and courage they will gradually be washed away.
Another step, and I remember the envelope on my desk at home. Soon I will open it and, instead of walking on ice, I will set off along the path that leads me to Esther. I will do so not because I want her by my side, for she is free to remain where she is. It is not because I dream day and night of the Zahir; that loving, destructive obsession seems to have vanished. It is not because I am used to my past as it was and passionately want to go back to it.
Another step, more sounds of cracking, but safety and the edge of the fountain are close.
I will open the envelope and go and find her because--as Mikhail, the epileptic, the seer, the guru of the Armenian restaurant, says--this story needs to reach its end. When everything has been told and retold countless times, when the places I have visited, the things I have experienced, the steps I have taken because of her are all transformed into distant memories, nothing will remain but pure love. I won't feel as if I owe anything, I won't feel that I need her because only she can understand me, because I'm used to her, because she knows my vices and my virtues, knows that I like to have a slice of toast before I go to bed and to watch the international news when I wake up, that I have to go for a walk every morning, or that she knows about my collection of books on archery, about the hours spent in front of the computer screen, writing, about how annoyed I get when the maid keeps calling me to tell me the food is on the table.
All that will disappear. What remains will be the love that moves the heavens, the stars, people, flowers, insects, the love that obliges us all to walk across the ice despite the danger, that fills us with joy and with fear, and gives meaning to everything.
I touch the edge of the fountain, a hand reaches out to me, I grab hold of it, and Marie helps to steady me as I step down.
"I'm proud of you. I would never do anything like that."
"Not so long ago, I wouldn't have either; it seems so childish, irresponsible, unnecessary, pointless. But I am being reborn and I need to take new risks."
"The morning light is obviously good for you; you're talking like a wise man."
"No wise man would do what I've just done."
I have to write an important article for a magazine that is one of my major creditors in the Favor Bank. I have hundreds, thousands of ideas in my head, but I don't know which of them merits my effort, my concentration, my blood.
It is not the first time this has happened, but I feel as if I have said everything of importance that I need to say. I feel as if I'm losing my memory and forgetting who I am.
I go over to the window and look out at the street. I try to convince myself that I am professionally fulfilled and have nothing more to prove, that I can justifiably withdraw to a house in the mountains and spend the rest of my life reading, walking, and talking about food and the weather. I tell myself over and over that I have achieved what almost no other writer has achieved--my books have been translated into nearly every written language in the world. Why worry about a mere magazine article, however important the magazine itself might be? Because of the Favor Bank. So I really do need to write something, but what have I got to say to people? Should I tell them that they need to forget all the stories that have been told to them and take more risks?
They'll all say, "I'm an independent being, thank you very much. I'll do as I please."
Should I tell them that they must allow the energy of love to flow more freely?
They'll say, "I feel love already. In fact, I feel more and more love," as if love could be measured the way we measure the distance between two railway tracks, the height of buildings, or the amount of yeast needed to make a loaf of bread.
I return to my desk. The envelope Mikhail left for me is open. I now know where Esther is; I just need to know how to get there. I phone him and tell him about my walk across the ice. He is impressed. I ask him what he's doing tonight, and he says he's going out with his girlfriend, Lucrecia. I suggest taking them both to supper. No, not tonight, but, if I like, I could go out with him and his friends next week.
I tell him that next week I'm giving a talk in the United States. There's no hurry, he says, we can wait two weeks.