The soldiers kept kicking.
“They changed, even as we fought them. Like shadows they were, that can transform as the flame dances. Never underestimate them because of what you first see.”
—Purports to be a scrap collected from Talatin, a Radiant of the Order of Stonewards. The source—Guvlow’s Incarnate—is generally held as reliable, though this is from a copied fragment of “The Poem of the Seventh Morning,” which has been lost.
Sometimes, when Shallan walked into the Palanaeum proper—the grand storehouse of books, manuscripts, and scrolls beyond the study areas of the Veil—she grew so distracted by the beauty and scope of it that she forgot everything else.
The Palanaeum was shaped like an inverted pyramid carved down into the rock. It had balcony walkways suspended around its perimeter. Slanted gently downward, they ran around all four walls to form a majestic square spiral, a giant staircase pointing toward the center of Roshar. A series of lifts provided a quicker method of descending.
Standing at the top level’s railing, Shallan could see only halfway to the bottom. This place seemed too large, too grand, to have been shaped by the hands of men. How had the terraced levels been aligned so perfectly? Had Soulcasters been used to create the open spaces? How many gemstones would that have taken?
The lighting was dim; there was no general illumination, only small emerald lamps focused to illuminate the walkway floors. Ardents from the Devotary of Insight periodically moved through the levels, changing the spheres. There had to be hundreds upon hundreds of the emeralds here; apparently, they made up the Kharbranthian royal treasury. What better place for them than the extremely secure Palanaeum? Here they could both be protected and serve to illuminate the enormous library.
Shallan continued on her way. Her parshman servant carried a sphere lantern containing a trio of sapphire marks. The soft blue light reflected against the stone walls, portions of which had been Soulcast into quartz purely for ornamentation. The railings had been carved from wood, then transformed to marble. When she ran her fingers across one, she could feel the original wood’s grain. At the same time, it had the cold smoothness of stone. An oddity that seemed designed to confuse the senses.
Her parshman carried a small basket of books full of drawings by famous natural scientists. Jasnah had begun allowing Shallan to spend some of her study time on topics of her own choosing. Just a single hour a day, but it was remarkable how precious that hour had become. Recently, she’d been digging through Myalmr’s Western Voyages.
The world was a wondrous place. She hungered to learn more, wished to observe each and every one of its creatures, to have sketches of them in her books. To organize Roshar by capturing it in images. The books she read, though wonderful, all felt incomplete. Each author would be good with words or with drawings, but rarely both. And if the author was good with both, then her grasp of science would be poor.
There were so many holes in their understanding. Holes that Shallan could fill.
No, she told herself firmly as she walked. That’s not what I’m here to do.
It was getting harder and harder to stay focused on the theft, though Jasnah—as Shallan had hoped—had begun using her as a bathing attendant. That might soon present the opportunity she needed. And yet, the more she studied, the more she hungered for knowledge.
She led her parshman to one of the lifts. There, two other parshmen began lowering her. Shallan eyed the basket of books. She could spend her time on the lift reading, maybe finish that section of Western Voyages…
She turned away from the basket. Stay focused. On the fifth level down, she stepped out into the smaller walkway that connected the lift to the sloping ramps set into the walls. Upon reaching the wall, she turned right and continued down a little farther. The wall was lined with doorways and, finding the one she wanted, she entered a large stone chamber filled with tall bookshelves. “Wait here,” she said to her parshman as she dug her drawing folio out of the basket. She tucked it under her arm, took the lantern, and hurried into the stacks.
One could disappear for hours in the Palanaeum and never see another soul. Shallan rarely saw anyone while searching out an obscure book for Jasnah. There were ardents and servants to fetch volumes, of course, but Jasnah thought it important for Shallan to practice doing it herself. Apparently the Kharbranthian filing system was now standard for many of Roshar’s libraries and archives.
At the back of the room, she found a small desk of cobwood. She set her lantern on one side and sat on the stool, getting out her portfolio. The room was silent and dark, her lantern light revealing the ends of bookshelves to her right and a smooth stone wall to her left. The air smelled of old paper and dust. Not wet. It was never damp in the Palanaeum. Perhaps the dryness had something to do with the long troughs of white powder at the ends of each room.
She undid her portfolio’s leather ties. Inside, the top sheets were blank, and the next few contained drawings she’d done of people in the Palanaeum. More faces for her collection. Hidden in the middle was a far more important set of drawings: sketches of Jasnah performing Soulcastings.
The princess used her Soulcaster infrequently; perhaps she hesitated to use it when Shallan was around. But Shallan had caught a handful of occasions, mostly when Jasnah had been distracted, and had apparently forgotten she wasn’t alone.
Shallan held up one picture. Jasnah, sitting in the alcove, hand to the side and touching a crumpled piece of notepaper, a gem on her Soulcaster glowing. Shallan held up the next picture. It depicted the same scene just seconds later. The paper had become a ball of flames. It hadn’t burned. No, it had become fire. Tongues of flame coiling, a flash of heat in the air. What had been on it that Jasnah wished to hide?
Another picture showed Jasnah Soulcasting the wine in her cup into a chunk of crystal to use as a paperweight, the goblet itself holding down another stack, on one of the rare occasions when they’d dined—and studied—on a patio outside the Conclave. There was also the one of Jasnah burning words after running out of ink. When Shallan had seen her burning letters into a page, she’d been amazed at the Soulcaster’s precision.
It seemed that this Soulcaster was attuned to three Essences in particular: Vapor, Spark, and Lucentia. But it should be able to create any of the Ten Essences, from Zephyr to Talus. That last one was the most important to Shallan, as Talus included stone and earth. She could create new mineral deposits for her family to exploit. It would work; Soulcasters were very rare in Jah Keved, and her family’s marble, jade, and opal would sell at a premium. They couldn’t create actual gemstones with a Soulcaster—that was said to be impossible—but they could create other deposits of near equal value.
Once those new deposits ran out, they’d have to move to less lucrative trades. That would be all right, though. By then, they’d have paid off their debts and compensated those to whom promises had been broken. House Davar would become unimportant again, but would not collapse.
Shallan studied the pictures again. The Alethi princess seemed remarkably casual about Soulcasting. She held one of the most powerful artifacts in all of Roshar, and she used it to create paperweights? What else did she use the Soulcaster for, when Shallan wasn’t watching? Jasnah seemed to use it less frequently in her presence now than she had at first.