I most certainly didn't know this was best. And the weird thing was, I wasn't sure even she believed it, considering how nervous she sounded when she said it. Looking back, I think they both had doubts about the whole thing. They didn't actual y say that, of course, but their body language told a different story. When they first told me about their plan, my dad kept touching my mom's knee - not romantical y or anything, but like he needed reassurance, like he needed to remind himself that she was there and that things were going to be okay. It made me wonder. I mean, they were headed to Germany for a two-year research sabbatical they'd spent months applying for, but despite what they'd said about the great "opportunity," they didn't seem thril ed about going.
The whole thing was very, very strange.
Anyway, my mom's throwing out, "It's for the best," at the airport wasn't a new thing. She and dad had both been repeating that phrase over the last few weeks like a mantra.
I didn't know that it was for the best, but I didn't want a bratty comment to be the last thing I said to them, so I nodded at my mom and faked a smile, and let my dad pul me into a rib-breaking hug.
"You can cal us anytime," he said. "Anytime, day or night.
Or e-mail. Or text us." He pressed a kiss to the top of my head. "You're our light, Lils," he whispered. "Our light."
I wasn't sure whether I loved him more, or hated him a little, for caring so much and stil sending me away.
We said our good-byes, and I traversed the concourse and took my seat on the plane, with a credit card for emergencies in my wal et, a duffel bag bearing my name in the bel y of the jet, and my palm pressed to the window as New York fel behind me.
Good-bye, "New York State of Mind."
Pete Wentz said it best in his song title: "Chicago Is So Two Years Ago."
Two hours and a tiny bag of peanuts later, I was in the 312, greeted by a wind that was fierce and much too cold for an afternoon in early September, Windy City or not. My knee-length skirt, part of my new St. Sophia's uniform, didn't help much against the chil .
I glanced back at the black-and-white cab that had dropped me off in front of the school's enclave on East Erie. The driver pul ed away from the curb and merged into traffic, leaving me there on the sidewalk, giant duffel bag in my hands, messenger bag across my shoulder, and downtown Chicago around me.
What stood before me, I thought as I gazed up at St.
Sophia's School for Girls, wasn't exactly welcoming.
The board members had told me that St. Sophia's had been a convent in its former life, but it could have just as easily been the setting for a gothic horror movie. Dismal gray stone. Lots of tal , skinny windows, and one giant round one in the middle. Fanged, grinning gargoyles perched at each corner of the steep roof.
I tilted my head as I surveyed the statues. Was it weird that nuns had been guarded by tiny stone monsters? And were they supposed to keep people out . . . or in?
Rising over the main building were the symbols of St.
Sophia's - two prickly towers of that same gray stone.
Supposedly, some of Chicago's leading ladies wore silver rings inscribed with an outline of the towers, proof that they'd been St. Sophia's girls.
Three months after my parents' revelation, I stil had no desire to be a St. Sophia's girl. Besides, if you squinted, the building looked like a pointy-eared monster.
I gnawed the inside of my lip and scanned the other few equal y gothic buildings that made up the smal campus, al but hidden from the rest of Chicago by a stone wal . A royal blue flag that bore the St. Sophia's crest (complete with tower) rippled in the wind above the arched front door. A Rol s-Royce was parked on the curved driveway below.
This wasn't my kind of place. This wasn't Sagamore. It was far from my school and my neighborhood, far from my favorite vintage clothing store and favorite coffeehouse.
Worse, given the Rol s, I guessed these weren't my kind of people. Wel , they used to not be my kind of people. If my parents could afford to send me here, we apparently had money I hadn't known about.
"This sucks," I muttered, just in time for the heavy double doors in the middle of the tower to open. A woman - tal , thin, dressed in a no-nonsense suit and sensible heels - stepped into the doorway.
We looked at each other for a moment. Then she moved to the side, holding one of the doors open with her hand.
I guessed that was my cue. Adjusting my messenger bag and duffel, I made my way up the sidewalk.
"Lily Parker?" she asked, one eyebrow arched questioningly, when I got to the stone stairs that lay before the door.
I nodded.
She lifted her gaze and surveyed the school grounds, like an eagle scanning for prey. "Come inside."
I walked up the steps and into the building, the wind ruffling my hair as the giant doors were closed behind me.
The woman moved through the main building quickly, efficiently, and, most noticeably, silently. I didn't get so much as a hel o, much less a warm welcome to Chicago.
She hadn't spoken a word since she'd beckoned me to fol ow her.
And fol ow her I did, through lots of slick limestone corridors lit by tiny flickering bulbs in old-fashioned wal sconces. The floor and wal s were made of the same pale limestone, the ceiling overhead a grid of thick wooden beams, gold symbols painted in the spaces between them.
A bee. The flowerlike shape of a fleur-de-lis.
We turned one corner, then another, until we entered a corridor lined with columns. The ceiling changed, rising above us in a series of pointed arches outlined in curved wooden beams, the spaces between them painted the same blue as St. Sophia's flag. Gold stars dotted the blue.
It was impressive - or at least expensive.
I fol owed her to the end of the hal way, which terminated in a wooden door. A name, MARCELINE D. FOLEY, was written in gold letters in the middle of it.
When she opened the door and stepped inside the office, I assumed she was Marceline D. Foley. I stepped inside behind her.
The room was darkish, a heavy fragrance drifting up from a smal oil burner on a side table. A gigantic, circular stained glass window was on the wal opposite the door, and a massive oak a ffice, desk sat in front of the window.
"Close the door," she said. I dropped my duffel bag to the floor, then did as she'd directed. When I turned around again, she was seated behind the desk, manicured hands clasped before her, her gaze on me.
"I am Marceline Foley, the headmistress of this school," she said. "You've been sent to us for your education, your personal growth, and your development into a young lady.
You wil become a St. Sophia's girl. As a junior, you wil spend two years at this institution. I expect you to use that time wisely - to study, to learn, to network, and to prepare yourself for academical y chal enging studies at a wel - respected university.