Page 68 of Smoke and Mirrors

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I was in Los Angeles. Yes.

On the sixth day I received a message from an old sort-of-girlfriend from Seattle: she was in L.A., too, and she had heard I was around on the friends-of-friends network. Would I come over?

I left a message on her machine. Sure.

That evening: a small, blonde woman approached me as I came out of the place I was staying. It was already dark.

She stared at me, as if she were trying to match me to a description, and then, hesitantly, she said my name.

“That’s me. Are you Tink’s friend?”

“Yeah. Car’s out back. C’mon. She’s really looking forward to seeing you.”

The woman’s car was one of the huge old boatlike jobs you only ever seem to see in California. It smelled of cracked and flaking leather upholstery. We drove out from wherever we were to wherever we were going.

Los Angeles was at that time a complete mystery to me; and I cannot say I understand it much better now. I understand London, and New York, and Paris: you can walk around them, get a sense of what’s where in just a morning of wandering, maybe catch the subway. But Los Angeles is about cars. Back then I didn’t drive at all; even today I will not drive in America. Memories of L.A. for me are linked by rides in other people’s cars, with no sense there of the shape of the city, of the relationships between the people and the place. The regularity of the roads, the repetition of structure and form, mean that when I try to remember it as an entity, all I have is the boundless profusion of tiny lights I saw from the hill of Griffith Park one night, on my first trip to the city. It was one of the most beautiful things I had ever seen, from that distance.

“See that building?” said my blonde driver, Tink’s friend. It was a redbrick Art Deco house, charming and quite ugly.

“Yes.”

“Built in the 1930s,” she said, with respect and pride.

I said something polite, trying to comprehend a city inside which fifty years could be considered a long time.

“Tink’s real excited. When she heard you were in town. She was so excited.”

“I’m looking forward to seeing her again.”

Tink’s real name was Tinkerbell Richmond. No lie.

She was staying with friends in a small apartment clump, somewhere an hour’s drive from downtown L.A.

What you need to know about Tink: she was ten years older than me, in her early thirties; she had glossy black hair and red, puzzled lips, and very white skin, like Snow White in the fairy stories; the first time I met her I thought she was the most beautiful woman in the world.

Tink had been married for a while at some point in her life and had a five-year-old daughter called Susan. I had never met Susan—when Tink had been in England, Susan had been staying on in Seattle, with her father.

People named Tinkerbell name their daughters Susan.

Memory is the great deceiver. Perhaps there are some individuals whose memories act like tape recordings, daily records of their lives complete in every detail, but I am not one of them. My memory is a patchwork of occurrences, of discontinuous events roughly sewn together: The parts I remember, I remember precisely, whilst other sections seem to have vanished completely.

I do not remember arriving at Tink’s house, nor where her flatmate went.

What I remember next is sitting in Tink’s lounge with the lights low, the two of us next to each other, on her sofa.

We made small talk. It had been perhaps a year since we had seen one another. But a twenty-one-year-old boy has little to say to a thirty-two-year-old woman, and soon, having nothing in common, I pulled her to me.

She snuggled close with a kind of sigh, and presented her lips to be kissed. In the half-light her lips were black. We kissed for a little on the couch, and I stroked her br**sts through her blouse and then she said:

“We can’t f**k. I’m on my period.”

“Fine.”

“I can give you a blowjob, if you’d like.”

I nodded assent, and she unzipped my jeans, and lowered her head to my lap.

After I had come, she got up and ran into the kitchen. I heard her spitting into the sink, and the sound of running water: I remember wondering why she did it, if she hated the taste that much.

Then she returned and we sat next to each other on the couch.

“Susan’s upstairs, asleep,” said Tink. “She’s all I live for. Would you like to see her?”

“I don’t mind.”

We went upstairs. Tink led me into a darkened bedroom. There were child-scrawl pictures all over the walls—wax-crayoned drawings of winged fairies and little palaces—and a small fair-haired girl was asleep in the bed.

“She’s very beautiful,” said Tink, and kissed me. Her lips were still slightly sticky. “She takes after her father.”

We went downstairs. We had nothing else to say, nothing else to do. Tink turned on the main light. For the first time, I noticed tiny crow’s feet at the corners of her eyes, incongruous on her perfect Barbie doll face.

“I love you,” she said.

“Thank you.”

“Would you like a ride back?”

“If you don’t mind leaving Susan alone . . .”

She shrugged, and I pulled her to me for the last time.

At night Los Angles is all lights. And shadows. A blank, here, in my mind. I simply don’t remember what happened next. She must have driven me back to the place where I was staying—how else would I have gotten there? I do not even remember kissing her good-bye. Perhaps I simply waited on the sidewalk and watched her drive away.

Perhaps.

I do know, however, that once I reached the place I was staying, I just stood there, unable to go inside, to wash, and then to sleep, unwilling to do anything else.

I was not hungry. I did not want alcohol. I did not want to read or talk. I was scared of walking too far, in case I became lost, bedeviled by the repeating motifs of Los Angeles, spun around and sucked in so I could never find my way home again. Central Los Angeles sometimes seems to me to be nothing more than a pattern, like a set of repeating blocks: a gas station, a few homes, a mini-mall (doughnuts, photo developers, Laundromats, fast foods), and repeat until hypnotized; and the tiny changes in the mini-malls and the houses only serve to reinforce the structure.

I thought of Tink’s lips. Then I fumbled in a pocket of my jacket and pulled out a packet of cigarettes.

I lit one, inhaled, blew blue smoke into the warm night air.

There was a stunted palm tree growing outside the place I was staying, and I resolved to walk for a way, keeping the tree in sight, to smoke my cigarette, perhaps even to think; but I felt too drained to think. I felt very sexless, and very alone.


Tags: Neil Gaiman Horror