"He should be, but he's not. Besides"—joy, pure joy, was running inside him in long, loose strides—"the artist is very inventive."
"I can verify that."
"Give me another hour."
She leaned back to stare at him. "You're going to paint again? Now?"
"Trust me. It's important, really important. Just—here." She was still gaping at him when he shifted her and gave her a light shove back onto the bed. "Do you remember the pose, or do you need me to set you?"
"Do I… oh, for heaven sake." More than a little miffed, she rolled to her side, flopped her arm over her breasts.
"Okay, I'll set you." Cheerful, energized, he moved her, redistributed rose petals, stepped back, then forward again to make more adjustments.
"It's okay to pout now, but turn your head toward me."
"I'm not pouting. I'm entirely too mature to pout."
"Whatever." He grabbed his jeans, tugged them on. "I need the angle of your head… chin up. Whoa, not that far, sugar.
That's better," he said, grabbing the brush he needed. "Tilt your head, just a… Ah, yeah, that's it. You're amazing, you're perfect. You're the best."
"You're fall of shit."
"Now, that's mature." He went to work. "And a little crude coming from you."
"I can be crude when the occasion calls for it." As far as she was concerned, having a man more interested in his work than in holding her when she'd just fallen in love was the perfect occasion.
"Okay, shut up. Just look at me now, listen to the music."
"Fine. I've nothing to say to you anyway."
Maybe not, he thought, but her face had a great deal to say. And he wanted it all. He painted the arrogant angle of it, the strong chin with that lovely shadow in the center, the sculpted cheekbones, the gorgeous shape of her eyes, eyebrows, the straight patrician line of her nose.
But for the rest, for her mouth, for the look in her eyes, he needed something more.
"Don't move," he ordered as he came back to the bed. "I want you to think about how much I want you."
"I beg your pardon?"
"Think about how powerful you are, the way you look. As if you're just waking up and you see me looking at you. Craving you. You've got all the power here."
"Is that so?"
"I'm desperate for you." He leaned down, his lips a whisper from hers. "You know it. All you have to do is crook a finger. All you have to do is smile." He laid his lips on hers, took the kiss slow and deep, gave her a taste of his yearning. "And I'm a slave."
He backed up, his eyes on hers as he eased around the canvas. "It's you, Drusilla. You."
Her lips curved, a kind of knowing. In her eyes an invitation shimmered that was both luminous and languid.
He saw everything he wanted in that one moment, the awareness, the confidence, the desire and the promise.
"Don't change."
He saw nothing but her, felt nothing but her to the point where he was almost unaware of his own hand moving. Of mixing the paint, dabbing it, stroking it, all but breathing it onto the paper so that her face bloomed for him.
He caught what he could, knew he would see that light on her face forever. It would be there when he needed to complete the work.
It would be there, in his mind and heart, whenever he was alone. Whenever he was lonely.
"I can do it," he said, and laid aside his brush. "When I do, it'll be the most important thing I've ever done. Do you know why?"
She couldn't speak now, could barely breathe over the tumult of her heart. She could only shake her head.
"Because this is what you are to me. What I knew, somehow, you'd be to me from the first moment. Drusilla." He stepped toward the bed. "I love you."
Her breath shuddered out. "I know." She pressed a hand to her heart, in wonder that it didn't simply burst free in one mad leap of joy. "I know. I'm terrified. Oh God, Seth, I'm terrified, because I love you, too."
She sprang up, scattering rose petals, and leaped into his arms.
* * *
Chapter Fifteen
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HURRICANE ANNA swept through the house and had her men ducking for cover. She blew through the living room, snatching socks, shoes, ball caps, empty glasses. Those who didn't move fast enough to evacuate were forced to catch hurled items, or get beaned.
By the time she reached the kitchen, the survivors had made themselves scarce. Even the dog had gone into hiding.
From what he hoped was a safe distance, Seth cleared his throat. "Um, Anna, it's just dinner."
She rounded on him. He figured he outweighed her by a good forty pounds, and still his belly contracted in something like fear at the kill lights in her dark eyes. "Just dinner?" she repeated. "And I suppose you think food just makes itself?"
"No. But whatever we were having is fine. Is great," he amended. "Dru's not fussy or anything."
"Oh, Dru's not fussy or anything," Anna tossed back as she yanked open cupboards, pulled out ingredients, slammed them shut again. "So it's just fine to give me an hour's notice that we're having company for dinner."
"It's not company, exactly. I thought we'd just grab something, then—"
"Oh, you thought you'd just grab something." She walked toward him with the slow, deliberate steps that struck terror into the very center of his heart. "Maybe we'll just order pizza and have her pick it up on the way."
Cam, hoping her skewering Seth like a bug would keep her attention diverted, tried to sidle in to sneak a beer out of the fridge. He should've known better.
"And you." She bared her teeth at Cam. "You think you can march into my kitchen in your dirty shoes? Don't you even think about plopping your butt down in the living room, sucking on that beer. You're not king around here."
He had the beer, and whipped it behind his back just in case she got any ideas. "Hey, I'm an innocent bystander."
"There are no innocents in this house. Stay!" she ordered when Seth tried to slip out of the room. "I'm not finished with you."
"Okay, okay. Look, what's the big deal? Somebody's always dropping by for dinner. Kevin had that freak friend of his over just the other night."
"He's not a freak," Kevin called out from the safety of the living room.
"Hey, he had a nose ring and kept quoting Dylan Thomas."
"Oh, Marcus. He's a freak. I thought you meant Jerry."
"See?" Seth lifted his hands. "We've got so many p
eople in and out of here we can't even keep them straight."
"This is different." Since Anna had just pulled a large chef's knife out of the block, and Cam, the coward, had deserted the field, Seth decided not to argue.
"Okay. I'm sorry. I'll help."
"Damn right you will. Red potatoes." She stabbed the knife toward the pantry. "Scrub."
"Yes 'm."
"Quinn!"
"What?" Voice aggrieved, Cam eased back into the doorway but kept the beer out of sight. "I didn't do anything."
"Exactly. Shower. Do not throw your towel on the floor. Shave."
"Shave?" He rubbed a hand over his chin and looked harassed. "It's not morning."
"Shave," she repeated and began to mince garlic with such violent enthusiasm, Seth tucked his fingers safely in his pockets, just in case.
"Jesus Christ." Cam curled his lip at Seth and stalked away.
"Jake! Pick up your crap on the floor of the den. Kevin! Run the vacuum."
"Why do you want them to hate me?" Seth pleaded.
Anna's only answer was a steely look. "When you've scrubbed those potatoes, I want them cut into chunks. About this size," she said, holding up her thumb and forefinger. "When you finish that, put out the guest soap and towels in the downstairs bath. The first one I catch using the guest soaps or leaving handprints on the towels gets their fingers chopped off," she called out.
She dumped ingredients into a bowl and whisked.
"It's not all my crap on the den floor, I want you to know." Jake stomped in, shot Seth a sneer. "Lots of other people throw crap around this place, too."
"What do you think you're doing?" Anna demanded as Jake pulled open the