Page List


Font:  

She slipped the casserole into the oven, then turned to pick up her wine. Smiling at him, she tapped her glass on his. "You're a pretty good deal too, Phillip, for a big brother."

She leaned in to kiss him lightly as Cam walked in.

"Get your mouth off my wife."

Phillip merely smiled and slid an arm around Anna's waist. "She put hers on me. She likes me."

"She likes me better." To prove it, Cam hooked a hand in the tie of Anna's apron, spun her around, and pulled her into his arms to kiss her brainless. He grinned, nipped her bottom lip and patted her butt companionably. "Don'cha, sugar?"

Her head was still spinning. "Probably." She blew out a breath. "All things considered." But she wiggled free. "You're filthy."

"Just came in to grab a beer to take into the shower." Long and lean, dark and dangerous, he prowled over to the fridge. "And kiss my wife," he added with a smug look at Phillip. "Go get your own woman."

"Who has time?" Phillip said mournfully.

after dinner, and an hour spent slaving over long division, battles of the Revolutionary War, and sixth-grade vocabulary, Phillip settled down in his room with his laptop and his files.

It was the same room he'd been given when Ray and Stella Quinn had brought him home. The walls had been a pale green then. Sometime during his sixteenth year he'd gotten a wild hair and painted them magenta. God knew why. He remembered that his mother—for Stella had become his mother by then—had taken one look and warned him he'd have terminal indigestion.

He thought it was sexy. For about three months. Then he'd gone with a stark white for a while, accented with moody black-framed, black-and-white photographs.

Always looking for ambience, Phillip thought now, amused at himself. He'd circled back to that soft green right before he moved to Baltimore.

They'd been right all along, he supposed. His parents had usually been right.

They'd given him this room, in this house, in this place. He hadn't made it easy for them. The first three months were a battle of wills. He smuggled in drugs, picked fights, stole liquor, and stumbled in drunk at dawn.

It was clear to him now that he'd been testing them, daring them to kick him out. Toss him back. Go ahead, he'd thought. You can't handle me.

But they did. They had not only handled him, they had made him.

I wonder, Phillip, his father had said, why you want to waste a good mind and a good body. Why you want to let the bastards win.

Phillip, who was suffering from the raw gut and bursting head of a drug and alcohol hangover, didn't give a good damn.

Ray took him out on the boat, telling him that a good sail would clear his head. Sick as a dog, Phillip leaned over the rail, throwing up the remnants of the poisons he'd pumped into his system the night before.

He'd just turned fourteen.

Ray anchored the boat in a narrow gut. He held Phillip's head, wiped his face, then offered him a cold can of ginger ale.

"Sit down."

He didn't so much sit as collapse. His hands shook, his stomach shuddered at the first sip from the can. Ray sat across from him, his big hands on his knees, his silvering hair flowing in the light breeze. And those eyes, those brilliant blue eyes, level and considering.

"You've had a couple of months now to get your bearings around here. Stella says you've come around physically. You're strong, and healthy enough—though you aren't going to stay that way if you keep this up."

He pursed his lips, said nothing for a long moment. There was a heron in the tall grass, still as a painting. The air was bright and chill with late fall, the trees bare of leaves so that the hard blue sky spread overhead. Wind ruffled the grass and skimmed fingers over the water.

The man sat, apparently content with the silence and the scene. The boy slouched, pale of face and hard of eye.

"We can play this a lot of ways, Phil," Ray said at length. "We can be hard-asses. We can put you on a short leash, watch you every minute and bust your balls every time you screw up. Which is most of the time."

Considering, Ray picked up a fishing rod, absently baited it with a marshmallow. "Or we could all just say that this little experiment's a bust and you can go back into the system."

Phillip's stomach churned, making him swallow to hold down what he didn't quite recognize as fear. "I don't need you. I don't need anybody."

"Yeah, you do." Ray said it mildly as he dropped the line into the water. Ripples spread, endlessly. "You go back into the system, you'll stay there. Couple of years down the road, it won't be juvie anymore. You'll end up in a cell with the bad guys, the kind of guys who are going to take a real liking to that pretty face of yours. Some seven-foot con with hands like smoked hams is going to grab you in the showers one fine day and make you his bride."

Phillip yearned desperately for a cigarette. The image conjured by Ray's word made fresh sweat pop out on his forehead. "I can take care of myself."

"Son, they'll pass you around like canapés, and you know it. You talk a good game and you fight a good fight, but some things are inevitable. Up to this point your life has pretty much sucked. You're not responsible for that. But you are responsible for what happens from here on."

/>   He fell into silence again, clamping the pole between his knees before reaching for a cold can of Pepsi. Taking his time, Ray popped the top, tipped the can back, and guzzled.

"Stella and I thought we saw something in you," he continued. "We still do," he added, looking at Phillip again. "But until you do, we're not going to get anywhere."

"What do you care?" Phillip tossed back miserably.

"Hard to say at the moment. Maybe you're not worth it. Maybe you'll just end up back on the streets hustling marks and turning tricks anyway."

For three months he'd had a decent bed, regular meals, and all the books he could read—one of his secret loves—at his disposal. At the thought of losing it his throat filled again, but he only shrugged. "I'll get by."

"If all you want to do is get by, that's your choice. Here you can have a home, a family. You can have a life and make something out of it. Or you can go on the way you are."

Ray reached over to Phillip quickly, and the boy braced himself for the blow, clenched his fists to return it. But Ray only pulled Phillip's shirt up to expose the livid scars on his chest. "You can go back to that," he said quietly.

Phillip looked into Ray's eyes. He saw compassion and hope. And he saw himself mirrored back, bleeding in a dirty gutter on a street where life was worth less than a dime bag.

Sick, tired, terrified, Phillip dropped his head into his hands. "What's the point?"

"You're the point, son." Ray ran his hand over Phillip's hair. "You're the point."

Things hadn't changed overnight, Phillip thought now. But they had begun to change. His parents had made him believe in himself, despite himself. It had become a point of pride for him to do well in school, to learn, to remake himself into Phillip Quinn.

He figured he'd done a good job of it. He'd coated that street kid with a sheen of class. He had a slick career, a well-appointed condo with a killer view of the Inner Harbor, and a wardrobe that suited both.

It seemed that he'd come full circle, spending his weekends back in this room with its green walls and sturdy furniture, with its windows that overlooked the trees and the marsh.

But this time, Seth was the point.

Chapter Two

Contents - Prev | Next

phillip stood on the foredeck of the yet-to-be-christened Neptune's Lady. He'd personally sweated out nearly two thousand man-hours to take her from design to finished sloop. Her decks were gleaming teak, her bright work glinted in the yellow September sun.

Belowdecks her cabin was a woodworker's pride, Cam's for the most part, Phillip mused. Glossy cabinets were fashioned of natural wood, hand-fitted and custom-designed with sleeping room for four close friends.

She was sound, he thought, and she was beautiful. Aesthetically charming, with her fluid hull, glossy decks, and long waterline. Ethan's early decision to use the smooth-lap method of planking had added hours to the labor but had produced a gem.

The podiatrist from D.C. was going to pay handsomely for every inch of her.

"Well…?" Ethan, hands in the pockets of his faded jeans, eyes squinting comfortably against the sun, left it an open-ended question.

Phillip ran a hand over the satin finish of the gunwale, an area he'd spent many sweaty hours sanding and finishing. "She deserves a less clichéd name."

"The owner's got more money than imagination. She takes the wind." Ethan's lips curved into one of his slow, serious smiles. "Good Christ, she goes, Phil. When Cam and I tested her out, I wasn't sure he was going to bring her back in. Wasn't sure I wanted him to."

Phillip rubbed a thumb over his chin. "I've got a friend in Baltimore who paints. Most of the stuff he does is strictly commercial, for hotels and restaurants. But he does terrific stuff on the side. Every time he sells one, he bitches about it. Hates to let a canvas go. I didn't really understand how he felt until now."

"And she's our first."

"But not our last." Phillip hadn't expected to feel so attached. The boatbuilding business hadn't been his idea, or his choice. He liked to think his brothers had dragged him into it. He'd told them it was insane, ridiculous, doomed to fail.

Then, of course, he'd jumped in and negotiated for the rental of the building, applied for licenses, ordered the necessary utilities. During the construction of what was about to become Neptune's Lady, he'd dug splinters out


Tags: Nora Roberts Chesapeake Bay Saga Romance