I should really get a job at Vivant. They get all the good stuff.
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COMMENTS:
Hihello565 says: Even people at Vivant don’t want to work at Vivant anymore. Corporate overlords producing censored advertiser courting bullshit.
Ppppppppppps reply to Hihello565: Yeah, OK. Something tells me if the most well-respected, sophisticated magazine in the country offered you a job, you’d take it.
EChristine999 says: Didn’t Evelyn’s daughter die of cancer recently? I feel like I read something recently about that. So heartbreaking. BTW, that picture of Evelyn at Harry Cameron’s grave? Basically ruined me for months. Beautiful family. So sad that she lost them.
MrsJeanineGrambs says: I do not care about Evelyn Hugo AT ALL. STOP WRITING ABOUT THESE PEOPLE. Her marriages, affairs, and most of her movies just go to prove one thing: Slut. Three A.M. was a disgrace to women. Focus your attention on people that deserve it.
SexyLexi89 says: Evelyn Hugo is maybe the most beautiful woman of all time. That shot in Boute-en-Train where she’s coming out of the water naked and the camera cuts to black right before you see her nipples? So good.
PennyDriverKLM says: All hail Evelyn Hugo for making blond hair and dark eyebrows THE LOOK. Evelyn, I salute you.
YuppiePigs3 says: Too skinny! Not for me.
EvelynHugoIsASaint says: This is a woman who has donated MILLIONS OF DOLLARS to charities for battered women’s organizations and LGBTQ+ interests, and now she’s auctioning off gowns for cancer research and all you can talk about is her eyebrow game? Seriously?
[email protected] reply to EvelynHugoIsASaint: This is a fair point, I guess. SORRY. In my defense, she started making millions by being a badass business bitch back in the ’60s. And she would never have had the clout to do that without her talent and beauty, and she never would have been as beautiful without DEM BROWS. But OK, fair point.
EvelynHugoIsASaint reply to [email protected]: Ugh. Sorry for being so bitchy. I skipped lunch. Mea culpa. For what it’s worth, Vivant won’t do half as well with this story as you would have. Evelyn should have chosen you.
[email protected] reply to EvelynHugoIsASaint: Right????? Who is Monique Grant anyway? BORING. I’m coming for her . . .
I’VE SPENT THE PAST FEW days researching everything I can about Evelyn Hugo. I was never a big film buff, let alone interested in any old Hollywood stars. But Evelyn’s life—at least the version on record as of now—is enough for ten soap operas.
There’s the early marriage that ended in divorce when she was eighteen. Then the studio-setup courtship and tumultuous marriage to Hollywood royalty Don Adler. The rumors that she left him because he beat her. Her comeback in a French New Wave film. The quickie Vegas elopement with singer Mick Riva. Her glamorous marriage to the dapper Rex North, which ended in both of them having affairs. The beautiful love story of her life with Harry Cameron and the birth of their daughter, Connor. Their heartbreaking divorce and her very quick marriage to her old director Max Girard. Her supposed affair with the much younger Congressman Jack Easton, which ended her relationship with Girard. And finally, her marriage to financier Robert Jamison, rumored to have at least been inspired by Evelyn’s desire to spite former costar—and Robert’s sister—Celia St. James. All of her husbands have passed away, leaving Evelyn as the only one with insight into those relationships.
Suffice it to say, I have my work cut out for me if I want to get her to talk about any of it.
After staying late at the office this evening, I finally make my way home a little before nine. My apartment is small. I believe the most appropriate term is teeny-tiny sardine box. But it’s amazing how vast a small place can feel when half of your things are gone.
David moved out five weeks ago, and I still haven’t managed to replace the dishes he took with him or the coffee table his mother gave us last year as a wedding present. Jesus. We didn’t even make it to our first anniversary.
As I walk in my front door and put my bag on the sofa, it strikes me again just how needlessly petty it was of him to take the coffee table. His new San Francisco studio came fully furnished courtesy of the generous relocation package offered with his promotion. I suspect he put the table in storage, along with the one nightstand he insisted was rightfully his and all of our cookbooks. I don’t miss the cookbooks. I don’t cook. But when things are inscribed to “Monique and David, for all your many years of happiness,” you think of them as half yours.
I hang up my coat and wonder, not for the first time, which question gets closer to the truth: Did David take the new job and move to San Francisco without me? Or did I refuse to leave New York for him? As I take off my shoes, I resolve once again that the answer is somewhere in the middle. But then I come back to the same thought that always stings afresh: He actually left.
I order myself pad thai and then get in the shower. I turn the water to nearly scalding hot. I love water so hot it almost burns. I love the smell of shampoo. My happiest place might just be under a showerhead. It is here in the steam, covered in suds, that I do not feel like Monique Grant, woman left behind. Or even Monique Grant, stalled writer. I am just Monique Grant, owner of luxury bath products.
Well after I’ve pruned, I dry myself off, put on my sweatpants, and pull my hair away from my face, just in time for the deliveryman to make his way to my door.
I sit with the plastic container, trying to watch TV. I attempt to zone out. I want to make my brain do something, anything, other than think about work or David. But once my food is gone, I realize it’s futile. I might as well work.
This is all very intimidating—the idea of interviewing Evelyn Hugo, the task of controlling her narrative, of trying to make sure she doesn’t control mine. I’m often inclined to overprepare. But more to the point, I’ve always been a bit like an ostrich, willing to bury my head in the sand to avoid what I don’t want to face.
So, for the next three days, I do nothing but research Evelyn Hugo. I spend my days pulling up old articles about her marriages and her scandals. I spend my evenings watching her old movies.
I watch clips of her in Carolina Sunset, Anna Karenina, Jade Diamond, and All for Us. I watch the GIF of her coming out of the water in Boute-en-Train so many times that when I fall asleep, it plays over and over in my dreams.
And I start to fall in love with her, just the littlest bit, as I watch her films. Between the hours of eleven P.M. and two A.M., while the rest of the world is sleeping, my laptop flickers with the sight of her, and the sound of her voice fills my living room.
There is no denying that she is a stunningly beautiful woman. People often talk about her straight, thick eyebrows and her blond hair, but I can’t take my eyes off her bone structure. Her jawline is strong, her cheekbones are high, and all of it comes to a point at her ever-so-swollen lips. Her eyes are huge but not so much round as an oversized almond shape. Her tanned skin next to her light hair looks beachy but also elegant. I know it’s not natural—hair that blond with skin that bronze—and yet I can’t shake the feeling that it should be, that humans should be born looking like this.
I have no doubt that’s part of the reason film historian Charles Redding once said that Evelyn’s face felt “inevitable. So exquisite, so nearly perfect, that when looking at her, you get the sense that her features, in that combination, in that ratio, were bound to happen sooner or later.”