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She leaned toward the yellow line, hoping to see train headlights.

“There he is!” shouted her mother. “Rodrigo! I see you. Don’t pretend!”

She was yelling the name of their landlord from when Nora was a child. A rail-thin man, Nora recalled, with a great mop of black hair and hips so narrow he carried his tool belt rather than wore it. The man she was calling to now—dark-haired, but no double for the Rodrigo of thirty years ago—looked over attentively.

Nora turned her mother away, trying to shush her. But her mother twisted back around, her hood slipping back from her face as she tried to call to the phantom landlord.

“Mama,” implored Nora. “Please. Look at me. Silence.”

“He’s always there to flirt with me, but when there is work to be done …”

Nora wanted to clamp her hand over her mother’s mouth. She fixed the hood and walked her away down the platform, only drawing more attention in the process. “Mama, please. We will be discovered.”

“Lazy bastard, he is!”

Even if her mother was mistaken for a drunk, there would be trouble. Alcohol was prohibited, both because it affected the blood and because it promoted antisocial behavior.

Nora turned, thinking about fleeing the station—and saw headlights brightening the tunnel. “Mama, our train. Shhhh. Here we go.”

It pulled in. Nora waited at the first car. A few passengers disembarked before Nora rushed her mother inside, finding a pair of seats together. The 6 train would get them to Fifty-ninth Street in a matter of minutes. She fixed her mother’s hood back on her head and waited for the doors to close.

Nora noticed that no one else sat near them. She looked down the length of the car in time to see the other entering passengers look quickly away. Then she looked out onto the platform and saw a young couple out standing with two Transit Authority cops—humans—pointing at the first subway car. Pointing at Nora.

Close the doors, she pled silently.

And they did. With the same random efficiency the New York transit system had always exhibited, the doors slid shut. Nora waited for the familiar lurch, looking forward to getting back over to vampire-free Roosevelt Island and waiting there for Fet’s return.

But the car did not start forward. She waited for it, one eye on her fellow passengers at the other end of the car, the other on the transit cops walking toward the car. Behind them now were the two vampires, red eyes fixed on Nora. Behind them stood the concerned couple who had pointed out Nora and her mother.

The couple had thought they were doing the right thing, following the new laws. Or perhaps they were spiteful; everyone else had to abandon their elders to the master race.

The doors opened and the human transit cops boarded first. Even if she could murder two of her own kind and release the two strigoi and escape from the underground station, she would have to do so alone. There was no way she could do so without sacrificing her mother, either to capture or to death.

One of the cops reached over and pulled back Nora’s mother’s hood, revealing her head. “Ladies,” he said, “you have to come with us.” When Nora did not stand right away, he placed his hand on her shoulder and squeezed tightly. “Now.”

Bellevue Hospital

EPH BACKED AWAY from the window and the vampires converging on Bellevue Hospital on the streets below. He had screwed up … Dread burned at the pit of his stomach. It was all lost.

His first instinct was to keep rising, to buy time by heading to the roof—but that was an obvious dead end. The only advantage to being on the roof was that he could throw himself off of it, were the choice death or vampire afterlife.

Going straight down meant fighting his way through them. That would be like running into a swarm of killer bees: he was almost certain to get stung at least once, and once was all it took.

So, running was not an option. Nor was making a suicidal final stand. But he had spent enough time in hospitals to consider this his home turf. The advantage was his; he just had to find it.

He hurried past the patient elevators, then stopped, doubling back, stopping before the gas control panel. An emergency shutoff for the entire floor. He cracked open the plastic shield and made sure the cutoff was open, then stabbed at the fixture until he heard a pronounced hiss.

He ran to the stairwell, charging up one flight, racing to that floor’s gas control panel, and repeating the same damage. Then right back into the stairs—and this time he could hear the bloodsuckers charging up the lower flights. No outcry, because they had no voice. Only the slapping of dead, bare feet as they climbed.

He risked one more floor, making quick work of the access panel there. He pressed the nearby elevator button but did not wait for the car, instead running off in search of the service elevators, the ones the orderlies used to transport supply carts and bedridden patients. He located the bank of elevators and pressed the button, waiting for one to board.

The adrenaline of survival and the chase put a charge into his blood that was as sweet as any artificial stimulant he could find. This, he

realized, was the high he sought from pharmaceuticals. Over the course of so many life-or-death battles, he had messed up his pleasure receptors. Too many highs and too many lows.

The elevator door opened and he pressed “B” for basement. Signs admonished him on the importance of patient confidentiality and clean hands. A child smiled at him from a grimy poster. Sucking on a lollipop and giving him a wink and a thumbs-up. EVERYTHING IS GOING TO BE A-OKAY said the printed moron. On the poster were timetables and dates for a pediatrics fair taking place a million years ago. Eph returned one sword to the bag on his back, watching the floor numbers go down. The elevator jerked once, and the car darkened and stopped between floors—stuck. A nightmare scenario, but then moments later it lurched and continued downward. Like everything else that depended on regular upkeep, these mechanical conveyances were not to be trusted—that is, if you had a choice.

The door dinged and opened finally, Eph exiting into the service wing of the hospital basement. Stretchers with bare mattresses were bunched up against the wall like supermarket carts awaiting customers. A giant canvas laundry cart sat beneath the open end of a wall chute.


Tags: Guillermo Del Toro The Strain Trilogy Horror