Page 44 of Catcher in the Rye

"We'll take care of everything. You run along to bed," Mr. Antolini said. He gave Mrs. Antolini a kiss and she said good-by to me and went in

the bedroom. They were always kissing each other a lot in public.

I had part of a cup of coffee and about half of some cake that was as hard as a rock. All old Mr. Antolini had was another highball, though. He makes them strong, too, you could tell. He may get to be an alcoholic if he doesn't watch his step.

"I had lunch with your dad a couple of weeks ago," he said all of a sudden. "Did you know that?"

"No, I didn't."

"You're aware, of course, that he's terribly concerned about you."

"I know it. I know he is," I said.

"Apparently before he phoned me he'd just had a long, rather harrowing letter from your latest headmaster, to the effect that you were making absolutely no effort at all. Cutting classes. Coming unprepared to all your classes. In general, being an all-around--"

"I didn't cut any classes. You weren't allowed to cut any. There were a couple of them I didn't attend once in a while, like that Oral Expression I told you about, but I didn't cut any."

I didn't feel at all like discussing it. The coffee made my stomach feel a little better, but I still had this awful headache.

Mr. Antolini lit another cigarette. He smoked like a fiend. Then he said, "Frankly, I don't know what the hell to say to you, Holden."

"I know. I'm very hard to talk to. I realize that."

"I have a feeling that you're riding for some kind of a terrible, terrible fall. But I don't honestly know what kind... Are you listening to me?"

"Yes."

You could tell he was trying to concentrate and all.

"It may be the kind where, at the age of thirty, you sit in some bar hating everybody who comes in looking as if he might have played football in college. Then again, you may pick up just enough education to hate people who say, 'It's a secret between he and I.' Or you may end up in some business office, throwing paper clips at the nearest stenographer. I just don't know. But do you know what I'm driving at, at all?"

"Yes. Sure," I said. I did, too. "But you're wrong about that hating business. I mean about hating football players and all. You really are. I don't hate too many guys. What I may do, I may hate them for a little while, like this guy Stradlater I knew at Pencey, and this other boy, Robert Ackley. I hated them once in a while--I admit it--but it doesn't last too long, is what I mean. After a while, if I didn't see them, if they didn't come in the room, or if I didn't see them in the dining room for a couple of meals, I sort of missed them. I mean I sort of missed them."

Mr. Antolini didn't say anything for a while. He got up and got another hunk of ice and put it in his drink, then he sat down again. You could tell he was thinking. I kept wishing, though, that he'd continue the conversation in the morning, instead of now, but he was hot. People are mostly hot to have a discussion when you're not.

"All right. Listen to me a minute now... I may not word this as memorably as I'd like to, but I'll write you a letter about it in a day or two. Then you can get it all straight. But listen now, anyway." He started concentrating again. Then he said, "This fall I think you're riding for--it's a special kind of fall, a horrible kind. The man falling isn't permitted to feel or hear himself hit bottom. He just keeps falling and falling. The whole arrangement's designed for men who, at some time or other in their lives, were looking for something their own environment couldn't supply them with. Or they thought their own environment couldn't supply them with. So they gave up looking. They gave it up before they ever really even got started. You follow me?"

"Yes, sir."

"Sure?"

"Yes."

He got up and poured some more booze in his glass. Then he sat down again. He didn't say anything for a long time.

"I don't want to scare you," he said, "but I can very clearly see you dying nobly, one way or another, for some highly unworthy cause." He gave me a funny look. "If I write something down for you, will you read it carefully? And keep it?"

"Yes. Sure," I said. I did, too. I still have the paper he gave me.

He went over to this desk on the other side of the room, and without sitting down wrote something on a piece of paper. Then he came back and sat down with the paper in his hand. "Oddly enough, this wasn't written by a practicing poet. It was written by a psychoanalyst named Wilhelm Stekel. Here's what he--Are you still with me?"

"Yes, sure I am."

"Here's what he said: 'The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.' "

He leaned over and handed it to me. I read it right when he gave it to me, and then I thanked him and all and put it in my pocket. It was nice of him to go to all that trouble. It really was. The thing was, though, I didn't feel much like concentrating. Boy, I felt so damn tired all of a sudden.

You could tell he wasn't tired at all, though. He was pretty oiled up, for one thing. "I think that one of these days," he said, "you're going to have to find out where you want to go. And then you've got to start going there. But immediately. You can't afford to lose a minute. Not you."


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