Page 2 of Luke's Touch

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Chapter Two

Luke

At the top ramp, I scan for trouble and find nothing but empty streets before I say, “We have a bullseye on our backs here. We need the shelter of a crowd. Union Station is a few blocks away and gives us that coverage.”

“Agreed,” she says, “but should we call your team first?”

“Blake tracks the location of our phones. Right now, we need to get off the streets.”

She nods her agreement and we waste no more time on conversation or kisses. We clear the wall, instantly in the open, and I have to hope like hell this asshole we’re dealing with knows his package won’t matter if he hurts Ana. I’ll kill him as fast and nasty as possible and wish I could do it again. Thankfully, for now, no bullets ring out in the night, and no enemies step into our paths.

In a short walk, we arrive at the area I think of as the heartbeat of downtown, which is an entire neighborhood that surrounds the train station. In this area, restaurants, bars, and shopping are easy to find, but we need a place to shelter and connect with our team, which is why I’ve intentionally brought us up a side street next to a boutique-style hotel. We near it now, and I catch Ana’s hand before we round the corner to bring the front entrance into view, the connection blasting a memory through my mind. The first time I’d held her hand just to hold it when I’d never just wanted to hold anyone’s hand.

It was that first dinner date. She’d been wearing a pink dress, with glossy lips to match, the FBI agent turned all sweet frilly girl on me and I’d loved the fuck out of the contact. I’d opened her car door and offered her my hand. She’d rotated, and I’d been treated to a view of her long, gorgeous legs. It had taken me all of thirty seconds to fantasize about having them wrapped around my waist. Truth be told, I’d been fantasizing about having her naked since she told me to get on my knees and I wanted her on her knees. In the end, I’m the one who was on a knee for Ana from the moment I met her.

I scan the front valet area to find several cars lined up to unload. Two doormen and two preppy college kids are talking by the bell stand.

No trouble, at least, not as of yet.

Ana and I keep pushing forward, the two of us entering the hotel lobby, only a margin of comfort sliding through me when we are officially off the downtown Denver streets. I drape my arm around her shoulder, as if this is a casual stroll, two lovers returning from an outing, and wish like hell that was the God’s honest truth. Ana lifts her chin toward the stairs, and I give an imperceivable nod. Great minds, I think, as that’s exactly where I was headed. Away from the common areas, out of the easy view of anyone who enters the hotel hunting for us.

A few long strides and we’re climbing to the next level, toward what I believe to be the convention level, which proves an accurate assumption. Once we’re on the top level, I scan the carpeted area with chairs in a seating area and hallways left and right.

“Right,” she murmurs.

Right it is, I think, guiding her in that direction, but when I would continue on, she tugs me into the women’s bathroom. Once we’re inside, I confirm we’re in a one-stall number with a lockable door. I lock it while she pees, no shyness in her with me, and that’s not just about our history as a couple. She’s trained to make necessities a part of her survival, as did I, both of us with her father, who God rest his soul, I still can’t help but think, might be attached to this mess. In which case, my opinion of where I’d like his soul to be resting might change.

Wordlessly, Ana washes up, scrubbing her face and hands, checking for wayward blood, washing the death off of her. She says nothing, quiet as a church mouse, but I’m in tune with Ana like no other human on this Earth, and her emotions bang at me like a pot and a metal spoon right by my head.

By the time I’ve relieved myself as well, Ana is still scrubbing her hands. I slide in next to her, soaping up, aware that I’m the one who cleaned the blood off of her back on the street. There is going to be blood on me too that she doesn’t need to see.

She dries her face and hands and I do the same before I step in front of her and catch her hips. “You okay?”

“I’m always okay,” she counters, with a defiant lift of her chin that says “I’m Kurt’s daughter. How dare you ask me that question,” but there is a storm in her eyes, turbulence, and pain that reaches beyond this day and this moment. The past rages between us as a part of the present, a mix of love, hate, and confusion that is stirred with a shot of blood and death.

In other words, translation: no, she is not okay and the more I’m with her, I don’t think she has been in a long time. “Right,” I say. “Well, at least now we can be ‘always okay’ together.”

“And yet, that didn’t prove true at all, now did it?”

“We broke up. I’m back. I’m not going anywhere, Ana.”

“And yet, you did.”

Memories and emotions pounce on me, a wildcat threatening to tear me open, all over again. “A decision I made when I went to the funeral and you—”

“I know,” she says quickly. “I know what I did at the funeral.”

Memories of me standing behind a tree, and then stepping out of that coverage to allow her to see me, are not kind. Her gaze had lifted and she’d stared at me from a distance, and then she turned and walked away, her hate for everything to do with me crystal clear.

“It was a no-win situation for me,” I remind her. “I was the one who—”

“Killed your brother?” she challenges.

“Yes, Ana,” I say tightly. “I killed Kasey and if you don’t know why now, you never will.”

“I know why. I knew then, too, but grief isn’t logical. And neither is guilt.”

I killed Kasey.

She shot me.

Neither of us understood the whole story about when, why, and how.

No matter what, we have each spent two years feeling betrayed, and hurt. Also, no matter what, I killed her damn brother. You don’t come back from that shit. A big part of me knows that despite her claims otherwise, some part of her, even unintentionally, still thinks the worst of me.

This leads me to a shit place right now—her perception of me and the present situation, which is simply put, a double-edged sword laced with love and hate, certain to be the weapon of our demise.

“Is guilt why you tried to contact me, Ana?”

“Guilt is why it took so long.”

My jaw clenches. “It’s not that simple, is it?”

“I don’t remember either one of us gravitating toward anything simple.”

My cellphone vibrates with a text, and I snake my phone from my pocket to glance at the message from Blake: I have access to the downtown cameras. I’m sending you a map to follow to get out of your present location and lead you to the car I have waiting for you. Once you can safely do so, call me and keep me in your ear. I’ll direct you through any changes in that map based on activity. The map appears in the message box and I glance at Ana. “Time to get the hell out of here.”


Tags: Lisa Renee Jones Romance