She thought I/he--meant to grab a weapon when I/he--bent down to get the papers. When she saw the papers she relaxed and did what everyone else did before the carriage came down to the ground again. Now she and her friend are talking and laughing but their faces-- her face especially, the face of the woman with the metal tube--are not right. They are talking, all right, but they are only pretending to laugh . . . and that is because what they are talking about is I/him.
The air-carriage was now moving along what seemed a long concrete road, one of many. Mostly he watched the women, but from the edges of his vision the gunslinger could see other air-carriages moving here and there along other roads. Some lumbered; some moved with incredible speed, not like carriages at all but like projectiles fired from guns or cannons, preparing to leap into the air. As desperate as his own situation had become, part of him wanted very much to come forward and turn his head so he could see these vehicles as they leaped into the sky. They were man-made but every bit as fabulous as the stories of the Grand Featherex which had supposedly once lived in the distant (and probably mythical) kingdom of Garlan--more fabulous, perhaps, simply because these were man-made.
The woman who had brought him the popkin unfastened her harness (this less than a minute since she had fastened it) and went forward to a small door. That's where the driver sits, the gunslinger thought, but when the door was opened and she stepped in he saw it apparently took three drivers to operate the air-carriage, and even the brief glimpse he was afforded of what seemed like a million dials and levers and lights made him understand why.
The prisoner was looking at all but seeing nothing--Cort would have first sneered, then driven him through the nearest wall. The prisoner's mind was completely occupied with grabbing the bag under the seat and his light jacket from the overhead bin . . . and facing the ordeal of the ritual.
The prisoner saw nothing; the gunslinger saw everything.
The woman thought him a thief or a madman. He--or perhaps it was I, yes, that's likely enough--did something to make her think that. She changed her mind, and then the other woman changed it back . . . only now I think they know what's really wrong. They know he's going to try to profane the ritual.
Then, in a thunderclap, he saw the rest of his problem. First, it wasn't just a matter of taking the bags into his world as he had the coin; the coin hadn't been stuck to the prisoner's body with the glue-string the prisoner had wrapped around and around his upper body to hold the bags tight to his skin. This glue-string was only part of his problem. The prisoner hadn't missed the temporary disappearance of one coin among many, but when he realized that whatever it was he had risked his life for was suddenly gone, he was surely going to raise the racks . . . and what then?
It was more than possible that the prisoner would begin to behave in a manner so irrational that it would get him locked away in gaol as quickly as being caught in the act of profanation. The loss would be bad enough; for the bags under his arms to simply melt away to nothing would probably make him think he really had gone mad.
The air-carriage, ox-like now that it was on the ground, labored its way through a left turn. The gunslinger realized that he had no time for the luxury of further thought. He had to do more than come forward; he must make contact with Eddie Dean.
Right now.
9
Eddie tucked his declaration card and passport in his breast pocket. The steel wire was now turning steadily around his guts, sinking in deeper and deeper, making his nerves spark and sizzle. And suddenly a voice spoke in his head.
Not a thought; a voice.
Listen to me, fellow. Listen carefully. And if you would remain safe, let your face show nothing which might further rouse the suspicions of those army women. God knows they're suspicious enough already.
Eddie first thought he was still wearing the airline earphones and picking up some weird transmission from the cockpit. But the airline headphones had been picked up five minutes ago.
His second thought was that someone was standing beside him and talking. He almost snapped his head to the left, but that was absurd. Like it or not, the raw truth was that the voice had come from inside his head.
Maybe he was receiving some sort of transmission--AM, FM, or VHF on the fillings in his teeth. He had heard of such th--
Straighten up, maggot! They're suspicious enough without you looking as if you've gone crazy!
Eddie sat up fast, as if he had been whacked. That voice wasn't Henry's, but it was so much like Henry's when they had been just a couple of kids growing up in the Projects, Henry eight years older, the sister who had been between them now only a ghost of memory; Selina had been struck and killed by a car when Eddie was two and Henry ten. That rasping tone of command came out whenever Henry saw him doing something that might end with Eddie occupying a pine box long before his time . . . as Selina had.
What in the blue fuck is going on here?
You're not hearing voices that aren't there, the voice inside his head returned. No, not Henry's voice--older, dryer . . . stronger. But like Henry's voice . . . and impossible not to believe. That's the first thing. You're not going crazy. I AM another person.
This is telepathy?
Eddie was vaguely aware that his face was completely expressionless. He thought that, under the circumstances, that ought to qualify him for the Best Actor of the Year Academy Award. He looked out the window and saw the plane closing in on the Delta section of Kennedy's International Arrivals Building.
I don't know that word. But I do know that those army women know you are carrying . . .
There was a pause. A feeling--odder beyond telling--of phantom fingers rummaging through his brain as if he were a living card catalogue.
. . . heroin or cocaine. I can't tell which except--except it must be cocaine because you're carrying the one you don't take to buy the one you do.
"What army women?" Eddie muttered in a low voice. He was completely unaware that he was speaking aloud. "What in the hell are you talking ab--"
That feeling of being slapped once more . . . so real he felt his head ring with it.
Shut your mouth, you damned jackass!
All right, all right! Christ!
Now that feeling of rummaging fingers again.
Army stewardesses, the alien voice replied. Do you understand me? I have no time to con your every thought, prisoner!
"What did you--" Eddie began, then shut his mouth. What did you call me?
Never mind. Just listen. Time is very, very short. They know. The army stewardesses know you have this cocaine.
How could they? That's ridiculous!
I don't know how they came by their knowledge, and it doesn't matter. One of them told the drivers. The drivers will tell whatever priests perform this ceremony, this Clearing of Customs--
The language of the voice in his head was arcane, the terms so off-kilter they were almost cute . . . but the message came through loud and clear. Although his face remained expressionless, Eddie's teeth came together with a painful click and he drew a hot little hiss in through them.
The voice was saying the game was over. He hadn't even gotten off the plane and the game was already over.
But this wasn't real. No way this could be real. It was just his mind, doing a paranoid little jig at the last minute, that was all. He would ignore it. Just ignore it and it would go awa--
You will NOT ignore it or you will go to jail and I will die! the voice roared.
Who in the name of God are you? Eddie asked reluctantly, fearfully, and inside his head he heard someone or something let out a deep and gusty sigh of relief.
10
He believes, the gunslinger thought. Thank all the gods that are or ever were, he believes!
11
The plane stopped. The FASTEN SEAT BELTS light went out. The jetway rolled forward and bumped against the forward port door with a gentle thump.
They had arrived.
12
There is a place wh
ere you can put it while you perform the Clearing of Customs, the voice said. A safe place. Then, when you are away, you can get it again and take it to this man Balazar.
People were standing up now, getting things out of the overhead bins and trying to deal with coats which were, according to the cockpit announcement, too warm to wear.
Get your bag. Get your jacket. Then go into the privy again.
Pr--
Oh. Bathroom. Head.
If they think I've got dope they'll think I'm trying to dump it.
But Eddie understood that part didn't matter. They wouldn't exactly break down the door, because that might scare the passengers. And they'd know you couldn't flush two pounds of coke down an airline toilet and leave no trace. Not unless the voice was really telling the truth . . . that there was some safe place. But how could there be?
Never mind, damn you! MOVE!
Eddie moved. Because he had finally come alive to the situation. He was not seeing all Roland, with his many years and his training of mingled torture and precision, could see, but he could see the faces of the stews--the real faces, the ones behind the smiles and the helpful passing of garment bags and cartons stowed in the forward closet. He could see the way their eyes flicked to him, whiplash quick, again and again.