Page 41 of Voice of the Fire

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‘There! Do you see? That shall be the Martyrium, that represents the Passion of our Lord, whereas these vaults, once closed, shall signify the cave wherein he lay, there at Gethsemane. Come! Come down to them with me. I shall show you . . .’

Here, and with a throttled cry, Maud breaks away from me and runs back from the crater’s pillared rim to where John and the men at arms stand dumb-struck, pausing there to turn and stare at me, her eyes wide and afraid, her pointed chin now quivering like a compass needle fixed upon my North. I rail at her and at the men who stand there idly by yet make no move to drag her back to me.

‘What? Are you made afraid by this mere shell, this mere anatomy that is not yet a church? How much more frightened should you be to see its spire! If you will not come with me to the vaults, then damn you, for I go alone!’

I half expect at this that John might move to my assistance, but he merely stands beside his Lady Maud and gazes at me in a trance of fear alike to hers. Cursing them both I turn and, gripping on those stones that jut out from the vault’s completed walls, I make my slow way down the moss-slicked stairs. With one leg dragging, I descend into the mystery.

Back in the desert we came down upon those circling knights, Saint-Omer and myself, that we could hear their song more plainly as they trudged in their great ring above an altar rimmed with candles. In their tuneless moanings now and then I heard the blessed name of Jesu, so that I became assured there was no Devilry attendant on their ritual. We stepped across the outer ring of candles, and at our approach the chanting knights fell back to let us pass on to the inner ring of lights, and to that altar which they guarded.

Nearing to it, Saint-Omer stooped low to whisper in my ear, his words plain even though we were amidst the chanting of his brothers. ‘Do you see, My Lord of Saint-Liz? Do you see the face of our Baphomet; of our praised one before whom the nations of the earth shall surely bow? Look closer.’

There, beyond the winking flames . . .

I stand now in the slime made by the rain here in the lidless vault of my unfinished church. Above me, peering from between the columns, are the faces of my yeomen and the Lady Maud, who have with trembling step come to the edge, that they might view me better in my ravings.

Though the fierce rain pools within the sockets of mine eyes I lift my face towards them as I bellow. ‘Here! Here is the cave in which Christ slept, while up above me in the nave’s great round shall be the symbol of his resurrection . . .’

Of his resurrection. Standing with Saint-Omer there beside me I leaned forward, squinting so that I may see beyond the ring of lighted candle-stems to what sat there upon the rough stone altar in their midst. Ringing about us in their vests of ghostly white with bloody cross upon the breast of each, the knights were singing, Jesu, Jesu . . .

Clinging to the crypt’s dank walls for purchase, I begin to hobble round the great stone ring, hauling my lame foot through the deep brown puddles, shouting as I go. ‘You think, alike with fools, that this is blasphemy, this Holy circularity? Why, if you knew what I had seen . . .’

It lay upon the altar, and its skin was black and shrivelled up with age. Those hairs that yet clinged to the scalp or chin were long and silver, glistening in the light of star and candle.

‘There,’ came Saint-Omer’s breath beside my ear. ‘There. Do you see??

?

The eyes had been stitched tight, and there remained a strange, unreadable expression in the corner of the mouth, there where the lips had sagged and come unsewn. It was a head, but whose I might not guess, that was expected to reduce all Popes and Potentates to merest servitude.

‘There,’ said Saint-Omer. ‘Do you see?’

I splash on in my lumbering circuit of the vault, and yet the words I shout have no more sense in them than there is in the spit and crackle of a villein’s bel-fire. I am weeping, stumbling, roaring, while from up above the frozen masks of Maud and John and all the startled yeomen hang there, staring down at me, my judges.

‘I am old and almost in my grave, and still they make no move! They have no care for me! They will achieve their kingdom only after I am gone, so that there shall be no reward for me, not here, nor yet in any other life! If you knew what I know . . .’

I knew whose was the head. It came to me with such a force and certainty I stumbled back, as if the sands beneath my feet might of a sudden open up and plunge me straight to Hell.

‘There,’ said Saint-Omer. ‘Do you see?’

I slip, and fall down cursing in the mud. Still neither men nor Maud make any move to aid me. I am weeping as I drag myself upon my knees about the crypt, hanging upon the stones that jut from the uneven brick to pull me half erect.

I gazed in mortal terror at the head, whose features seemed to jerk and twitch their shadows in the candle-light. Then it was all a lie, all the Crusadings and the Christenings alike. The central stone on which faith rests was pulled away from me, and in its stead was left this hateful relic, mummified and black, that seemed to fix me with its catgut-threaded stare; that seemed to twist the untied corner of its mouth into an awful smile. I shall be dead, and nothing shall be left of me but worm and bone. I shall be wiped away, be absent in the endless and insensate dark where no thought comes. I shall not rise into the nave of rebirth, echoing with angel voices, and no more shall any of us, for the Heavens are become an empty place and dead men do not rise, nor push back stones. Our souls know no ascent, nor have they final destination.

Laughing, weeping, with my dead foot dragged behind, I circle, circle round, forever round beneath an empty sky that neither man nor martyr ever rose toward, nor ever saw the flame of man relit when once his spark had gone, nor ever knew of any resurrection.

Confessions of a Mask

AD 1607

It disappoints me to recount that lately I have found myself again afflicted with identity and so beset by a great pestilence of thoughts. Arid, inconsequential things, they rattle uselessly within the parchment seed-pod of this smirking mask I am become. Worse, they provoke a fearful itching at the rear interior of my cranium where, I fear, yet clings some withered clot of mind; grey husk of brittle sponge, wrung dry, crusted upon the inner shell like relic snots discovered on the pages of old books.

I find if I contrive to let my skull tilt back and forth, as in a breeze, the iron point of my spike will scrape against the irritation and thus bring some measure of relief, though this does not dispel the main source of my aggravation, to whit, that I am myself at all with the capacity for thought or for sensation when I fancied (fancying nothing) that I was, at measure, done with such bleak chores.

When did I last know anything? Without sight, I may not determine how much time I’ve whiled away in dangling here and stinking since I last came to myself. If memory does not play me false, that was in Summer, when this bone cathedral’s dome rang to a monk’s drone of green-bellied flies; the munch of grubs where once dreams shimmered. Summer last or Summer before that I cannot tell. As I recall, I had hung here but several months, which made it by my reckoning the year Sixteen Hundred and Six, three years into the reign of Good King James, may the Almighty rot his eyes (a skill which the Almighty has deployed with great success upon diverse occasions, to which I myself may testify).

Upon the creased corpse-paper of my brow the wind is damp with Autumn; brings a hush among the bluebottles. October, then? November? But which year? In truth, I scarcely care, longing to have away with dates and know eternity. I fancied that I had it, that last time. I fancied I was gone. Instead, mere sleep; a further crumbling of my worm-drilled wits, only to wake again, too bored for horror now.

I wonder, is my father yet alive? Poor Tom, as mad as I; almost as hampered in his movements, cloistered there through law on his estate by virtue of his faith, the queer, three-sided hunting lodge he built in which he meant to signify the Trinity, whereby to taunt his captors. Shrouded in a language all my father’s own, occult and mystical, I fear this taunt sailed high above his gaolers’ heads and altogether missed its mark.


Tags: Alan Moore Fantasy