At the table the woman puts down her magazine and sets all ten fingers on her cheeks. Werner climbs out from behind the radio. For a moment his mind is clear of all feeling save triumph.
“He fixed it just by thinking!” the woman exclaims. Herr Siedler covers the mouthpiece of the telephone receiver and looks over. “He sat there like a little mouse and thought, and in half a minute it was fixed!” She flourishes her brilliant fingernails and breaks into childlike laughter.
Herr Siedler hangs up the phone. The woman crosses into the sitting room and kneels in front of the radio—she is barefoot, and her smooth white calves show beneath the hem of her skirt. She rotates the knob. There is a sputter, then a torrent of bright music. The radio produces a vivid, full sound: Werner has never heard another like it.
“Oh!” Again she laughs.
Werner gathers his tools. Herr Siedler stands in front of the radio and seems about to pat him on the head. “Outstanding,” he says. He ushers Werner to the dining table and calls for the maid to bring cake. Immediately it appears: four wedges on a plain white plate. Each is dusted with confectioners’ sugar and topped by a dollop of whipped cream. Werner gapes. Herr Siedler laughs. “Cream is forbidden. I know. But”—he puts a forefinger to his lips—“there are ways around such things. Go on.”
Werner takes a piece. Powdered sugar cascades down his chin. In the other room the woman twists the dial, and voices sermonize from the speaker. She listens awhile, then applauds, kneeling there in her bare feet. The stern faces in the tintypes stare down.
Werner eats one piece of cake, then another, then takes a third. Herr Siedler watches with his head slightly cocked, amused, considering something. “You do have a look, don’t you? And that hair. Like you’ve had a terrible shock. Who is your father?”
Werner shakes his head.
“Right. Children’s House. Silly me. Have another. Get some more cream on it, now.”
The woman claps again. Werner’s stomach gives a creaking sound. He can feel the man’s eyes on him.
“People say it must not be a great posting, here at the mines,” says Herr Siedler. “They say: ‘Wouldn’t you rather be in Berlin? Or France? Wouldn’t you rather be a captain at the front, watching the lines advance, away from all this’?”—he waves his hand at the window—“?‘soot?’ But I tell them I live at the center of it all. I tell them this is where the fuel is coming from, the steel too. This is the furnace of the country.”
Werner clears his throat. “We act in the interest of peace.” It is, verbatim, a sentence he and Jutta heard on Deutschlandsender radio three days before. “In the interest of the world.”
Herr Siedler laughs. Again Werner is impressed with how numerous and tiny his teeth are.
“You know the greatest lesson of history? It’s that history is whatever the victors say it is. That’s the lesson. Whoever wins, that’s who decides the history. We act in our own self-interest. Of course we do. Name me a person or a nation who does not. The trick is figuring out where your interests are.”
A single slice of cake remains. The radio purrs and the woman laughs and Herr Siedler looks almost nothing, Werner decides, like his neighbors, their guarded, anxious faces—faces of people accustomed to watching loved ones disappear every morning into pits. His face is clean and committed; he is a man supremely confident in his privileges. And five yards away kneels this woman with varnished fingernails and hairless calves—a woman so entirely removed from Werner’s previous experience that it is as if she is from a different planet. As if she has stepped out of the big Philco itself.
“Good with tools,” Herr Siedler is saying. “Smart beyond your years. There are places for a boy like you. General Heissmeyer’s schools. Best of the best. Teach the mechanical sciences too. Code breaking, rocket propulsion, all the latest.”
Werner does not know where to set his gaze. “We do not have money.”
“That’s the genius of these institutions. They want the working classes, laborers. Boys who aren’t stamped by”—Herr Siedler frowns—“middle-class garbage. The cinemas and so forth. They want industrious boys. Exceptional boys.”
“Yes, sir.”
“Exceptional,” he repeats, nodding, talking as if only to himself. He gives a whistle and the lance corporal returns, helmet in hand. The soldier’s eyes flit to the remaining piece of cake and then away. “There’s a recruiting board in Essen,” Herr Siedler is saying. “I’ll write you a letter. And take this.” He hands Werner seventy-five marks, and Werner tucks the bills into his pocket as quickly as he can.
The corporal laughs. “Looks like it burned his fingers!”
Herr Siedler’s attention is somewhere else. “I will send Heissmeyer a letter,” he repeats. “Good for us, good for you. We act in the interest of the world, eh?” He winks. Then the corporal gives Werner a curfew pass and shows him out.
Werner walks home oblivious to the rain, trying to absorb the immensity of what has happened. Nine herons stand like flowers in the canal beside the coking plant. A barge sounds its outcast horn and coal cars trundle to and fro and the regular thudding of the hauling machine reverberates through the gloom.
At Children’s House, everyone has been put to bed. Frau Elena sits just inside the entryway with a mountain of laundered stockings in her lap and the bottle of kitchen sherry between her feet. Behind her, at the table, Jutta watches Werner with electric intensity.
Frau Elena says, “What did he want?”
“He only wanted me to fix a radio.”
“Nothing more?”
“No.”
“Did they have questions? About you? Or the children?”
“No, Frau Elena.”
Frau Elena lets out a huge breath, as if she has not exhaled these past two hours. “Dieu merci.” She rubs her temples with both hands. “You can go to bed now, Jutta,” she says.
Jutta hesitates.
“I fixed it,” says Werner.
“That’s a good boy, Werner.” Frau Elena takes a long pull of sherry and her eyes close and her head rocks back. “We saved you some supper.” Jutta walks to the stairs, uncertainty in her eyes.
In the kitchen, everything looks coal-stained and cramped. Frau Elena brings a plate; on it sits a single boiled potato cut in two.
“Thank you,” says Werner. The taste of the cake is still in his mouth. The pendulum swings on and on in the old grandfather clock. The cake, the whipped cream, the thick carpet, the pink fingernails and long calves of Fräulein Siedler—these sensations whirl through Werner’s head as if on a carousel. He remembers towing Jutta to Pit Nine, where their father disappeared, evening after evening, as if their father might come shuffling out of the elevators.