Lien stares at her. “You really do look like Louise Brooks.”
“Huh?” Wren says.
“The silent film actress,” Allyson explains. “My hair was like hers then. That’s why Willem called me Lulu.”
Lien looks at her, remembering that Louise Brooks movie Willem dragged them all to. She’d known then something was up with Willem. No one had believed her when she’d said he had fallen in love.
They believe her now.
• • •
W is having a hard time understanding.
After all the methodical work they put into it, calling all the American tour companies, finding the barge captain in Deauville, the charts of all the connections, this didn’t make sense. Willem going off to Mexico to look for her hadn’t made sense either. It would’ve been one thing had the girl visited a small town during a quiet time of year, but a resort area at Christmas? The odds were ridiculous. But at least that adhered to a logic. The Principle of Connectivity, albeit stretched very thin.
But he doesn’t understand this. All the looking they had done, and from what Broodje had said, the girl had done her own looking. But then she’d just happened upon him at the play last night? The play Willem was not even meant to be performing in? He’d been the understudy until last night.
It doesn’t make sense. It doesn’t make any sense at all.
• • •
Backstage, Willem is thinking about accidents again. And things that seemingly don’t make sense, except they do. Like right out there in the fifth row. All of them, together. That makes sense.
He doesn’t see Kate yet, but she has texted that she and David will be there but must leave right after the play. David is catching a late flight back to London, and she’s seeing him to the airport.
>“I knew it,” Wren says in that fluty voice of hers. “But I thought you were going to find him on the train, like you did the last time.”
“I sort of found him at the train station,” Allyson says. And then she explains how she’d been about to catch the train to the airport when she’d opened the packed breakfast Winston, the guy from their hotel, had made for her. And it was the hagelslag that did it. The bread with chocolate sprinkles, the very first thing she and Willem had talked about. It had been the sign, the accident, the nudge to go to Willem.
“How did you know where to find him?” Wren asks
“Because you told me the address, and that the name of the street was a belt.”
Wren turns to Broodje. “You told me that.”
“Foreigners can never remember Ceintuurbaan otherwise,” he says.
“As opposed to the many other pronounceable street names here?” Allyson asks.
They all laugh.
They clean up the mess from the snacks and prepare to make their way to Vondelpark. Somewhere in the back of her mind, Allyson knows she has a flight home out of London tomorrow, at 4:00. She will have to figure out how to get there. She has a few hundred dollars left. If she has to blow it on the fast Eurostar train, so be it. It was a last-minute impromptu decision to go to Paris from London that had gotten this entire ball rolling. It took two hours to get from one world to another. She is fairly confident she’ll be able to get back in time.
When Broodje goes to have a quick shower, Wren pats the sofa next to her. “Did you find out who the woman was, the one with the flowers from last night?” she asks.
Allyson hasn’t. Last night, seeing Willem with the woman had been a deal breaker. It had seemed to confirm everything she suspected about him, the way that Ana Lucia’s fury had. But now Allyson doesn’t really care who that woman is. She has seen Willem. She has spent an afternoon with him. She knows that what happened to her last year, in a way, has happened to him.
“I didn’t,” she tells Wren.
“You could ask Broodje.”
She could, but she doesn’t want to. It no longer matters.
She can almost hear Melanie’s scoff from across the Atlantic. Melanie had been with Allyson last summer when she’d met Willem, had been suspicious of him from the start, had not been able to understand why Allyson wouldn’t let go of that one guy, that one day.
Whatever. She isn’t listening to Melanie. Or her mom. Or Dee. Or Céline. Or Ana Lucia. She is listening to herself. And she knows that everything is okay.
“You know what we should do?” Wren says, that manic mischievous smile of hers spreading across her face. “We should get him flowers.”