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They both looked at him. The big cop laughed. “That’s a good one. They don’t riot for jaywalkers.”

The short cop looked at his partner.

“Go on,” said the big cop. “This dude’s going nowhere.”

“Well, look here, if you see the chief coming, radio me. I’ll be back in a flash.”

“Roger that.”

The short cop left, and it was just Eddie and the big cop.

Eddie rose and moved to the door. “You got a cigarette?”

“Right, like I’m falling for that one. My mother didn’t raise no idiots. You just stay over there and I’ll stay over here.”

“Come on, they searched every crevice I have and some I didn’t even know I had. I’ve got nothing to hurt you with. I really need a smoke.”

“Uh-huh.” The big cop kept looking out the window. He glanced back every now and then to check on Eddie but eventually kept his gaze on the goings-on outside.

Eddie Battle had massive forearms with thick, pronounced veins. One of these veins was bigger and thicker than the others, a fact probably noted by the police who searched him, but not raising any suspicion. It was a vein after all, full of blood. However, to someone as skilled as Eddie Battle, a vein was not always a vein. This vein, in fact, was made of plastic, resin and rubber and was completely hollow. In the course of his reenactment career Eddie had become very adept at makeup, disguises, costuming and creating fake wounds and scars. He sat back down in the shadows for a bit, working on the artificial vein with his fingers. It finally “ruptured,” and he slid out the very slender items that had been hidden there. The risk that he might be caught had been very real, and he’d taken some very real measures to deal with that eventuality. No search of his person, however thorough, would have turned up the pick and tension tool hidden in the hollow vein.

He kept his eyes on the big cop still looking out the window. He moved forward quietly, draped his manacled hands through the bars of the cell such that they covered the lock. He inserted the instruments in the lock and slowly worked it. He’d practiced this very maneuver for hours at a time on an old cell-door lock he had salvaged from a prison that had been torn down. Finally, through the tension tool and lockpick he could feel the tumblers start to fall into place. There was a loud noise from outside, and he used that moment to cover the sound of the lock clicking open. He held on to the bars and slipped his instruments between his wrist and manacles.

“Hey, dumb-ass! Hey, I’m talking to you, you big stupid piece of flesh.”

The big cop turned and eyed him. “Why don’t you just stuff it! I ain’t the one going to no electric chair.”

“Lethal injection, you moron.”

“Right, that’s my point, so who’s the dumb-ass?”

“From where I’m looking you are.” Come on, big guy, just step this way.

“Keep right on talking.”

“What, sticks and stones’ll break your bones, but words will never hurt you? How the hell did somebody like you get to be a cop? But not a real cop, just a country bumpkin.” Come on, you know you want a piece of me. Here, coppie, coppie.

“Us country bumpkins caught you, now, didn’t we?”

“An ex–Secret Service agent did, dumb-shit. Your police chief I could’ve eaten for breakfast any day of the week.” Eddie glanced at the man’s hand and saw the wedding band. “After I screwed your little woman, that is. Damn, she was a tasty thing.”

“Uh-huh.” A bead of sweat broke over the back of the cop’s thick neck. His pistol hand clenched and unclenched.

Almost there.

“Are your kids as ugly as you are, or did you and your fat-ass wife adopt so you wouldn’t have any little freaks running around?”

The cop whirled around and strode toward the cell, his big low-quarter shoes thumping on the painted concrete floor with each step. “All right, you piece of shit, you’re damn lucky you’re in there—”

Eddie kicked the door open, and the heavy metal caught the cop flush in the face. He went down hard. Eddie charged out, the chain binding his hands went around the cop’s neck and Eddie flexed his powerful arms. In thirty seconds there was no more big cop. Eddie searched the body, got the keys to the manacles and was free. He raced over, locked the door to the hallway, pulled the dead officer into the cell, switched clothes and set him on the bunk propped against the wall.

Eddie put on the cop’s sunglasses and broad-brimmed hat, unlocked the door and glanced down the hallway. There were officers stationed along this corridor.

Not a problem, there was always the window. He shut the door, raced over and looked out. Fortunately for him, the police had now herded the crowd to the other side of the building. He glanced down. It wouldn’t be easy, but the alternative was far more unpalatable. And he had a job to finish. He opened the window, climbed out, felt for the ledge below with his feet and hit it squarely. He squatted, gripped the slender edge of brick with his strong fingers, eased his body off but held on, swinging. He glanced to the right and left. He swung out, did it again, a little farther this time, and then once more, until his body was almost parallel with the ledge. On the fourth swing he let go, the man on the flying trapeze. He hit the outcropping of roof on the first floor of the building, caught his balance and then lowered himself to the ground.

Instead of running away, he marched to the other side of the building and right into the middle of the crowd, fighting his way through at the same time he pretended to be helping quell the riot. He reached a number of empty squad cars, looking in one after another until he spotted keys in the ignition of a bulky Ford Mercury. He climbed in, backed it out and drove off. The riot was still going on, the network personnel gleefully filming all of it for the national audience. However, they’d just missed the biggest scoop of all: the successful escape of Eddie Lee Battle.

He found a pack of gum in the ashtray, popped a piece of Juicy Fruit in his mouth and turned the police radio on high so he could learn instantly when they discovered he was no longer in custody. He breathed the fresh air and flicked a wave to a kid walking his bike along the side of the road. He slowed the squad car and rolled down the window.


Tags: David Baldacci Sean King & Michelle Maxwell Mystery