"Only, she didn't mail anything, Agent Dance. She just asked about when the different delivery services stopped there. Worldwide Express was the most regular, he told her. Like clockwork. He wouldn't've thought anything about it, except that he saw her outside a few days later, sitting on a park bench across the street. I'd guess sh
e was checking the times herself."
Unfortunately, Carraneo couldn't do an EFIS image because she'd worn the baseball cap and dark sunglasses then too. Nor had the manager seen her car.
They disconnected, and she wondered again when the Worldwide Express driver's body would be found.
More violence, more death, another family altered.
The ripples of consequence can spread almost forever.
It was just as that recollection of Morton Nagle's words was passing through her mind that Michael O'Neil called. Coincidentally, his message was about that very driver's fate.
*
Dance was in the front seat of her Taurus.
From the CD player, the original Fairfield Four gospel singers did their best to distract her from the carnage of the morning: "I'm standing in the safety zone . . ."
Music was Kathryn Dance's salvation. Policework for her wasn't test tubes and computer screens. It was people. Her job required her to blend her mind and heart and emotions with theirs and stay close to them so that she could discern the truths they knew but hesitated to share. The interrogations were usually difficult and sometimes wrenching, and the memories of what the subjects had said and done, often horrendous crimes, never left her completely.
If Alan Stivell's Celtic harp melodies or Natty Bo and Beny Billy's irrepressible ska Cubano tunes or Lightnin' Hopkins's raw, zinging chords were churning in her ears and thoughts, she tended not to hear the shocking replays of her interviews with rapists and murderers and terrorists.
Dance now lost herself in the scratchy tones of the music from a half-century ago.
"Roll, Jordan, roll . . ."
Five minutes later she pulled into an office park on the north side of Monterey, just off Munras Avenue, and climbed out. She walked into the ground-floor garage, where the Worldwide Express driver's red Honda Civic sat, trunk open, blood smeared on the sheet metal. O'Neil and a town cop were standing beside it.
Someone else was with them.
Billy Gilmore, the driver Dance had been sure was Pell's next victim. To her shock, he'd been found very much alive.
The heavyset man had some bruises and a large bandage on his forehead--covering the cut that was apparently the source of the blood--but, it turned out, the injuries weren't from being beaten by Pell; he'd cut himself shifting around in the trunk to get comfortable. "I wasn't trying to get out. I was afraid to. But somebody heard me, I guess, and called the police. I was supposed to stay in there for three hours, Pell told me. If I didn't he said he'd kill my wife and kids."
"They're okay," O'Neil explained to Dance. "We've got them in protection." He related Billy's story about Pell's hijacking the truck, then the car. The driver had confirmed that Pell was armed.
"What was he wearing?"
"Shorts, a dark windbreaker, baseball cap, I think. I don't know. I was really freaked out."
O'Neil had called in the new description to the roadblocks and search parties.
Pell had given Billy no idea where he was ultimately going, but was very clear about directions to this garage. "He knew just where it was and that it'd be deserted."
The woman accomplice had checked this out too, of course. She'd met him here and they'd headed for Utah, presumably.
"Do you remember anything else?" Dance asked.
Just after he'd slammed the trunk lid, Billy said, he'd heard the man's voice again.
"Somebody was with him?"
"No, it was just him. I think he was making a call. He had my phone."
"Your phone?" Dance asked, surprised. A glance at O'Neil, who immediately called the Sheriff's Office technical-support people, and had the techs get in touch with the driver's cell phone service provider to set up a trace.
Dance asked if Billy had heard anything that Pell said. "No. It was just mumbling to me."