She was so drunk on emotion that even this trite porn-movie dialogue would have sounded to her like a declaration of love out of an old-time novel.
"Oh, Daniel."
He sat back and reassembled his clothes.
Jennie buttoned the blouse. Pell looked at the pink cloth, the embroidery, the metal tips on the collar.
She noticed him. "You like?"
"It's nice." He glanced out the window and studied the fields around them. Not worried about police, more intent on her. Aware she was studying the blouse.
Hesitantly Jennie said, "It's awfully pink. Maybe too much. I just saw it and thought I'd get it."
"No, it's fine. It's interesting."
As she fastened the buttons she glanced at the pearl dots, then the embroidery, the cuffs. She'd probably had to work a whole week to afford it.
"I'll change later if you want."
"No, if you like it, that's fine," he said, getting his tone just right, like a singer hitting a difficult note. He glanced at the garment once more, then he leaned forward and kissed her--the forehead, not the mouth, of course. He scanned the field again. "We should get back on the road."
"Sure." She wanted him to tell her more about the blouse. What was wrong with it? Did he hate pink? Did an ex-girlfriend have a shirt like it? Did it make her boobs look small?
But, of course, he said nothing.
Jennie smiled when he touched her leg and she put the car in gear. She returned to the road, glancing down one last time at the blouse, which, Pell knew, she would never wear again. His goal had been for her to throw it out; he had a pretty good idea that she would.
And the irony was that the blouse looked really good on her, and he liked it quite a bit.
But offering his subtle disapproval and watching her reaction gave him a nice picture of exactly where she was. How controllable, how loyal.
A good teacher always knows the exact state of his student's progress.
*
Michael O'Neil sat in a chair in Dance's office, rocking back and forth on its rear legs, his shoes on her battered coffee table. It was his favorite way to sit. (Kinesically Dance put the habit down to nervous energy--and a few other issues, which, because she was so close to him, she chose not to analyze in more depth.) He, TJ Scanlon and Dance were gazing at her phone, from whose speaker a computer tech from Capitola prison was explaining, "Pell did get online yesterday, but apparently he didn't send any emails--at least not then. I couldn't tell about earlier. Yesterday he only browsed the Web. He erased the sites he visited but he forgot about erasing search requests. I found what he was looking up."
"Go ahead."
"He did a Google search for 'Alison' and 'Nimue.' He searched those together, as limiting terms."
Dance asked for spellings.
"Then he did another. 'Helter Skelter.' "
O'Neil and Dance shared a troubled glance. The phrase was the title of a Beatles song, which Charles Manson was obsessed with. He had used the term to refer to an impending race war in America. It was also the title of the award-winning book about the cult leader and the murders by the man who prosecuted him.
"Then he went to Visual-Earth dot com. Like Google Earth. You can see satellite pictures of practically everywhere on the planet."
Great, Dance thought. Though it turned out not to be. There was no way to narrow down what he'd looked for.
"It could've been highways in California, it could've been Paris or Key West or Moscow."
"And what's 'Nimue'?"
"No idea."
"Does it mean anything in Capitola?"