What Has Two Wheels, Wears Seersucker, and Makes a Sucker of Me? A Bicycle Boy
A few weeks back, I had an encounter with a Bicycle Boy. It happened at a book party that was held in a great marble hall on a tree-lined street. While I was surreptitiously stuffing my face with smoked salmon, a writer friend, a guy, rushed up and said, “I’ve just been talking to the most interesting man.”
“Oh yeah? Where?” I asked, glancing around the room with suspicion.
“He used to be an archaeologist, and now he writes science books . . . fascinating.”
“Say no more,” I said. I had already spotted the man in question—he was dressed in what I imagined was the city version of a safari suit: khaki trousers, a cream-checked shirt, and a slightly shabby tweed jacket. His gray-blond hair was raked back from his forehead, exposing a handsome chipped profile. So I was motoring, as much as you can motor in strappy high-heeled sandals, across the room. He was in deep conversation with a middle-aged man, but I quickly took care of the situation. “You,” I said. “Someone just told me you were fascinating. I hope you won’t disappoint me.” I bore him off to an open window, where I plied him with cigarettes and cheap red wine. After twenty minutes, I left him to go meet some friends for dinner.
The next morning, he called me while I was still in bed with a hangover. Let’s call him Horace Eccles. He talked about romance. It was nice to lie in bed with my head throbbing and a handsome man cooing into my ear. We arranged to meet for dinner.
The trouble began almost immediately. First he called to say he was going to be an hour early. Then he called back to say he wasn’t. Then he called to say he was going to be half an hour late. Then he called and said he was just around the corner. Then he really was forty-five minutes late.
And then he turned up on his bicycle.
I didn’t realize this at first. All I noticed was a more than normal dishevelment (for a writer) and a slight breathiness, which I attributed to the fact that he was in my presence. “Where do you want to have dinner?” he asked.
“I’ve already arranged it,” I said. “Elaine’s.”
His face twisted. “But I thought we’d just have dinner at some neighborhood place around the corner.”
I gave him one of my looks and said, “I don’t have dinner at neighborhood places around the corner.” For a moment, it looked like it was going to be a standoff. Finally, he blurted out, “But I came on my bicycle, you see.”
I turned around and stared at the offending piece of machinery, which was tethered to a lamppost.
“I don’t think so,” I said.
MR. NEW YORKER AND HIS THREE-SPEED
This was not my first encounter with a Manhattan literary-romantic subspecies I’ve come to call the Bicycle Boys. A while back, I was at a dinner with one of the most famous Bicycle Boys, whom we’ll just call Mr. New Yorker. Mr. New Yorker, an editor at that publication, looks like he’s thirty-five (even though he’s quite a bit older), with floppy brown hair and a devastating smile. When he goes out, he usually has his pick of single women, and not just because these women want to get something published in the New Yorker. He’s smooth and a little sloppy. He sits down next to you and talks to you about politics and asks your opinion. He makes you feel smart. And then, before you know it, he’s gone. “Hey, where’s Mr. New Yorker?” everyone was asking at eleven o’clock. “He made a phone call,” one woman said, “and then he took off on his bike. He was going to meet someone.”
The image of Mr. New Yorker, stealing through the night in his tweedy jacket, pumping like mad on his three-speed bike (with fenders to keep his pants from getting dirty), haunted me. I pictured him pulling up to an Upper East Side walkup—or maybe a loft building in SoHo—leaning against the buzzer, and then, panting slightly, wheeling his bike up the stairs. A door would open, and he and his inamorata would be giggling as they tried to figure out where to put the bike. Then they’d fall into a sweaty embrace, no doubt ending up on some futon on the floor.
The Bicycle Boy actually has a long literary-social tradition in New York. The patron saints of Bicycle Boys are white-haired writer George Plimpton, whose bike used to hang upside down above his employees’ heads at the Paris Review offices, and white-haired Newsday columnist Murray Kempton. They’ve been riding for years and are the inspiration for the next generation of Bicycle Boys, like the aforementioned Mr. New Yorker and scores of young book, magazine, and newspaper editors and writers who insist on traversing Manhattan’s physical and romantic landscape as solitary pedalers. Bicycle Boys are a particular breed of New York bachelor: Smart, funny, romantic, lean,
quite attractive, they are the stuff that grownup coed dreams are made of. There’s something incredibly, er, charming about a tweedy guy on a bike—especially if he’s wearing goofy glasses.
Women tend to feel a mixture of passion and motherly affection. But there’s a dark side: Most Bicycle Boys are not married and probably never will be, at least not until they give up their bikes.
WHY JOHN F. KENNEDY JR. IS NOT A BICYCLE BOY
“Riding a bike is not necessarily a power move,” said Mr. Eccles. “It’s best done by power people like George Plimpton. Otherwise, you have to hide your bike around the corner and surreptitiously take your trousers out of your socks.” Bicycle Boys don’t ride their bikes for sport, like those silly guys you see riding around and around the park. They ride partly for transportation and, more important, to preserve a literary boyhood. Think of twilight at Oxford, riding over the cobblestones while a woman waits down by the Cherwell River, wearing a flowing dress, clasping a volume of Yeats. That’s how Bicycle Boys think of themselves as they pedal Manhattan, dodging cabbies and potholes. While John F. Kennedy Jr. is certainly New York’s most famous and sought-after bike-riding bachelor, his rippled athleticism disqualifies him for Bicycle Boydom. Because a Bicycle Boy would rather bike through midtown in a seersucker suit than in shorts and a chest-hugging tee. And Bicycle Boys spurn those skintight bike pants that have cushy foam padding sewn into the butt. Bicycle Boys are not averse to the chastising pain of a hard bike seat—it helps the literature. “I don’t own any spandex pants,” said Mr. New Yorker, who added that he wears long johns in the winter to keep warm.
Which may be one reason Bicycle Boys, more than their athletic cousins, tend to get physically attacked. The other reason is that they ride at any hour (the later the better—more romantic), in any physical condition, anywhere.
“Drunks roar out of their windows at night to send you into a tailspin,” said Mr. Eccles. And worse.
One Halloween, Mr. New Yorker was wearing a British bobby’s cape when he rode into a group of twelve year olds who yanked him off his bike. “I said, ‘I can’t fight all of you at once. I’ll fight one of you.’ They all stepped back, except for the biggest one. I suddenly realized I didn’t want to fight him, either.” The whole gang jumped on Mr. New Yorker and began pounding him, until some innocent bystanders started screaming and the gang ran away. “I was lucky,” said Mr. New Yorker. “They didn’t take my bike, but they did take some records I had in my basket.” (Note that Mr. New Yorker was carrying “records,” as in vinyl albums, not CDs—another sign of a true Bicycle Boy.)
Mr. Eccles recalled a similar story. “Two days ago, I was riding through Central Park at ten at night, when I was surrounded by a ‘wilding’ gang on rollerblades. “They were almost children. They tried to capture me in a flank maneuver, but I was able to bicycle away even faster.”
But an even bigger danger is sex, as a reporter we’ll call Chester found out. Chester doesn’t ride his bike as much as he used to because, about a year ago, he had a bad cycling accident after a romantic interlude. He was writing a story on topless dancers when he struck up a friendship with Lola. Maybe Lola fancied herself a Marilyn Monroe to his Arthur Miller. Who knows. All Chester knows is that one evening she called him up and said she was lying around in her bed at Trump Palace, and could he come over. He hopped on his bike and was there in fifteen minutes. They went at it for three hours. Then she said he had to leave because she lived with someone and the guy was coming home. Any minute.
Chester ran out of the building and jumped on his bike, but there was a problem. His legs were so shaky from having sex they started cramping up just as he was going down Murray Hill, and he crashed over the curb and slid across the pavement. “It really hurt,” he said. “When your skin is scraped off like that, it’s like a first-degree burn.” Luckily, his nipple did eventually grow back.
“A BIG STEEL THING BETWEEN MY LEGS”
Riding a bike in Manhattan is indeed perilous sport. If these writers lived out west, maybe they’d carry guns, like something out of Larry McMurtry or Tom McGuane or Cormac McCarthy. But since they live in New York, the Bicycle Boys are more the Clark Kent type. Mild-mannered reporters by day who often have to answer to killer editrixes, they become menaces to society by night. And who can blame them? “You ride through red lights, you ride against the traffic. You can be a felon,” said Chester. “I feel like there’s a big steel thing between my legs throbbing ahead of me,” said one Bicycle Boy, who asked to be unnamed. “I have my hand on my bike right now,” said Kip, a literary agent, speaking on the phone from his office. “There’s a freedom in being on your bike in the city. You feel like you’re floating above the masses. I’m pretty fearless on my bike, in ways that I can’t be in the rest of my life. I feel like I’m the best on my bike, the most in tune with myself and the city.”