"One terrible summer day Mel went over a precipice; they had to dig his body out of the ravine. He was only twenty-one. I was seventeen. I felt half dead myself, so empty and alone with my brother gone. My father came to me after Mel's funeral and said I'd have to take the place of my older brother and work in one of his banks to learn about the financial world. He might as well have told me I'd have to cut off my hands and feet. I ran away that very night."
All about us the huge house seemed to wait, very quiet, too quiet. The storm outside seemed to hold its breath as well, although I could glimpse the leaden gray sky growing more and more swollen and turgid. I moved slightly closer to Chris on the elegant sofa. Across from us in a wing-back chair, Joel sat silently, as if caught in melancholy memories, and Chris and I no longer existed for him.
"Where did you go?" asked Chris, putting down his teacup and leaning back before he crossed his legs. His hand reached for mine "It must have been difficult for a boy of seventeen on his own . . ."
Joel jerked back to the present, seeming startled to find himself back in his hated childhood home. "It wasn't easy. I didn't know how to do anything practical, but at music I was very talented. I caught a freight steamer and worked as a deckhand to pay my way over to France. For the first time in my life I had calluses on my hands. Once I was in France, I found a job in a nightclub and earned a few francs a week. Soon I grew tired of the long hours and moved on to Switzerland, thinking I'd see all the world and never return home. I found another job as a nightclub musician in a small Swiss inn near the Italian border and soon was joining skiing parties into the Alps. I'd spend most of my free time skiing, and in the summer, hiking or bicycling. One day good friends asked me to join them on a rather risky trip, to downhill ski from a very high peak. I was about nineteen then, and the four others ahead were laughing and yelling at each other and didn't notice when I lost control and went tumbling headlong into a deep ice crevice. I broke my leg in the fall. I lay down there a day and a half, partly in shock, when two monks traveling on donkeys heard my weak cries for help. They knew how to get me out--but I don't remember much about that, for I was weak with hunger and half out of my mind from pain. When I came to, I was in their monastery, and smooth, bland faces were smiling at me. Their monastery was on the Italian side of the Alps, and I didn't know a word of Italian. They taught me their Latin as my broken leg healed, and then they used my slight artistic talent to help them paint wall murals and decorate handwritten scripts with religious
illustrations. Sometimes I played their organ. By the time my leg was healed so I could walk, I found I liked their quiet life, the artwork they gave me to do, the music I played at dawn and sunset, the silent routine of their uneventful days of prayers and work and self-denial. I stayed on and eventually became one of them. In that monastery, high in the mountains, I finally found peace."
His story was over. He sat looking at Chris, then turned his pale but burning eyes on me.
Startled by his penetrating gaze, I tried not to shrink away and show the revulsion I couldn't help feeling. I didn't like him, even though he faintly resembled the father I'd loved so well, and certainly I had no reason to dislike him I suspected it was my own anxiety and fear that he'd know that Chris was really my brother and not my husband. Had Bart told him our story? Did he see how Chris resembled the Foxworths? I couldn't really tell. He was smiling at me, using his own kind of failing charm to win me over. Already he was wise enough to know it wouldn't be Chris he had to convince .. .
"Why did you come back?" asked Chris.
Again Joel tried to smile. "One day an American journalist came to the monastery to write a feature story about what it was like to be a monk in today's modern world. Since I was the only one there who spoke English, they used me to represent all of them. I casually asked if he'd ever heard of the Foxworths of Virginia. He had, since Malcolm had made a huge fortune and was often involved in politics, and only then did I learn of his death, and that of my mother. Once the journalist had gone, I couldn't stop thinking about this house and my sister. Years can easily blend one into the other when all days are alike, and calendars weren't kept in sight. Finally came a day when I resolved that I wanted to go home again and talk to my sister and get to know her. The journalist hadn't mentioned if she had married. It wasn't until after I came to the village, almost a year ago, and settled into a motel that I heard of how the original house had burned one Christmas night and my sister had been put away in a mental rest home, and all that tremendous fortune had been left to her. It wasn't until Bart came that summer that I learned the rest--how my sister died, how he inherited."
His eyes lowered modestly. "Bart is a very remarkable young man; I enjoy his company. Before he came, I used to spend a lot of my time up here, talking to the caretaker. He told me about Bart and his many visits to talk to the builders and decorators, how he had expressed his desire to make this new house look exactly like the old one. I made it my business to be here when Bart came the next time. We met, I told him who I was, and he seemed overjoyed . . . and that's the whole of it."
Really? I stared at him hard. Had he come back thinking he'd have his share of the fortune Malcolm had left? Could he break my mother's will and take away a good portion for himself? If he could, I wondered why Bart wasn't very upset to know he was still alive.
I didn't put any of my thoughts into words, just sat on, as Joel fell into a long, moody silence. Chris stood up. "It's been a full day for us, Joel, and my wife is very tired. Could you show us to the rooms we are to use so we can rest and refresh ourselves?"
Instantly Joel was on his feet, apologizing for being a poor host, and then he was leading the way to the stairs.
"I will be happy to see Bart again. He was very generous to offer me a room in this house. However, all these rooms remind me too much of my parents. My room is over the garage, near the servants' quarters.
Just then the telephone rang. Joel handed me the telephone. "It's your older son calling from New York," he said in that stiff, gritty voice. "You can use the phone in the first salon if both of you want to talk to him."
Chris hurried to pick up another phone as I greeted Jory. His happy voice dispelled some of the gloom and depression I was already feeling. "Mom, Dad, I've managed to cancel a few commitments, and Mel and I are free to fly down and be with you. We're both tired and need a vacation. Besides, we'd like to get a look at that house we've heard so much about. Is it really like the original?"
Oh, yes, only too much so. I was filled with joy that Jory and Melodie were coming to join us, and when Cindy and Bart arrived, too, we'd be a complete family again, all living under the same roof-- something I hadn't known in a long time.
"No, of course I don't mind giving up performing for a while," he said cheerfully in answer to my question. "I'm tired. Even my bones feel weak with fatigue. We both need a good rest . . . and we have some news for you."
He'd say nothing more.
We hung up, and Chris and I smiled at each other. Joel had retreated to give us privacy, and now he reappeared, tottering uncertainly around a jutting French table with a huge marble urn filled with a dried flower arrangement, speaking of the suite of rooms Bart had planned for my use. He glanced at me, then at Chris before he added, "And for you as well, Dr. Sheffield."
Joel swiveled his watery eyes to study my expression, seeming to find something there that pleased him
Linking my arm with Chris's, I bravely faced the stairs that would take us up, up, and back to that second floor where it had all begun, this wonderful, sinful love that Chris and I had found in the dusty, decaying attic gloom, in a dark place full of junk and old furniture, with paper flowers on the wall and broken promises at our feet.
Memories
. Midway up the stairs I paused to look down, wanting to see something that might have slipped my notice before. Even as Joel had told us his story, and we'd eaten our sparse lunch, I'd stared at everything I'd seen but twice before, and never had I seen enough. From the room where we'd been, I could easily look into the foyer with its myriad mirrors and fine French furniture placed stiffly in small groupings that tried unsuccessfully to be intimate. The marble floor gleamed like glass from many polishings. I felt the overwhelming desire to dance, dance, and pirouette until I blindly fell . . .
Chris grew impatient as I lingered and tugged me upward until at last we were in the grand rotunda and again I was staring down into the ballroom-foyer.
"Cathy, are you lost in memories?" whispered Chris, somewhat crossly. "Isn't it time we both forget the past and move on? Come, I know you must be very tired."
Memories . . . they came at me fast and furious. Cory, Carrie, Bartholomew Winslow--I sensed them all around me, whispering, whispering. I glanced again at Joel, who'd told us he didn't want us to call him Uncle Joel. He was saving that distinguished title for my children.
He must look as Malcolm did, only his eyes were softer, less piercing than those we'd seen in that huge, lifesize portrait of him in the "trophy" room. I told myself that not all blue eyes were cruel and heartless. Certainly I should know that better than anyone.
Openly studying the aged face before me, I could still see the remnants of the younger man he'd once been. A man who must have had flaxen blond hair and a face very much like my father's--and his son's. Because of this I relaxed and forced myself to step forward and embrace him. "Welcome home, Joel."
His frail old body in my arms felt brittle and cold. His cheek was dry as my lips barely managed a kiss there. He shrank from me as if contaminated by my touch, or perhaps he was afraid of women. I jerked away, regretting now that I'd made an attempt to be warm and friendly. Touching was something no Foxworth was supposed to do unless there was a marriage certificate first. Nervously my eyes fled to meet Chris's. Calm down, his eyes were saying, it's going to be all right.