"You muck the case you go in without a warrant," he reminded her, grumping a bit when she pounded up the stairs rather than wait for the elevator.
"I could find the door unsecured." She sent one hot look over her shoulder as he rushed up behind her. "Couldn't I?"
"Shit, Dallas. Give me five here. I'll light a fire under the warrant."
He was puffing a bit when they reached the third floor, and his rumpled face was bright pink. But he shoved in front of her and stood in front of the door to 35. "Just hold on, damn it. Let's take him clean. You know the drill."
She wanted to argue, wanted the sheer, physical satisfaction of kicking the door in. Because it was personal, she thought, certain she felt her own bones vibrating against tensed muscles.
She wanted her hands on him, wanted him to feel fear and helplessness and pain. Wanted it, she realized with a sick jolt, much too much.
"Okay." With an effort, she pulled herself in. "When we go through the door, if we find him, you take him down, Feeney."
"Kid, it's your collar."
"You take him down. I can't swear it'll be clean if I do."
He studied her face, saw the strain, and nodded. "I'll take him for you, Dallas." He yanked out his communicator when it beeped. "Here's our pass. We're clean to move. You want high or low?"
Her lips curved, without humor. "You always wanted high in the old days."
"Still do. Low hurts my knees." They turned, a unit, drawing that hard breath together, then slamming the door. As hinges popped, she went low, crouching under Feeney's arm, weapon out.
Guarding each other's back, they did a full sweep of the room, dimly lit by the backwash of streetlights.
"Tidy as a church," Feeney whispered. "Smells like a hospital."
"It's the disinfectant. I'm calling for lights. I'll take the left."
"Go."
"Lights on," she ordered then swung left. "Simon? This is the police. We're armed and warranted. All exits are blocked." She gestured toward a doorway, received Feeney's go-ahead nod.
Leading with her laser, she moved in, shoving the door with her elbow so that it bounced against the wall. "He's been here," she told Feeney, scanning the disordered room. "Packed up what he could. He's gone under."
CHAPTER EIGHTEEN
"Here's what we've got," Eve began once her team had regrouped in her home office. "He's good at disguises. We can give his photo to the media, let them blast it every half hour, but he won't look like his picture. We suspect he has enough cash, loose credits, or alternate ID to travel freely. We'll put out the traces, but the odds of tagging him that way are slim."
She rubbed the fatigue out of her eyes and pumped more caffeine into her system. "I want Mira's take, but mine is that his being interrupted tonight, after the rape, before the payoff, will have him sexually frustrated, on edge, shaken. He's an obsessively neat individual, but he left his workspace and his living space upended in his rush to get what he needed and get out."
"Lieutenant." Though she didn't raise her hand for attention, Peabody felt as if she should. It was cop to cop and nothing else when Eve looked at her. "Do you think he's still in the city?"
"The data we've been able to gather so far indicates he was born here, raised here. He's lived here all of his life and it's unlikely he would seek safety elsewhere. Captain Feeney and McNab will continue to dig for personal data, but for now we assume he's still in the area."
"He doesn't own transpo," Feeney put in. "Never took any vehicle pilot tests. He has to depend on public for his movements."
"And public transpo, in, out, and around the city, is at peak usage right now." This was from McNab, who barely glanced up from his work at the computer. "Only way he's getting out of the city if he didn't have pre-booked reservations is to sprout wings and fly."
"Agreed. Added to that, the other targets on his agenda are here. All previous victims have been in the city. Spooked or not, he's going to be compelled to go for number five. The Christmas holidays are his trigger."
Eve moved over to the wall screen. "Run Evidence Disc, Simon, 1-H," she ordered. "We confiscated dozens of video discs with holiday themes from his apartment," she continued as the first flashed on screen. "This is vintage stuff. Some twentieth-century film -- "
"It's a Wonderful Life,"'Roarke said from the doorway. "Jimmy Stewart, Donna Reed." He only smiled pleasantly at Eve's scowl. "Am I interrupting?"
"This is police business," Eve told him. Didn't the man ever sleep?
Ignoring her, Roarke came in and sat on the arm of Peabody's chair. "You've put in a long night. Can I order some food for you?"