Nevertheless members of the Talamasca studied the theoreticians. Jesse read the works of all the great psychic detectives, mediums, and mentalists. She studied anything and everything related to the occult.
And many a time she thought of Maharet's advice. What Maharet had said was true. Ghosts, apparitions, psychics who could read minds and move objects telekinetically-it was all fascinating to those who witnessed it firsthand. But to the human race at large it meant very little. There was not now, nor would there ever be, any great occult discovery that would alter human history.
But Jesse never tired of her work. She became addicted to the excitement, even the secrecy. She was within the womb of the Talamasca, and though she grew accustomed to the elegance of her surroundings-
to antique lace and poster beds and sterling silver, to chauffeured cars and servants-she herself became ever more simple and reserved.
At thirty she was a fragile-looking light-skinned woman with her curly red hair parted in the middle and kept long so that it would fall behind her shoulders and leave her alone. She wore no cosmetics, perfume, or jewelry, except for the Celtic bracelet. A cashmere blazer was her favorite garment, along with wool pants, or jeans if she was in America. Yet she was an attractive person, drawing a little more attention from men than she thought was best. Love affairs she had, but they were always short. And seldom very important.
What mattered more were her friendships with the other members of the order; she had so many brothers and sisters. And they cared about her as she cared about them. She loved the feeling of the community surrounding her. At any hour of the night, one could go downstairs to a lighted parlor where people were awake-reading, talking, arguing perhaps in a subdued way. One could wander into the kitchen where the night cook was ever ready to prepare an early breakfast or a late dinner, whatever one might desire.
Jesse might have gone on forever with the Talamasca. Like a Catholic religious order, the Talamasca took care of its old and infirm. To die within the order was to know every luxury as well as every medical attention, to spend your last moments the way you wanted, alone in your bed, or with other members near you, comforting you, holding your hand. You could go home to your relatives if that was your choice. But most, over the years, chose to die in the Motherhouse. The funerals were dignified and elaborate. In the Talamasca, death was a part of life. A great gathering of black-dressed men and women witnessed each burial.
Yes, these had become Jesse's people. And in the natural course of events she would have remained forever.
But when she reached the end of her eighth year, something happened that was to change everything, something that led eventually to her break with the order.
Jesse's accomplishments up to that point had been impressive. But in the summer of 1981, she was still working under the direction of Aaron Lightner and she had seldom even spoken to the governing council of the Talamasca or the handful of men and women who were really in charge.
So when David Talbot, the head of the entire order, called her up to his office in London, she was surprised. David was an energetic man of sixty-five, heavy of build, with iron-gray hair and a consistently cheerful manner. He offered Jesse a glass of sherry and talked pleasantly about nothing for fifteen minutes before getting to the point.
Jesse was being offered a very different sort of assignment. He gave her a novel called Interview with the Vampire. He said, "I want you to read this book. "
Jesse was puzzled. "The fact is, I have read it," she said. "It was a couple of years ago. But what does a novel like this have to do with us?"
Jesse had picked up a paperback copy at the airport and devoured it on a long transcontinental flight. The story, supposedly told by a vampire to a young reporter in present-day San Francisco, had affected Jesse rather like a bad dream. She wasn't sure she liked it. Matter of fact, she'd thrown it away later, rather than leave it on a bench at the next airport for fear some unsuspecting person might find it.
The main characters of the work-rather glamorous immortals when you got right down to it-had formed an evil little family in antebellum New Orleans where they preyed on the populace for over fifty years. Lestat was the villain of the piece, and the leader. Louis, his anguished subordinate, was the hero, and the one telling the tale. Claudia, their exquisite vampire "daughter," was a truly tragic figure, her mind maturing year after year while her body remained eternally that of a little girl. Louis's fruitless quest for redemption had been the theme of the book, obviously, but Claudia's hatred for the two male vampires who had made her what she was, and her own eventual destruction, had had a much stronger effect upon Jesse.
"The book isn't fiction," David explained simply. "Yet the purpose of creating it is unclear. And the act of publishing it, even as a novel, has us rather alarmed. "
"Not fiction?" Jesse asked. "I don't understand. "
"The author's name is a pseudonym," David continued, "and the royalty checks go to a nomadic young man who resists all our attempts at contact. He was a reporter, however, much like the boy interviewer in the novel. But that's neither here nor there at the moment. Your job is to go to New Orleans and document the events in the story which took place there before the Civil War. "
"Wait a minute. You're telling me there are vampires? That these characters-Louis and Lestat and the little girl Claudia- are real!"
"Yes, exactly," David answered. "And don't forget about Ar-mand, the mentor of the Theatre des Vampires in Paris. You do remember Armand. "
Jesse had no trouble remembering Armand or the theater. Armand, the oldest immortal in the novel, had had the face and form of an adolescent boy. As for the theater, it had been a gruesome establishment where human beings were killed on stage before an unsuspecting Parisian audience as part of the regular fare.
The entire nightmarish quality of the book was coming back to Jesse. Especially the parts that dealt with Claudia. Claudia had died in the Theater of the Vampires. The coven, under Armand's command, had destroyed her.
"David, am I understanding you correctly? You're saying these creatures exist?"
"Absolutely," David answered. "We've been observing this type of being since we came into existence. In a very real way, the Talamasca was formed to observe these creatures, but that's another story. In all probability, there are no fictional characters in this little novel whatsoever, but that would be your assignment, you see-to document the existence of the New Orleans coven, as described here-Claudia, Louis, Lestat. "
Jesse laughed. She couldn't help it. She really laughed. David's patient expression only made her laugh more. But she wasn't surprising David, any more than her laughter had surprised Aaron Lightner eight years ago when they first met.
"Excellent attitude," David said, with a little mischievous smile. "We wouldn't want you to be too imaginative or trusting. But this field requires great care, Jesse, and strict obedience to the rules. Believe me when I say that this is an area which can be extremely dangerous. You are certainly free to turn down the assignment right now. "
"I'm going to start laughing again," Jesse said. She had seldom if ever heard the word "dangerous" in the Talamasca. She had seen it in writing only in the witch family files. Now, she could believe in a witch family without much difficulty. Witches were human beings, and spirits could be manipulated, most probably. But vampires?
"Well, let's approach it this way," David said. "Before you make up your mind, we'll examine certain artifacts pertaining to these creatures which we have in the vaults. "
The idea was irresistible. There were scores of rooms beneath the Motherhouse to which Jesse had never been admitted. She wasn't going to pass up this opportunity.
As she and David went down the stairs together, the atmosphere of the Sonoma compound came back to her unexpectedly and rather vividly. Even the long corridor with its occasional dim electric bulbs reminded her of Maharet's cellar. She found herself all the more excited.