Almost instantly, he saw Louis enter an empty drawing room. He had only just come up the stairs from the cellar where he had slept by day in a vault behind the wall. He had no awareness at all of anyone watching. He moved with silky strides across the dusty room, and stood looking down through the soiled glass at the thick flow of passing cars. Same old house on Divisadero Street. In fact, nothing changed much at all with this elegant and sensuous creature who had caused such a little tumult with his story in Interview with the Vampire. Except that now he was waiting for Lestat. He had had troubling dreams; he was fearful for Lestat, and full of old and unfamiliar longings.
Reluctantly, he let the image go. He had a great affection for that one, Louis. And the affection was not wise because Louis had a tender, educated soul and none of the dazzling power of Gabrielle or her devilish son. Yet Louis might survive as long as they, he was sure of that. Curious the kinds of courage which made for endurance. Maybe it had to do with acceptance. But then how account for Lestat, beaten, scarred, yet risen again? Lestat who never accepted anything?
They had not found each other yet, Gabrielle and Louis. But it was all right. What was he to do? Bring them together? The very idea. . . . Besides, Lestat would do that soon enough.
But now he was smiling again. "Lestat, you are the damnedest creature! Yes, a brat prince. " Slowly, he reinvoked every detail of Lestat's face and form. The ice-blue eyes, darkening with laughter; the generous smile; the way the eyebrows came together in a boyish scowl; the sudden flares of high spirits and blasphemous humor. Even the catlike poise of the body he could envisage. So uncommon in a man of muscular build. Such strength, always such strength and such irrepressible optimism.
The fact was, he did not know his own mind about the entire enterprise, only that he was amused and fascinated. Of course there was no thought of vengeance against Lestat for telling his secrets. And surely Lestat had counted upon that, but then one never knew. Maybe Lestat truly did not care. He knew no more than the fools back there in the bar, on that score.
What mattered to him was that for the first time in so many years, he found himself thinking in terms of past and future; he found himself most keenly aware of the nature of this era. Those Who Must Be Kept were fiction even to their own children! Long gone were the days when fierce rogue blood drinkers searched for their shrine and their powerful blood. Nobody believed or even cared any longer!
And there lay the essence of the age; for its mortals were of an even more practical ilk, rejecting at every turn the miraculous. With unprecedented courage, they had founded their greatest ethical advances squarely upon the truths embedded in the physical.
Two hundred years since he and Lestat had discussed these very things on an island in the Mediterranean-the dream of a godless and truly moral world where love of one's fellow man would be the only dogma. A world in which we do not belong. And now such a world was almost realized. And the Vampire Lestat had passed into popular art where all the old devils ought to go, and would take with him the whole accused tribe, including Those Who Must Be Kept, though they might never know it.
It made him smile, the symmetry of it. He found himself not merely in awe but strongly seduced by the whole idea of what Lestat had done. He could well understand the lure of fame.
Why, it had thrilled him shamelessly to see his own name scrawled on the wall of the bar. He had laughed; but he had enjoyed the laughter thoroughly.
Leave it to Lestat to construct such an inspiring drama, and that's what it was, all right. Lestat, the boisterous boulevard actor of the ancien regime, now risen to stardom in this beauteous and innocent era.
But had he been right in his little summation to the fledgling in the bar, that no one could destroy the brat prince? That was sheer romance. Good advertising. The fact is, any of us can be destroyed. . . one way or another. Even Those Who Must Be Kept, surely.
They were weak, of course, those fledgling "Children of Darkness," as they styled themselves. The numbers did not increase their strength significantly. But what of the older ones? If only Lestat had not used the names of Mael and Pandora. But were there not blood drinkers older even than that, ones of whom he himself knew nothing? He thought of that warning on the wall: "ancient and terrible beings . . . moving slowly and inexorably to answer his summons. "
A frisson startled him; coldness, yet for an instant he thought he saw a jungle-a green, fetid place, full of unwholesome and smothering warmth. Gone, without explanation, like so many sudden signals and messages he received. He'd learned long ago to shut out the endless flow of voices and images that his mental powers enabled him to hear; yet now and then something violent and unexpected, like a sharp cry, came through.
Whatever, he had been in this city long enough. He did not know that he meant to intervene, no matter what happened! He was angry with his own sudden warmth of feeling. He wanted to be home now. He had been away from Those Who Must Be Kept for too long.
But how he loved to watch the energetic human crowd, the clumsy parade of shining traffic. Even the poison smells of the city he did not mind. They were no worse than the stench of ancient Rome, or Antioch, or Athens-when piles of human waste fed the flies wherever you looked, and the air reeked of inevitable disease and hunger. No, he liked the clean pastel-colored cities of California well enough. He could hav
e lingered forever among their clear-eyed and purposeful inhabitants.
But he must go home. The concert was not for many nights, and he would see Lestat then, if he chose. . . . How delicious not to know precisely what he might do, any more than others knew, others who didn't even believe in him!
He crossed Castro Street and went swiftly up the wide pavement of Market. The wind had slackened; the air was almost warm. He took up a brisk pace, even whistling to himself the way that Louis often did. He felt good. Human. Then he stopped before the store that sold television sets and radios. Lestat was singing on each and every screen, both large and small.
He laughed under his breath at the great concert of gesture and movement. The sound was oft", buried in tiny glowing seeds within the equipment. He'd have to search to receive it. But wasn't there a charm in merely watching the antics of the yellow-haired brat' prince in merciless silence?
The camera drew back to render the full figure of Lestat who played a violin as if in a void. A starry darkness now and then enclosed him. Then quite suddenly a pair of doors were opened- it was the old shrine of Those Who Must Be Kept, quite exactly! And there-Akasha and Enkil, or rather actors made up to play the part, white-skinned Egyptians with long black silken hair and glittering jewelry.
Of course. Why hadn't he guessed that Lestat would carry it to this vulgar and tantalizing extreme? He leant forward, listening for the transmission of the sound. He heard the voice of Lestat above the violin:
Akasha! Enkil!
Keep your secrets
Keep your secrets
Keep your silence
It is a better gift than truth.
And now as the violin player closed his eyes and bore down on his music, Akasha slowly rose from the throne. The violin fell from Lestat's hands as he saw her; like a dancer, she wrapped her arms around him, drew him to her, bent to take the blood from him, while pressing his teeth to her own throat.
It was rather better than he had ever imagined-such clever craft. Now the figure of Enkil awakened, rising and walking like a mechanical doll. Forward he came to take back his Queen. Lestat was thrown down on the floor of the shrine. And there the film ended. The rescue by Marius was not part of it.
"Ah, so I do not become a television celebrity," he whispered with a faint smile. He went to the entrance of the darkened store.