“I see one, too,” said Zolner. “Fern will pick up the money this afternoon.”
That evening, Marat Zolner took the ten thousand to the Bronx and paid the owner of Morrison Motor Express for a controlling interest in a fleet of seven-and-a-half-ton Mack AC “Bulldog” trucks. He dispatched four of the sturdy, slope-nosed, long-haul vehicles three hundred fifty miles to Champlain, New York, on the Canadian border.
Zolner gave command of the convoy to the powerfully built and aptly nicknamed Trucks O’Neal. Next to each driver rode a guard armed with cash for the booze, the names of the customs agents to pay off, and a Thompson submachine gun to either defend the convoy or, if they ran into a New York–bound shipment, cut short the two-day trip to Canada and hijack it.
• • •
DESPITE, or because of, an introduction by retired police commander Richter, the Foreign Service secretary did not invite Pauline Grandzau to his office. Pauline suggested they meet at the Kronprinzenpalais, where the National Gallery had created a wonderful new museum for modern art.
“That would be splendid,” he said, his genuine enthusiasm reminding her that for anyone who loved painting and sculpture and film, it was a magnificent time to be alive in Germany. For artists, the past was over and the future gleamed.
They made eye contact in the bustling front hall—he as handsome as Richter had promised her, she as striking as Richter had promised him—and he followed Pauline upstairs to the top floor, which housed a temporary collection. They wandered separately until, as if by chance, both were standing in front of an exciting Hannah Höch collage, a photo montage, with a title that made it hard to dismiss the violence in the streets.
Pauline read the title aloud, couching it as a question: “‘Cut with the Dada Kitchen Knife Through the Last Weimar Beer-Belly Cultural Epoch in Germany’?”
“Tongue in cheek?” the Foreign Service man asked.
“Let us hope.”
Side by side, they continued in low tones.
“We had Kozlov watched from the moment we stamped his passport.”
“Is he Comintern?”
The secretary answered that nothing in the Foreign Service files had indicated whether Kozlov served the Russian Comintern. But all in his department agreed that the newly returned emigrant would be a fount of up-to-date information about radicals in the United States and therefore a potential agent to be smuggled back in.
“We asked who would approach him, this revolutionary who knew America. It did not take long. They met at the zoo. The agent’s name was Valtin.”
“Is Valtin Comintern?”
“Of course.”
“Where did they go? What did they do?”
The reply was neutral, his voice and expression bland. “The security police made a fateful decision to watch but not intervene. They were hoping, I suppose, to arrest not just two men but an entire network. Thus when they lost track of Kozlov, they lost Valtin, too.”
• • •
THE SWEEPERS WERE OUT IN FORCE, cleaning the streets of every sign of the demonstrations and marches around Alexanderplatz, when Pauline called on an old friend in the security police. They went out for coffee and pastry.
“You know I can’t talk about this.”
“Of course you can’t,” she said. “But, I must ask you”—the clatter of china and silver in the busy confectionary ensured that even the couple holding hands at the next table could not hear them, but she lowered her voice anyway for dramatic effect—“is it true that Valtin and Kozlov escaped surveillance and disappeared?”
“Disappeared?” He sat up straight as a sword. “Is that what the Foreign Office told you? Pauline, how could you believe that for even a moment?”
“I did not think it likely. I imagined you let that story out to get them off your back.”
“You imagined correctly. We followed Kozlov’s and Valtin’s every move. We watched like hawks. We were keen-eyed and we were silent. They never saw us.”
“Did Valtin put Kozlov on a boat to America?”
He hesitated. “I am not privy to that detail.”
That sounded to Pauline as if the Foreign Office secretary had it right. The security police had indeed lost sight of Kozlov and his Comintern contact. “Where is Valtin now?”
“We are currently tracking him through a young woman who is either a Comintern courier or his lover, or both. We’re holding back to see with whom else she makes contact.”