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“Is your helicopter all right?”

“It’s fine. I thought I’d get out of it and take a nap in the shade. When I woke up, I had already lost a fistfight.”

The sound of a helicopter in the distance drew their attention. The roar grew louder, the leaves on trees began to whip back and forth in the wind, and the helicopter hovered. Looking up, Sam and Remi could see through the treetops that there was a man in an open doorway holding an M16 rifle.

“Maybe you’d better let them see you, Tim,” said Sam.

Carmichael stepped into the area by his helicopter and waved both arms while Sam and Remi kept their guns on their prisoners. The radio in Tim’s helicopter squealed. “We see you, Tim. You all right?” It was the voice of Art Bowen.

Tim snatched the microphone. “Yes. The Fargos are here with me. We’ve got five prisoners, two of them wounded.”

“Sit tight. We’re coming in.”

The helicopter landed, and three men came running, carrying M16 rifles. The middle-aged, stocky man piloting the helicopter came more slowly, but he was also armed with an M16.

As Sam and Remi walked with Tim Carmichael to watch Art Bowen and his men load the five prisoners into the helicopters, Remi said, “I’ll bet Tim would like to take a few days off after this.”

Carmichael climbed into the pilot’s seat and put on his just-recovered sunglasses. “You know, I just might. When I was listening to those five talk, I realized that the only reason I’m alive is that, without me, they couldn’t move the helicopter.”

THE BURNED PATCH IN ALTA VERAPAZ,

THREE WEEKS LATER

Sarah Allersby walked from the pair of parked helicopters into the thick Guatemalan forest. The brush had grown over this trail a thousand years ago, so it would be difficult to demonstrate to her guests that this was a Mayan trail, although she was sure it was. She hacked her way along with a machete, watching her feet to find a spot that would be clear enough for the revelation.

She glanced back along the trail. There were fifteen journalists, all of them carrying complicated camera equipment and recorders and satellite phones. But they were all chattering away with one another about God knows what. They weren’t paying attention to the special place where she had brought them.

Sarah looked down and stopped, then called for their attention. “Look, everyone. We’re on a Mayan thoroughfare. It’s a paved foot road.” She stepped aside to let the journalists come forward to take pictures of the pavement. A few listlessly snapped the ground, with its layer of whitish cobbles, but more were inclined to take photographs of Sarah hacking through the overgrowth. That, she reflected, was all right too.

She pushed ahead, then looked back beyond the photographers at the longer line of armed men she had brought into the jungle, carrying their Belgian rifles. It was costing her a great deal of money, but this time she was going to be sure she had the manpower to keep everything under control. After the disappearance of the five men Russell had sent to clear the helicopter landing spot, she had left little to chance. She knew the ruin was only a short distance away now, so she kept moving, hacking at the vines and brush in her way. She finally burst through the bush and stepped onto the great plaza. “There,” she shouted. “There is the city, the lost city I’ve found.”

She stepped boldly forward on the plaza. Ahead of her, on both sides of the wide-open space, were huge pyramids, and to her side was the biggest one so far. And while the reporters were ignorant about the structure, she had already seen the beautiful paintings on stucco inside the temple at its top. The architecture and art revealed a society that had been rich and complicated, colorful and full of life. And the place had been abandoned before the Normans invaded England.

There were sure to be hoards of priceless artifacts hidden deep in the royal tombs of a place this size. It was spectacular. She had already found a few things and they had stimulated her appetite. But even more, she wanted these newspeople to see her doing some excavating. A couple of photographs and some actual footage that could be shown on television in Europe and the United States would further the process of her transformation. Right now, she was dismissed as just one more heiress with exotic tastes. When her discoveries were all revealed, she would be a major power in the world of archaeology. Nobody would know her discoveries had all come from her Mayan codex, so she could still stage a “discovery” of it years from now and get full credit for that too.

She was perfectly dressed in a tailored explorer’s outfit, a tan shirt with epaulets and the sleeves rolled up, tailored pants in the same fabric, and polished boots, and she strode ahead with a kind of heroic energy, moving toward the huge pyramid that dominated the end of the plaza as though it were a beast she was conquering, when she heard a sudden wave of chatter behind her. She stopped and looked over her shoulder.

The journalists had come about thirty yards into the great plaza. They all seemed to be awed by the enormous size and imposing character of the city’s buildings, all of them partially sheathed in vegetation. Unlike most of the lost cities Sarah had visited, the tallest buildings were not totally obscured by the plants and dirt. Their outlines were fairly clear.

But something was wrong. They weren’t all rushing after her, elbowing one another to get close and congratulate her, to pepper her with questions about the city. They were all standing in a tight knot, looking down at their telephones and reading text or facing away from the others with their phones held to their ears. Others were facing one another, talking rapidly in their various languages, as though they were discussing some piece of astonishing news.

The only ones not in the gaggle of chattering writers were the photographers, who stood in a loose circle, filming not the miracle of human accomplishment that towered over them but the reporters and their exclamations and questions and gestures of what seemed to be shock or outrage.

One of the journalists in particular caught Sarah’s attention. He was Justin Fraker from The Times (London), a classmate of her brother, Teddy, at Eton. He had come because Teddy had promised him something—she suspected it was an invitation to a future reception at No. 10 Downing Street.

She had high hopes that Justin would make the case for her at home. She stared at him now because he was the nearest of the English speakers and it was easiest for her to read lips in English. He seemed to be saying, “This is insane. She must be joking. She can’t be serious.” She wondered who he could be talking about. She sighed. It would be just her luck if some American actress did something so outrageous that it took their attention away from her.

She turned and walked back toward the crowd of newspeople. Michelle Fauret, a stringer for Paris Match, had agreed to come because of Sarah Allersby’s reputation as a partygoer in Europe. She hurried toward Sarah, calling out, “Sarah! Sarah!” She was holding a small video camera.

Sarah Allersby was reassured. The idea that she was about to become an even bigger celebrity was titillating. She had always liked being the very rich girl, with mysterious holdings in Central America, who would sometimes appear at parties in southern France or the islands of the Mediterranean. She sensed that she was about to go from “interesting” to “fascinating.” She smiled, and said, “What is it, Michelle?”

“They’re saying that you’re a fraud. They say this site is already registered with all the archaeological organizations—that you didn’t find it. Someone else did.”

Sarah was not pleased that while Michelle was saying all this, the red light in the front of her video camera was on. She feigned an amused smile. “That’s silly,” she said. “Why would I do such a thing?”

“Look at this,” said Emil Bausch, the German columnist. He held up an iPad tablet with a photograph of the large pyramid that dominated the plaza. “This is a picture that’s on the website of the Society for American Archaeology. This whole site has already been photographed and charted.”

Jim Hargrove, an American from National Geographic, said, “How could this happen? Don’t you consult any of the organizations in the field?”


Tags: Clive Cussler Fargo Adventures Thriller