We’ve pulled up to the tower, its skeletal, half-built frame jutting up into the sky. Only the bottom few floors have been completed. The lot is a jumble of heavy machinery, stacks of building materials, makeshift offices, Porta Potties, and parked trucks.
The site would be dark and deserted if the whole north side wasn’t lit up by lights and sirens. I see a fire truck, two ambulances, and several police cars. Dante is speaking with a uniformed officer, while another cop takes notes from a battered and bandaged security guard. I assume that’s the guard who was on duty when someone torched the machines.
The air stinks of gasoline and charred metal. At least four pieces of heavy machinery are unsalvageable, including two excavators, a backhoe, and an entire crane. The blackened hulks are still smoking, the ground beneath muddied by the firemen’s hoses.
“It was that fucking Polack, I know it,” a voice says on Aida’s opposite side.
It’s Nero, appearing out of the darkness as quiet as a bat.
He’s quick and fucking sneaky. He could probably steal the gun out of the nearest cop’s belt without the guy noticing until he tries to disarm at the end of the night.
“How can you be sure?” Aida murmurs back. She’s keeping her voice down because we don’t want to draw attention to ourselves. Me, because I don’t want my name attached to this, and Nero because he has, at the bare minimum, a fuckton of unpaid parking tickets.
“This is their calling card,” Nero says. “They’re like Russians, but crazier. They love to make a scene, and they love symbolism. Besides,” he jerks his head toward the crane, where a blackened lump smolders against the base, “they left that.”
“What is it?” Aida breathes.
Her face has gone pale. I know she’s thinking the same thing as me—the object has the raw, cracked look of charred flesh.
“It’s a boar’s head,” Nero says. “The Butcher’s calling card.”
Dante joins us, his skin darker than ever from all the smoke in the air. Sweat has cut pale tracks on the sides of his bristled cheeks. His eyes look black and glittering, reflecting the flashing lights atop the police cars.
“The security guard is telling them it was a bunch of punk kids. We got the story straight before the cops rolled up. Luckily, the fire truck was faster than the cops, or we would have lost half the building, too.”
“You don’t want them to know it’s Zajac?” I say.
“We don’t want them in our business, period,” Dante replies. In fact, he shoots a questioning look at Aida as to why I’m here.
“I asked to come,” I tell him. “I feel responsible, since it was me who aggravated Zajac at the fundraiser.”
“He already had it out for us,” Nero says with a quick shake of his head. “We’ve gotten into it with him twice already over his men encroaching on our territory. Ripping off our suppliers and robbing banks in our neighborhoods.”
“He’s intent on starting conflict, that’s obvious,” Dante says, his deep rumbling voice like an idling engine. “We should—”
What he proposes is cut off by the rapid-fire snaps and cracks of a semi-automatic. It sounds like a string of firecrackers but a hundred times louder. A black Land Rover roars by, three men hanging out of the rolled-down windows, guns protruding and muzzle flashes illuminating their masked faces.
The moment the shots start, Aida’s brothers try to surround her. But I’ve already wrapped my arms around her shoulders, pulling her down behind the wheel of the nearest truck.
The remaining police officers shout and likewise dive for cover, using their radios to call for backup. Hunched behind their vehicles, a few even attempt to return fire, but the SUV has already sprayed the lot with a hail of bullets and disappeared around the corner.
One of the officers was hit in the chest. Thanks to his vest, he’s only knocked backward against the bumper of his cruiser. Another officer, less lucky, took a bullet to the thigh. His partner drags him behind a stack of pilings, shouting for an EMT.
“Are you hit?” Dante growls to the rest of us.
“No,” Nero says at once.
“What about you?” I ask Aida, manually rubbing my hands down her bare arms and legs to make sure they’re uninjured.
“I’m fine,” she says firmly.
I try to actually pay attention to my body, above the rushing thud of blood in my ears and the frantic firing of my neurons. I don’t think I was shot either.
“We’re good,” I tell Dante.
“Did you see any of the shooters?” Dante asks.
“They had their faces covered,” I say. “I think I saw a gold watch on one of their wrists. Nothing useful.”