Not that everyone was like that, she acknowledged. Some people in the fashion world were fine—there were designers she respected, photographers she trusted, models who were friends. Like Jenny, the blonde of the quartet, her best friend, draped now in white, with a diamond tiara and bracelets up to her elbows.
Anna’s eyes narrowed.
Jenny didn’t look well. She’d always been thin—what model wasn’t?—but now she was on the point of looking emaciated. It wasn’t drugs—Jenny didn’t do drugs, or Anna would not have been friends with her. She hoped it wasn’t just under-eating—especially not if some jerk of a photographer had been telling her to shift some non-existent weight. Illness? A shudder went through Anna. Life was uncertain enough, and you could die in your twenties all right. Hadn’t her own mother not made it past twenty-five, leaving her fatherless baby daughter to be brought up by her widowed grandmother?
Whatever it was that was pulling Jenny down, Anna would try and catch some time with her, when today’s shoot had finished. If it ever did. At least the huddle around Tonio Embrutti seemed to be ending. He was turning his attention back to the models. His little eyes flashed in his fleshy face, which a cultivated designer stubble did not enhance.
‘You!’ He pointed dramatically at Jenny. ‘Off!’
Anna saw Jenny stare.
‘Off?’ she echoed dumbly.
The photographer waved his hands irritably.
‘The dress. Off. Down to the hips. Peel it off. Then I need the hands crossed over in your cleavage. I want to shoot the bracelets. Hurry up!’ He clicked impatiently at a hovering stylist and held out a hand for his camera from his assistant.
Jenny stood frozen.
‘I can’t.’
The photographer stared at her.
‘Are you deaf? Remove your dress. Now!’
The stylist he’d pointed at was obediently undoing the fastenings down the back of Jenny’s dress.
‘I’m not taking the dress off!’
Jenny’s voice sounded high-pitched with tension.
Anna saw Tonio Embrutti’s face darken. She stepped forward to intervene.
‘No strips,’ she announced. ‘It’s in the contract.’
The photographer’s face whipped round to hers.
‘Shut up!’ He turned back to Jenny.
Anna walked up to her, putting a hand out to stop the stylist. Jenny was looking as tense as a board.
Another voice spoke. A new voice.
‘Do we have a problem?’
The voice was deep, and accented. It was also—and Anna could hear it like a low, subliminal tremor in her body—a warning.
A man had stepped out of the shadows consuming the rest of the vast hall beyond the brilliantly illuminated space they were being photographed in.
Anna felt the breath catch in her throat. The man who had stepped into the circle of light was like a leopard. Sleek, powerful, graceful—and dangerous.
Dangerous? She wondered why the word had come into her mind, but it had. And even as it formed it was replaced by another one.
Devastating.
The breath stayed caught in her throat as she stared, taking in everything about the man who had just appeared.
Tall. Very tall. Taller than her.
Dark hair, olive skin—and a face that could have stepped out of a Byzantine mosaic. Impassive, remote, assessing.
And incredibly sexy.
It was the eyes, she thought, as she slowly exhaled her breath. The eyes that did it. Almond-shaped, heavy-lidded, sensual.
Very dark.
He spoke again. Everyone seemed to have gone totally silent around him. He was the kind of man who’d have that effect on people, Anna found herself thinking.
‘I repeat—do we have a problem?’
He doesn’t like problems—he gets rid of them. They get in his way…
The words seemed to form in her mind of their own accord.
‘And you are…?’ Tonio Embrutti enquired aggressively.
Stupidly.
The man turned his impassive heavy-lidded eyes on him. For a moment he said nothing.
‘Leo Makarios,’ he said.
He didn’t say it loudly, thought Anna. He didn’t say it portentously. And he certainly didn’t say it self-importantly.
Yet there was something about the way the man who owned Schloss Edelstein, whose company owned every jewel that she and the other three models were draped with, and who owned a whole heap more besides spoke. Something about the way he said his name that almost—almost—made her feel sorry for Tonio Embrutti.
Almost, but not quite. Because Tonio Embrutti was, without doubt, one of the biggest jerks she’d ever had the displeasure to be photographed by.
‘Yes,’ she announced clearly, before the photographer could get a word out. ‘We do have a problem.’