Stubble doesn’t smile. He hasn’t stopped studying me this whole time, and even though I know they’re here for Adam (why, you stupid sweet boy, what is it about you?), I know Stubble wants me just as much now, if only to figure me out the way I’m desperate to figure out Adam.
Stubble gestures. “We’ve got a ride for you. One block back, on the corner of Fourth, black sedan.”
“Great.” I stretch my arms up like I’m exhausted and ready for a nap.
“What’s going on here?” Adam asks, his voice tight with nerves behind me. He’s still hoping this is some sort of elaborate joke. “I’m not going with anyone.”
“Nice meeting you guys,” I say, pulling my purse over my head. I throw it at Sandy blond with the gun, then drop to the ground and pull the knife out of my boot.
Dark hair is hamstrung before he realizes what’s happening, on the ground screaming, clutching at his forever-ruined right leg. Out of the game. Sandy blond fumbles my purse, finally dropping it and going for his gun. I slash his right forearm—he won’t aim as well with his left hand—but where is Stubble? I don’t have a position on him.
Drop flat on the ground, now! I feel the whisper of a fist’s breeze, then flip onto my back, kick up with both feet, and catch Stubble under the jaw. Stunned, not enough to keep him down; Sandy blond is swearing but about to pull out his gun. I flip back onto my feet, kick his hand (gun is on the ground, keep track of the gun), then a downward slam kick onto Sandy’s bent knee. It cracks at the wrong angle. Now two of them can’t chase us, only one left.
Arms circle me from behind, around my waist pinning my arms, and my knife is useless (bad bad bad—I am not big enough for this, I knew Stubble would be a problem). Slam my head back into his? No, he’ll expect it. I go limp and slip down a few inches, freeing my elbow, no leverage but it’s something. I jam my knife into his thigh but, curse him, he doesn’t drop me, just tightens his arm and I lose the knife.
Someone yells—Adam, Adam is still here, I’d forgotten about him—and I turn my head to see him grab the gun from the ground. Sandy blond was reaching for it, but now Adam has it and I don’t know if this is good or bad because his hand is shaking so much he could kill any of us and I lied, I don’t want to die, I really don’t. I’m not ready for it.
Sandy blond tries to stand, pushing himself up against the wall, but Adam screams, “Stay down! And you!” He points the gun at us and he is trembling—oh please, soft gray eyes don’t shoot me. “Drop her! Now!”
Stubble backs up a step but doesn’t let me go—he is squeezing so tight can’t breathe—spots in front of my eyes. Please don’t shoot me, Adam. I want to get to know you, figure out why you are in this mess, get you out of it. I want to see Annie again. James will be so pissed if I die. I’ll never get to dance with James.
“Calm down,” Stubble says. “My name is Cole. We’re not here to hurt you.”
“Put her down!”
“Adam, lower the gun. She’s the only one here who will hurt you.”
“Then why did you attack her?” Adam’s voice is shrill, tight with panic. My ribs, oh my ribs, they hurt.
“You’re not thinking straight,” Stubble—Cole—says. “She attacked us. We came in the alley to help you and she attacked us.”
“But you had a gun!” He waves it wildly.
“And she had a knife. She probably has more weapons in her purse. I need you to help me. Put the gun down carefully, and then reach into my jacket pocket. There’s a stun gun in there. It’s nonlethal, and I’ll use it only once to make sure this girl can’t hurt any of us, and then we’ll talk and no one else will get hurt. You have my word.”
I hate stun guns, I hate them so much. LET GO OF MY RIBS. I push my feet against the ground and slam my head up into his chin because he isn’t focused on me anymore. His arms loosen and it’s all I need. I throw myself back and twist and I’m free, my hand slipping into his pocket as I stumble away from him (oh my ribs, my ribs hurt).
But Cole doesn’t come for me; he rushes Adam and the gun. Cole has the gun now. I drop to the ground as the crack echoes through the alley and I roll toward him, stun gun out into his leg with a sound as bright as the charge, and then he is down but he won’t be for long, so I stand and jam the stun gun into his chest and he c
onvulses and I don’t stop until his eyes roll back.
Adam—where is Adam—the gun went off! Where is Adam? He has to be okay. I look and he’s there, leaning against the wall, face white with horror. My eyes sweep his body. There is no blood, no blood anywhere, oh thank heavens he didn’t get shot.
“You’re okay,” I say, my shoulders slumping with relief. No, not relief yet, I turn and Sandy blond has a phone out, so I use the stun gun on him, too. He goes down faster than Cole. Dark hair is pale and vacant with shock, holding his leg, totally unaware of anything around him. He needs better training.
I pick my purse off the ground and drop the stun gun inside, then turn back to Adam. He’s staring at me funny. Well, why wouldn’t he be? I’ve shown him what my hands can do, and a small, worn-down part of me mourns that he won’t think he wants to hold them anymore. I feel like I’ve lost something, but that’s stupid. I lost it all a long time ago.
“I thought he shot you,” I say.
“Fia,” he says, his voice strangled. He’s not meeting my eyes, looking down instead. “He shot you.”
I look down, too, and he’s wrong, there are no holes in my body, but then I look to the left and my blue sleeve is soaked dark with blood and then burning (horrible ripping tearing burning) comes, focused where the bullet went through my upper arm but radiating out through my whole left side.
Well, crap.