Also: I now had power over her, of a kind, although she didn't know it. And I enjoyed that. Why pretend? I enjoyed it a lot.
But the Commander could give me away so easily, by a look, by a gesture, some tiny slip that would reveal to anyone watching that there was something between us now. He almost did it the night of the Ceremony. He reached his hand up as if to touch my face; I moved my head to the side, to warn him away, hoping Serena Joy hadn't noticed, and he withdrew his hand again, withdrew into himself and his single-minded journey.
Don't do that again, I said to him the next time we were alone.
Do what? he said.
Try to touch me like that, when we're ... when she's there.
Did I? he said.
You could get me transferred, I said. To the Colonies. You know that. Or worse. I thought he should continue to act, in public, as if I were a large vase or a window: part of the background, inanimate or transparent.
I'm sorry, he said. I didn't mean to. But I find it...
What? I said, when he didn't go on.
Impersonal, he said.
How long did it take you to find that out? I said. You can see from the way I was speaking to him that we were already on different terms.
For the generations that come after, Aunt Lydia said, it will be so much better. The women will live in harmony together, all in one family; you will be like daughters to them, and when the population level is up to scratch again we'll no longer have to transfer you from one house to another because there will be enough to go round. There can be bonds of real affection, she said, blinking at us ingratiatingly, under such conditions. Women united for a common end! Helping one another in their daily chores as they walk the path of life together, each performing her appointed task. Why expect one woman to carry out all the functions necessary to the serene running of a household? It isn't reasonable or humane. Your daughters will have greater freedom. We are working towards the goal of a little garden for each one, each one of you - the clasped hands again, the breathy voice - and that's just one for instance. The raised finger, wagging at us. But we can't be greedy pigs and demand too much before it's ready, now can we?
The fact is that I'm his mistress. Men at the top have always had mistresses, why should things be any different now? The arrangements aren't quite the same, granted. The mistress used to be kept in a minor house or apartment of her own, and now they've amalgamated things. But underneath it's the same. More or less. Outside woman, they used to be called, in some countries. I am the outside woman. It's my job to provide what is otherwise lacking. Even the Scrabble. It's an absurd as well as an ignominious position.
Sometimes I think she knows. Sometimes I think they're in collusion. Sometimes I think she put him up to it, and is laughing at me; as I laugh, from time to time and with irony, at myself. Let her take the weight, she can say to herself. Maybe she's withdrawn from him, almost completely; maybe that's her version of freedom.
But even so, and stupidly enough, I'm happier than I was before. It's something to do, for one thing. Something to fill the time, at night, instead of sitting alone in my room. It's something else to think about. I don't love the Commander or any
thing like it, but he's of interest to me, he occupies space, he is more than a shadow.
And I for him. To him I'm no longer merely a usable body. To him I'm not just a boat with no cargo, a chalice with no wine in it, an oven - to be crude - minus the bun. To him I am not merely empty.
CHAPTER TWENTY-SEVEN
I walk with Ofglen along the summer street. It's warm, humid; this would have been sundress-and-sandals weather, once. In each of our baskets are strawberries - the strawberries are in season now, so we'll eat them and eat them until we're sick of them - and some wrapped fish. We got the fish at Loaves and Fishes, with its wooden sign, a fish with a smile and eyelashes. It doesn't sell loaves though. Most households bake their own, though you can get dried-up rolls and wizened doughnuts at Daily Bread, if you run short. Loaves and Fishes is hardly ever open. Why bother opening when there's nothing to sell? The sea fisheries were defunct several years ago; the few fish they have now are from fish farms, and taste muddy. The news says the coastal areas are being "rested." Sole, I remember, and haddock, swordfish, scallops, tuna; lobsters, stuffed and baked, salmon, pink and fat, grilled in steaks. Could they all be extinct, like the whales? I've heard that rumour, passed on to me in soundless words, the lips hardly moving, as we stood in line outside, waiting for the store to open, lured by the picture of succulent white fillets in the window. They put the picture in the window when they have something, take it away when they don't. Sign language.
Ofglen and I walk slowly today; we are hot in our long dresses, wet under the arms, tired. At least in this heat we don't wear gloves. There used to be an ice-cream store, somewhere in this block. I can't remember the name. Things can change so quickly, buildings can be torn down or turned into something else, it's hard to keep them straight in your mind the way they used to be. You could get double scoops, and if you wanted they would put chocolate sprinkles on the top. These had the name of a man. Johnnies? Jackies? I can't remember.
We would go there, when she was little, and I'd hold her up so she could see through the glass side of the counter, where the vats of ice cream were on display, coloured so delicately, pale orange, pale green, pale pink, and I'd read the names to her so she could choose. She wouldn't choose by the name, though, but by the colour. Her dresses and overalls were those colours too. Ice cream pastels.
Jimmies, that was the name.
Ofglen and I are more comfortable with one another now, we're used to each other. Siamese twins. We don't bother much with the formalities any more when we greet each other; we smile and move off, in tandem, travelling smoothly along our daily track. Now and again we vary the route; there's nothing against it, as long as we stay within the barriers. A rat in a maze is free to go anywhere, as long as it stays inside the maze.
We've been to the stores already, and the church; now we're at the Wall. Nothing on it today, they don't leave the bodies hanging as long in summer as they do in winter, because of the flies and the smell. This was once the land of air sprays, Pine and Floral, and people retain the taste; especially the Commanders, who preach purity in all things.
"You have everything on your list?" Ofglen says to me now, though she knows I do. Our lists are never long. She's given up some of her passivity lately, some of her melancholy. Often she speaks to me first.
"Yes," I say.
"Let's go around," she says. She means down, towards the river. We haven't been that way for a while.
"Fine," I say. I don't turn at once, though, but remain standing where I am, taking a last look at the Wall. There are the red bricks, there are the searchlights, there's the barbed wire, there are the hooks. Somehow the Wall is even more foreboding when it's empty like this. When there's someone hanging on it at least you know the worst. But vacant, it is also potential, like a storm approaching. When I can see the bodies, the actual bodies, when I can guess from the sizes and shapes that none of them is Luke, I can believe also that he is still alive.
I don't know why I expect him to appear on this wall. There are hundreds of other places they could have killed him. But I can't shake the idea that he's in there, at this moment, behind the blank red bricks.
I try to imagine which building he's in. I can remember where the buildings are, inside the Wall; we used to be able to walk freely there, when it was a university. We still go in there once in a while, for Women's Salvagings. Most of the buildings are red brick too; some have arched doorways, a Romanesque effect, from the nineteenth century. We aren't allowed inside the buildings any more; but who would want to go in? Those buildings belong to the Eyes.