Isabella gave him a haughty look. That was his Isabella. A firecracker, no whimpering miss. “I see. So the games we play must be ones of your choosing.”
He touched her lips with his fingertip. “Exactly, my sweet. And when I win, Isabella, it will be for good. I promise you that.”
Isabella opened her mouth to retort, but Mac silenced her with one hot, swift kiss. The taste of her was enough to crumble him to dust, but he made himself, just as swiftly, release her.
He ran his finger down her neck to the shadow of her cle**age. “Good night, my darling,” he said. “Keep the coat.”
Walking away from her, so delectable in that low-cut dress, his own coat draped over her shoulders, was one of the most difficult things Mac had ever done. At every step, he expected her to call after him, to beg him to come back, even to curse him.
Isabella never said a word. Mac’s need berated him soundly as he kept walking the length of the terrace and stepped back into the overly stuffy house.
Mac’s arousal hadn’t died by the time he reached home and climbed the four flights to his studio. He stood in the middle of the room, absorbing the ruined picture still propped on the easel, the table strewn with jars and palettes, his brushes fastidiously washed and sorted. Even when Mac lost his temper and threw things about, he always took care of his brushes. They were an extension of the painter’s fingers, the mad old artist who’d first trained him had told him. They needed to be treated with care.
The labored breathing of Bellamy sounded behind Mac as the valet puffed up the attic stairs. Mac absently pulled off his cravat and waistcoat and handed them over to the disapproving Bellamy when the man entered the room. Mac had conducted wild painting sessions in evening dress before, and Bellamy had said flatly in his East End accent that he wouldn’t be held responsible for his lordship’s clothes if his lordship insisted on mucking them up with oil paints.
Mac didn’t much care, but Bellamy did, so Mac piled the man’s arms high with his garments and told him to go. Once Bellamy closed the door, Mac pulled on the old kilt he kept up there to paint in along with his paint-streaked boots.
He tossed the ruined canvas facedown on the floor and propped a blank one in its place. His charcoal pencil nestled into his palm, and with the ease of long practice, Mac began to sketch.
It took only a few lines to draw what he wanted—the eyes of a woman, another few lines to fill in her face, more to depict the spill of brilliant hair down her shoulder. The beauty and simplicity of the drawing caught at his heart as he finished.
He took up his palette, globbed on colors, and started to paint. Muted tones, many shades of white, the paint for the shadows mixed from green and umber and darkest red. Her green eyes toned down with black, the shine of them caught exactly right.
Dawn filtered through the skylights before Mac finished. In the end, he dropped his palette to the table, shoved his brushes into the cleaning solution, and contemplated the painting.
Something in him rejoiced. After so long—so long—the brilliance Mac’s mentor had seen in him finally broke through once more.
A woman looked out of the canvas: her chin a bit pointed, her lips parted in a half smile. Red hair trickled down her shoulder, and her eyes regarded him with a haughty yet seductive look. Yellow rosebuds, painted the vibrant yellow of Mac’s signature color, drooped from her curls as though she’d danced the night away and come home tired. He hadn’t painted the gown she’d worn tonight, just suggested it with dashes of deep-shadowed blue that blended into the background.
It was the most beautiful thing he’d painted in years. The picture sang out of the canvas, the colors and lines flowing with effortless grace.
Mac let his blunt, paint-stained fingers hover above the woman for a few seconds. Then he resolutely turned his back on the picture and left the room.
Isabella settled the gloves on her fingers the next morning with quick jerks and checked the angle of her hat in the hall mirror. Her heart was thumping, but she was determined. If Mac wouldn’t do anything about the forged paintings, Isabella would.
She nodded to her butler as he opened the front door for her. “Thank you, Morton. Please make certain his lordship’s coat is cleaned and returned to him by this afternoon.”
Isabella took her footman’s hand and settled herself in her landau. Not until the vehicle had rolled into morning traffic did she droop against the cushions and let out her breath.
She’d slept very little after she’d returned from Lord Abercrombie’s ball the night before. When Mac had walked away from her down the terrace, the pain of his leaving had struck her to the heart. She’d wanted to rush after him, to make him turn back to her, to beg him with everything she had to stay.
As it was, she’d had to make do with his coat. She’d laid it next to her when she’d gone to bed, where she could touch it and smell his scent on it. She’d remained awake and restless, craving him, until she finally drifted into dreams of his smile and that sinfully hot kiss.
In the morning, she’d tossed the coat carelessly at Evans, instructing her to tell Morton to look after it.
She directed her coachman to take her to the Strand, where Messrs. Crane and Longman, purveyors of fine art, kept a shop. There was no longer a Mr. Longman, he having died and left Mr. Crane the entire business, but Mr. Crane had never removed Longman’s name from the sign.
Mr. Crane, a smallish man with soft palms and well-manicured nails, shook Isabella’s hand when she entered, then began spewing forth praise of Mac Mackenzie.
“Mr. Crane, Mac is precisely who I’ve come to see you about,” Isabella said when he’d wound down. “Please tell me about the painting you sold to Mrs. Leigh-Waters.”
Crane pressed his hands together and tilted his head, which made him look like a small, plump bird. “Ah, yes, Rome from the Capitoline Hill. An excellent work. One of his best.”
“You do know that Mac doesn’t sell his paintings? He gives them away to whoever wants them. Did it not strike you as odd when this one came up for sale?”
“Indeed, I was quite surprised when his lordship instructed us to sell it,” Mr. Crane said.
“Mac instructed it? Who told you that?”
Mr. Crane blinked. “I beg your pardon?”
“Who brought in the painting and told you his lordship wanted it sold?”
“Why, his lordship himself.”
Now Isabella blinked. “Are you certain? Mac carried the painting in here and handed it to you himself?”