In the far corner of the cellar behind the questioners a single man sat at a wooden table, face to the wall. A tiny glow of green came from the ‘on’ light of the tape recorder in front of him, although the spools were still.
Apart from the breathing, the silence of the cellar was almost tangible. All the men were in shirt sleeves, rolled up high and damp with sweat. The odour was crushing, a stench of sweat, metal, stale smoke and human vomit. Even the latter, pungent enough, was overpowered by one even stronger, the unmistakable reek of fear and pain.
The man in the centre spoke at last. The voice was civilised, gentle, coaxing.
‘Ecoute, mon p’tit Viktor. You are going to tell us. Not now perhaps. But eventually. You are a brave man. We know that. We salute you. But even you cannot hold out much longer. So why not tell us? You think Colonel Rodin would forbid you if he were here. He would order you to tell us. He knows about these things. He would tell us himself to spare you more discomfort. You yourself know, they always talk in the end. N’est-ce pas, Viktor? You have seen them talk, hein? No one can go on and on and on. So why not now, hein? Then back to bed. And sleep, and sleep and sleep. No one will disturb you …’
The man in the chair raised a battered face, glistening with sweat, into the light. The eyes were closed, whether by the great blue bruises caused by the feet of the Corsicans in Marseilles or by the light, one could not tell. The face looked at the table and the blackness in front of it for a while, the mouth opened and tried to speak. A small gobbet of puke emerged and dribbled down the matted chest to the pool of vomit in his lap. The head sagged back until the chin touched the chest again. As it did so the shaggy hair shook from side to side in answer. The voice from behind the table began again.
‘Viktor, écoute-moi. You’re a hard man. We all know that. We all recognise that. You have beaten the record already. But even you can’t go on. But we can, Viktor, we can. If we have to we can keep you alive and conscious for days, weeks. No merciful oblivion like in the old days. One is technical nowadays. There are drugs, tu sais. Third degree is finished now, probably gone for good. So why not talk. We understand, you see. We know about the pain. But the little crabs, they do not understand. They just don’t understand, Viktor. They just go on and on … You want to tell us, Viktor? What are they doing in that hotel in Rome? What are they waiting for?’
Lolling against the chest, the great head shook slowly from side to side. It was as if the closed eyes were examining first one and then the other of the little copper crabs that gripped the nipples, or the single larger one whose serrated teeth clipped each side of the head of the penis.
The hands of the man who had spoken lay in front of him in a pool of light, slim, white, full of peace. He waited for a few moments longer. One of the white hands separated itself from the other, the thumb tucked into the palm, the four fingers spread wide, and laid itself on the table.
At the far end the hand of the man by the electric switch moved the brass handle up the scale from figure two to figure four, then took the on/off switch between finger and thumb.
The hand further along the wooden top withdrew the splayed fingers, lifted the forefinger once into the air, then pointed the fingertip downwards in the world-wide signal for ‘Go’. The electric switch went on.
The little metal crabs fixed to the man in the chair and linked by wires to the on/off switch appeared to come alive with a slight buzzing. In silence the huge form in the chair rose as if by levitation, propelled by an unseen hand in the small of the back. The legs and wrists bulged outwards against the straps until it seemed that even with the padding the leather must cut clean through the flesh and bone. The eyes, medically unable to see clearly through the puffed flesh around them, defied medicine and started outwards bulgin
g into vision and staring at the ceiling above. The mouth was open as if in surprise and it was half a second before the demonic scream came out of the lungs. When it did come, it went on and on and on …
Viktor Kowalski broke at 4.10 in the afternoon and the tape recorder went on.
As he started to talk, or rather ramble incoherently between whimpers and squeaks, the calm voice from the man in the centre cut across the maunderings with incisive clarity.
‘Why are they there, Viktor … in that hotel … Rodin, Montclair and Casson … what are they afraid of … where have they been, Viktor … who have they seen … why do they see nobody, Viktor … tell us, Viktor … why Rome … before Rome … why Vienna, Viktor … where in Vienna … which hotel … why were they there, Viktor…?’
Kowalski was finally silent after fifty minutes, his last ramblings as he went into relapse being recorded on tape until they stopped. The voice behind the table continued, more gently for another few minutes until it became clear there were going to be no more answers. Then the man in the centre gave an order to his subordinates and the session was over.
The tape recording was taken off the spool and rushed by a fast car from the cellar beneath the fortress into the outskirts of Paris and the offices of the Action Service.
The brilliant afternoon that had warmed the friendly pavements of Paris throughout the day faded to golden dusk, and at nine the street lights came on. Along the banks of the Seine the couples strolled as always on summer nights, hand in hand, slowly as if drinking in the wine of dusk and love and youth that will never, however hard they try, be quite the same again. The open-fronted cafés along the water’s edge were alive with chatter and clink of glasses, greetings and mock protests, raillerie and compliments, apologies and passes, that make up the conversation of the French and the magic of the river Seine on an August evening. Even the tourists were almost forgiven for being there and bringing their dollars with them.
In a small office near the Porte des Lilas the insouciance did not penetrate. Three men sat round a tape recorder that turned slowly on a desk. Through the late afternoon and evening they worked. One man controlled the switches, continuously flicking the spools on to ‘playback’ or ‘re-wind’ and then ‘playback’ again on the instruction of the second. This man had a pair of earphones over his head, brow furrowed in concentration as he tried to decipher meaningful words out of the jumble of sounds coming through the phones. A cigarette clipped between his lips, rising blue smoke making his eyes water, he signed with his fingers to the operator when he wanted to hear a passage again. Sometimes he listened to a ten-second passage half a dozen times before nodding to the operator to hold on. Then he would dictate the last passage of speech.
The third man, a younger blond, sat behind a typewriter and waited for dictation. The questions that had been asked in the cellar beneath the fortress were easy to understand, coming clear and precise through the earphones. The answers were more disjointed. The typist wrote the transcript like an interview, the questions always on a fresh line and beginning with the letter Q. The answers were on the next line, beginning with the letter R. These were disjointed, involving the use of plenty of spacing dots where the sense broke up completely.
It was nearly twelve midnight before they had finished. Despite the open window the air was blue with smoke and smelt like a powder magazine.
The three men rose stiff and weary. Each stretched in his own fashion to untwine the bunched and aching muscles. One of the three reached for the telephone, asked for an outside line and dialled a number. The man with the earphones took them off and re-wound the tape back on to the original spool. The typist took the last sheets out of his machine, extracted the carbons from between them and began to arrange the separate piles of paper into sets of the confession in order of pages. The top set would go to Colonel Rolland, the second to files, and the third to mimeograph for extra copies to be made for department heads, to be distributed if Rolland deemed fit.
The call reached Colonel Rolland at the restaurant where he had been dining with friends. As usual the elegant-looking bachelor civil servant had been his witty and gallant self, and his compliments to the ladies present had been much appreciated, by them if not by their husbands. When the waiter called him to the phone, he apologised and left. The phone was on the counter. The Colonel said simply ‘Rolland’ and waited while his operative at the other end identified himself.
Rolland then did the same by introducing into the first sentence of his conversation the correct prearranged word. A listener would have learned that he had received information that his car, which had been under repair, was mended, and could be collected at the Colonel’s convenience. Colonel Rolland thanked his informant, and returned to the table. Within five minutes he was excusing himself with urbanity, explaining that he faced a hard day in the morning and ought to get his ration of sleep. Ten minutes later he was alone in his car, speeding through the still-crowded city streets towards the quieter faubourg of Porte des Lilas. He reached his office soon after one in the morning, took off his immaculate dark jacket, ordered coffee from the night staff, and rang for his assistant.
The top copy of Kowalski’s confession came with the coffee. The first time he read the twenty-six pages of the dossier quickly, trying to grasp the gist of what the demented legionnaire had been saying. Something in the middle caught his eye, causing him to frown, but he read on to the end without a pause.
His second reading was slower, more cautious, giving greater concentration to each paragraph. The third time he took a black felt-nib pen from the tray in front of the blotter and read even more slowly, drawing the thick black line of ink through the words and passages relating to Sylvie, Luke something, Indo-China, Algeria, JoJo, Kovacs, Corsican, bastards, the Legion. All these he understood, and they did not interest him.
Much of the wandering concerned Sylvie, some of it a woman called Julie, which meant nothing to Rolland. When all this was deleted, the confession would not have covered more than six pages. Out of the remaining passages he tried to make some sense. There was Rome. The three leaders were in Rome. Well, he knew that anyway. But why? This question had been asked eight times. By and large the answer had been the same each time. They did not wish to be kidnapped like Argoud had been in February. Natural enough, thought Rolland. Had he then been wasting his time with the whole Kowalski operation? There was one word the legionnaire had mentioned twice, or rather mumbled twice, in answering these eight identical questions. The word was ‘secret’. As an adjective? There was nothing secret about their presence in Rome. Or as a noun. What secret?
Rolland went through to the end for the tenth time, then back again to the beginning. The three OAS men were in Rome. They were there because they did not wish to be kidnapped. They did not wish to be kidnapped because they possessed a secret.
Rolland smiled ironically. He had known better than General Guibaud that Rodin would not run for cover because he was frightened.
So they knew a secret, did they? What secret? It all seemed to have stemmed from something in Vienna. Three times the word Vienna cropped up, but at first Rolland had thought it must be the town called Vienne that lies twenty miles south of Lyon. But perhaps it was the Austrian capital, not the French provincial town.