“Uh . . .” I hug her back, never knowing what to say when she cries about what Dad did and what I tried to do. I just look at the Leteo pamphlets again. There is something else we could’ve done for him—we just never would’ve been able to afford it. “I should probably shower before the water gets cold again. Sorry.”
She lets me go. “It’s okay, my son.”
I pretend everything is okay as I rush to the bathroom where steam has fogged up the mirror. I quickly undress. But I stop before stepping in because the tub—finally clean after lots of bleach—remains the spot where he took his life. His memories sucker punch my brother and me at every turn: the pen marks on the wall where he measured our height; the king-sized bed where he would flip us while watching the news; the stove where he cooked empanadas for our birthdays. We can’t exactly just escape these things by moving into a different, bigger apartment. No, we’re stuck here in this place where we have to shake mouse shit out of our shoes and inspect our glasses of soda before drinking in case roaches dived in while our backs were turned.
Our hot water doesn’t run hot for very long so I jump in before I miss my chance.
I rest my head against the wall, the water sliding through my hair and down my back, and I think about all the memories I would want Leteo to bury. They all have to do with living in a post-Dad world. I flip over my wrist and stare at my scar. I can’t believe I was once that guy who carved a smile into his wrist because he couldn’t find happiness, that guy who thought he would find it in death. No matter what drove my dad to kill himself—his tough upbringing in a home with eight older brothers, or his job at the infamous post office up the block, or any one of a million reasons—I have to push ahead with the people who don’t take the easy way out, who love me enough to stay alive even when life sucks.
I trace the smiling scar, left to right and right to left, happy to have it as a reminder not to be such a dumbass again.
2
A TRADE DATE
(NOT A DATE WHERE YOU TRADE YOUR DATE)
Last April, Genevieve asked me out while we were hanging out at Fort Wille Park. My friends all thought this was an epic case of gender role-reversal, but my friends can also sometimes be close-minded idiots. It’s important for me to remember this—the asking-out part—because it means Genevieve saw something in me, the life of someone she wanted to lose herself in, and not someone whose life she wanted to see thrown away.
Trying to commit you-know-what two months ago was not only selfish, but also embarrassing. When you survive, you’re treated like a child whose hand has to b
e held when crossing the street. Even worse, everyone suspects you were either begging for attention or just too stupid to get the job done properly.
I walk the ten blocks downtown to the apartment where Genevieve lives with her dad. Her dad doesn’t really pay her a whole lot of attention, but at least he’s alive to ignore her. I buzz the intercom and am desperately wishing I could’ve ridden a bike here. My armpits stink and my back is sweaty, and the shower I just took is now completely pointless.
“Aaron!” Genevieve calls, sticking her head out from her window on the second floor, sun rays glowing against her face. “I’ll be down in a sec, I gotta wash up first.” She shows me her hands, wet with yellow and black paint, and winks before ducking back in. I’d like to think she was drawing a cartoonish happy face, but her hyper-imagination is more likely to draw something magical, like a yellow-bellied hippogriff with pearl-black eyes lost in a mirrored forest with nothing but a golden star to guide it home. Or something.
She comes down a couple minutes later, still in the ratty white shirt she wears to paint. She smiles before hugging me, and it’s not one of those half smiles I’ve grown used to. There’s nothing worse than seeing her sad and defeated. Her body is tense, and when she finally relaxes, the pale green tote bag I got her for her birthday last year slips down her shoulder. She’s drawn a lot on the tote; sometimes there are tiny cities, other times it’s an imagining of a song lyric she loved.
“Hey,” I say.
“Hi,” she says back, tiptoeing to kiss me. Her green eyes are watery. They remind me of a rain forest painting she gave up on a few months ago.
“What’s wrong? My armpits stink, right?”
“Totally, but that’s not it. Painting is stressing me out like whoa. You’re rescuing me just in time.” She punches me in the shoulder, the aggressive way she chooses to flirt.
“What were you painting?”
“A Japanese swallow angelfish walking out of the ocean.”
“Huh. I was expecting something cooler. More magical with hippogriffs.”
“I don’t like being predictable, dumb-idiot.” She’s been calling me that since our first kiss a couple days after we started dating. I’m pretty sure it’s because I might’ve accidentally bumped heads with her twice like the biggest amateur in the history of inexperienced kissers. “You in the mood to go see a movie?”
“How about a Trade Date instead?”
A Trade Date is not a date where you trade your date for someone else. A Trade Date—Genevieve made it up—is when I choose a spot to go to that will interest her, and she does the same for me. And it’s called a Trade Date, obviously, because we’re trading favorite pastimes with each other, and not each other.
“I could settle on that, I suppose.”
We play Rock, Paper, Scissors. Loser has to choose first and my scissors cut the hell out of her paper. I could’ve just volunteered to go first because I already know where I want to take her, but I’m not 100 percent sure yet of the words I want to say, and I could use the extra time to make sure I get them right. She brings me to my favorite comic bookstore on 144th St.
“I guess you’re done being unpredictable,” I say.
comic book asylum
We’ve Got Issues