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Theo found out that I was going to record a programme for a Dutch television channel. When I went downstairs to start filming, he was waiting for me in the hotel lobby. He introduced himself and asked if he could go with me, saying: 'I'm not one of those people who simply won't take "No" for an answer; I think I may just be going the wrong way about achieving my goal.'

We must struggle for our dreams, but we must also know that, when certain paths prove impossible, it would be best to save our energies in order to travel other roads. I could have simply said 'No' (I have said and heard this word many times), but I decided to adopt a more diplomatic approach: I would impose conditions that would be impossible for him to meet.

I said that I would give the lecture for free, but the entrance fee must not exceed two euros, and the hall must contain no more than two hundred people.

Theo agreed.

'You're going to spend more than you're going to earn,' I warned him. 'By my calculation, the cost of the air ticket and hotel alone will cost three times what you will earn if you manage to fill the hall. Then there's the advertising and the hire of the hall...'

Theo interrupted me, saying that none of this mattered. He was doing this because of what he could see happening in his work.

'I organize events like this because I need to keep believing that human beings are still in search of a better world. I need to contribute to making this possible.'

What was his work?

'I sell churches.'

And, to my amazement, he went on: 'I'm employed by the Vatican to select buyers, because there are more churches than there are church-goers in Holland. And since we've had some terrible experiences in the past, with sacred places being turned into nightclubs, condominiums, boutiques, and even sex-shops, the system of selling churches has changed. The project has to be approved by the community, and the buyer has to say what he or she is going to do with the building. We normally only accept proposals that include a cultural centre, a charitable institution, or a museum. And what has this to do with the lecture, and with the other events I'm trying to organize? People don't really meet together any more, and if they don't meet, they won't grow.'

Looking at me hard, he concluded: 'Meetings. That was the mistake I made with you. Instead of just sending e-mails, I should have shown you that I'm made of flesh and blood. Once, when I failed to get a reply from a particular politician, I went and knocked on his door, and he said to me: "If you want something, you need to look the other person in the eye." Ever since then, that's what I've done, and I've had nothing but good results. You can have at your disposal all the means of communication in the world, but nothing, absolutely nothing, can replace looking someone in the eye.'

Needless to say, I accepted his proposal.

P.S. When I went to The Hague to give the lecture, and knowing that my wife, who is an artist, has always wanted to set up a cultural centre, I asked to see some of the churches that were for sale. I asked the price of one which used to hold 500 parishioners every Sunday, and it cost one euro (ONE euro!), but the maintenance costs can reach prohibitive levels.

Genghis Khan and His Falcon

On a recent visit to Kazakhstan, in Central Asia, I had the chance to accompany some hunters who still use the falcon as a weapon. I don't want to get into a discussion here about the word 'hunt', except to say that, in this case, Nature was simply following its course.

I had no interpreter with me, but what could have been a problem turned out to be a blessing. Unable to talk to them, I paid more attention to what they were doing. Our small party stopped, and the man with the falcon on his arm remained a little way apart from us and removed the small silver hood from the bird's head. I don't know why he decided to stop just there, and I had no way of asking.

The bird took off, circled a few times, and then dived straight down towards the ravine and stayed there. When we got close, we found a vixen caught in the bird's talons. That scene was repeated once more during the morning.

Back at the village, I met the people who were waiting for me and asked them how they managed to train the falcon to do everything I had seen it do, even to sit meekly on its owner's arm (and on mine too; they put some leather armbands on me and I could see the bird's sharp talons close up).

It was a pointless question. No one had an explanation. They said that the art is passed from generation to generation - father trains son, and so on. But what will remain engraved for ever in my mind are the snowy mountains in the background, the silhouetted figures of horse and horseman, the falcon leaving the horseman's arm, and that deadly dive.

What also remains is a story that one of those people told me while we were having lunch.

One morning, the Mongol warrior, Genghis Khan, and his court went out hunting. His companions carried bows and arrows, but Genghis Khan carried on his arm his favourite falcon, which was better and surer than any arrow, because it could fly up into the skies and see everything that a human being could not.

However, despite the group's enthusiastic efforts, they found nothing. Disappointed, Genghis Khan returned to the encampment and in order not to take out his frustration on his companions, he left the rest of the party and rode on alone. They had stayed in the forest for longer than expected, and Khan was desperately tired and thirsty. In the summer heat, all the streams had dried up, and he could find nothing to drink. Then, to his amazement, he saw a thread of water flowing from a rock just in front of him.

He removed the falcon from his arm, and took out the silver cup which he always carried with him. It was very slow to fill and, just as he was about to raise it to his lips, the falcon flew up, plucked the cup from his hands, and dashed it to the ground.

Genghis Khan was furious, but then the falcon was his favourite, and perhaps it, too, was thirsty. He picked up the cup, cleaned off the dirt, and filled it again. When the cup was only half-empty this time, the falcon again attacked it, spilling the water.

Genghis Khan adored this bird, but he knew that he could not, under any circumstances, allow such disrespect; someone might be watching this scene from afar and, later on, would tell his warriors that the great conqueror was incapable of taming a mere bird.

This time, he drew his sword, picked up the cup and refilled it, keeping one eye on the stream and the other on the falcon. As soon as he had enough water in the cup and was ready to drink, the falcon again took flight and flew towards him. Khan, with one thrust, pierced the bird's breast.

The thread of water, however, had dried up; but Khan, determined now to find something to drink, climbed the rock in search of the spring. To his surprise, there really was a pool of water and, in the middle of it, dead, lay one of the most poisonous snakes in the region. If he had drunk the water, he, too, would have died.

Khan returned to camp with the dead falcon in his arms. He ordered a gold figurine of the bird to be made and on one of the wings, he had engraved:

Even when a friend does something you do not like,

he continues to be your friend.


Tags: Paulo Coelho Fiction