“I,” said Jix, “will be the least of your troubles.”
Upon seeing the approaching yacht, winged messengers went soaring over the forest toward the city, and by the time the yacht neared shore, an army numbering a thousand was there to capture the intruders, whoever they were.
“His Excellency believes in excess,” Jix told Nick and Mikey, as they sailed closer to the waiting army.
Mikey and Nick were less than thrilled by the huge battalion of tribal warriors, each armed with nasty-looking sharp objects. Although they knew the weapons technically couldn’t hurt them, there was nothing pleasant about being riddled with arrows, or impaled by a spear, or hacked by a machete—and if this king was as resourceful as Jix said, perhaps he had found a way to inflict pain, or at least unrelenting discomfort.
“They’ll recognize you, right?” asked Nick. “Because you work for the king.”
Jix mewled a little, then said, “Not necessarily.” Then he turned to Mikey. “Quickly—explain to me your power. What kind of things can you turn yourself into?”
“I can’t make myself something real, if that’s what you’re asking. I can’t be a giraffe or a jaguar or an elephant—it has to be something I make up, and I’m never sure how it’s going to look.”
Jix pondered that, fiddling with his whiskers. “I think we can work with that.”
Five minutes later, the yacht had run aground, and the entire army had lowered their weapons, gawking in awe at a creature that was part vulture, part fish, and part iguana, with scales like golden kernels of maize. Taken together, they were four of the holiest of Mayan symbols. The only thing holier was the boy riding the beast: a jaguar spirit, and what appeared to be his dark, oozing shadow riding behind him. When the strange beast leaped off the boat onto shore, none of the warriors dared to disturb it, because clearly it was sent from the gods. Then when the creature turned itself into a boy, the guards picked up their weapons once more, but only to protect the three boys, and escort them inland to the City of Souls.
Jix spoke to their escorts in a language that baffled Nick and Mikey. “It’s Mayan,” he explained. “The language of the kingdom. But don’t worry; the king speaks English.”
“How could he learn a language that didn’t exist before he died?” asked Mikey, who knew that an Afterlight’s set of skills could never surpass his or her fleshly education.
“He didn’t have to learn it,” was all Jix offered as an explanation.
They marched on well-worn dirt paths that had crossed into Everlost. The forest around them was filled with trees that lived, and trees that had crossed. It seemed Everlost had much more of a footprint here than in the North.
They marched through the night, and just after dawn they came to a high stone wall that stretched out in either direction for as far as the eye could see, and in the center of the wall was a triangular wooden gate, barring their entrance.
Mikey and Nick suspected that an ancient city might have such a wall, but what they saw atop that wall made it clear that this wasn’t just an ancient city, it was an Everlost city. All along the ramparts were strange-looking spirits, their mouths open wider than normal mouths, like living gargoyles, and their feet—if they even had feet—were embedded in the stone. They all wore brightly colored headdresses full of feathers and gold, and there were hundreds of them, probably enough to stretch all the way around the city.
“The wailers,” said Jix, with an exasperated sigh.
At the sight of the approaching crowd, they began to shriek, their eyes fixing on the three new arrivals. Then, in a minute or two, those screeches resolved into song, sometimes dissonant and sometimes harmonic. Their song was in Mayan, and was strangely hypnotic.
“They are announcing us to the king,” Jix explained. “Telling their impressions of each of us—but I suspect the king won’t be listening. He never listens to the wailers anymore. He’s lost interest in them.”
“What are they saying?” asked Mikey.
“They’re talking about me,” Jix said. “They’re saying that I look familiar, yet very suspicious. . . . Now they’re talking about Nick. They say that you are made of rotten tree-resin, and you’re highly suspicious. . . . Now they’re talking about you, Mikey. They seem to like you.”
“Really?”
“Yes,” said Jix, “but they’re very suspicious of spirits they like.”
The song continued, and the army, which was apparently used to this, waited with practiced patience.
“Now they’re debating whether or not you should be thrown into the Cenote,” Jix explained. “That’s a bottomless pool that goes to Xibalba, the Mayan underworld . . . although I suspect it really just goes to the center of the Earth.”
“Thanks for sharing,” said Mikey.
That made Nick laugh, which was something, because Mikey was never known to make anyone laugh.
The strange song of the wailers soon changed, becoming more melodic, building toward a crescendo. “They’re singing the song of opening,” Jix told them. “When they’re done, the guards will open the gates.”
“How long will this take?” asked Mikey.
“As long as they feel like,” said Jix. “The wailers are a pain.”
And sure enough they went on singing for another half hour, until finally they reached the last note which, since Afterlights need no air to sing, lasted four whole minutes. Then the song came to a dramatic end and the gates began to swing open. Immediately Nick and Mikey were struck by light and color so bright they had to look away.