Connor offers him a crooked grin. “Make yourself part of the reef.”
• • •
It’s a long walk—especially for someone in pain. Before leaving, Connor had found some “clean” linens in the trailer, as well as a stash of cheap whiskey, perfect for cleaning a wound. Painful, too, but as all the world’s sports coaches say, “Pain is weakness leaving the body.” Connor always hated coaches. Once the stinging had stopped, he created a more secure dressing, which he now wears under a faded flannel shirt that belonged to the trailer’s final resident. It’s too warm a shirt for such hot weather, but it was the best he could do.
Now, sweating from the heat and aching from the wound, Connor counts his steps along the dirt road until it becomes paved. He has yet to see a passing car, but that’s fine. The fewer eyes that see him, the better. Safety in solitude.
Connor also doesn’t know what to expect ahead of him in this small town. When it comes to cities and suburbs, Connor has found that most are fairly identical—only the geography changes. Rural areas, however, vary greatly. Some small towns are places you’d want to come from and eventually go back to: warm, inviting communities that breathe out Americana the way rain forests breathe out oxygen. And then there are towns like Heartsdale, Kansas.
This is the place where fun came to die.
It’s clear to Connor that Heartsdale is economically depressed, which is not that uncommon. All it takes these days for a town to give up the ghost is for a major factory to shut down or pick up its skirt and do an international waltz for cheaper labor. Heartsdale, however, isn’t just depressed; it’s ugly in a fundamental way and on more than one level.
The main drag is full of low, flat-faced architecture, all in shades of beige. Although there are farms in abundance that Connor had passed, thriving and green in the July sun, the town center has no trees, no green growth except for weeds between pavement cracks. There’s an uninviting church built out of institutional mustard-colored bricks. The sermon message on the billboard reads WHO W LL ATONE FOR YOUR S NS? B NGO ON FR DAYS.
The town’s most attractive building is a new three-story parking garage, but it isn’t open for business. The reason, Connor realizes, is the empty lot next to it. There’s a billboard for a modern office building to be erected there, which may one day need three levels of parking, but the forlorn state of the lot betrays the fact that the office complex has been in the planning stages for perhaps a decade and will probably never be built.
The place isn’t exactly a ghost town—Connor sees plenty of people going about their morning business, but he has an urge to ask them, “Why bother? What’s the point?” The problem with a town like this is that anyone with even a rudimentary survival instinct managed to get out long ago—perhaps finding themselves one of those other small towns in which to live. The kind with the heart that Heartsdale lacks. Left behind are the souls that kind of got stuck to the bottom of the pan.
Connor comes to a supermarket. A Publix. Its blacktop parking lot shimmers with waves of heat. If he’s going to jack a car, there are plenty here to choose from, but they’re all out in the open, so he can’t do it without the risk of being exposed. Besides, his hope is to find a long-term parking lot where a stolen car might not be missed for a day or more. Even if he manages to get away with a car from this lot, it will be reported stolen within the hour. But who is he kidding? A long-term parking lot implies the owners of the vehicles parked there had somewhere to go. The folks in Heartsdale don’t seem to be going anywhere.
It’s hunger, however, that pulls him toward the market, and he realizes he hasn’t eaten in half a day. With twenty-some-odd dollars in his pocket, he reasons that there’s nothing wrong with buying something to eat. It’s easy to remain anonymous in a market for a whole of five minutes.
As the automatic door slides open, he’s hit with a blast of cold air that is at first refreshing, then makes his sweaty clothes cold against his body. The market is brightly lit and filled with shoppers moving slowly through the aisles, probably here to get out of the heat as much as they are to shop.
Connor grabs premade sandwiches and cans of soda for himself and for Lev, then goes to the self-checkout, only to find that it’s closed. No way to avoid human contact today. He chooses a checker who looks disinterested and unobservant. He seems a year or two older than Connor. Skinny, with straggly black hair and a baby-fuzz mustache that just isn’t working. He grabs Connor’s items and runs them across the scanner.
“Will that be it for you?” the checker asks absently.
“Yeah.”
“Did you find everything all right?”
“Yeah, no problem.”
He glances once at Connor. It seems he holds Connor’s gaze a moment too long, but maybe he’s been instructed to make eye contact with customers, as well as ask his standard rote questions.
“You need help out with that?”
“I think I can handle it.”
“No worries, man. Keep cool. It’s a scorcher out there.”
Connor leaves without further incident. He’s back out in the heat and halfway across the parking lot, when he hears—
“Hey, wait up!”
Connor tenses, his right arm contracting into a habitual fist. But when he turns, he sees that it’s the checker coming after him, waving a wallet.
“Hey, man—you left this on the counter.”
“Sorry,” Connor tells him. “It’s not mine.”
The checker flips it open to look at the license. “Are you sure? Because—”
The attack comes so suddenly that Connor is caught off guard. He has no chance to protect himself from the blow—and it’s a low one. A kick to the groin that registers a surge of shock, followed by a building swell of excruciating pain. Connor swings at his attacker, and Roland’s arm doesn’t fail him. He connects a powerful blow to the checker’s jaw, then swings with his natural arm, but by now the pain is so overwhelming, the punch has nothing behind it. Suddenly his attacker is behind him and puts Connor in a choke hold. Still Connor struggles. He’s bigger than this guy, stronger, but the checker knows what he’s doing, and Connor’s reaction time is slowed. The choke hold cuts off Connor’s windpipe and compresses his carotid artery. His vision goes black, and he knows he’s about to lose consciousness. The only saving grace is that being unconscious means he doesn’t have to feel the agony in his groin.
* * *