‘That is an interesting story, that story of a servant girl,’ said Poirot thoughtfully. ‘It throws light on the old woman’s methods.’
Gerard said: ‘It was altogether an odd strange morning, that! You have not been to Petra, M. Poirot. If you go you must certainly climb to the Place of Sacrifice. It has an—how shall I say?—an atmosphere!’ He described the scene in detail, adding: ‘Mademoiselle here sat like a young judge, speaking of the sacrifice of one to save many. You remember, Miss King?’
Sarah shivered. ‘Don’t! Don’t let’s talk of that day.’
‘No, no,’ said Poirot. ‘Let us talk of events further back in the past. I am interested, Dr Gerard, in your sketch of Mrs Boynton’s mentality. What I do not quite understand is this, having brought her family into absolute subjection, why did she then arrange this trip abroad where surely there was danger of outside contacts and of her authority being weakened?’
Dr Gerard leaned forward excitedly.
‘But, mon vieux, that is just it! Old ladies are the same all the world over. They get bored! If their specialty is playing patience, they sicken of the patience they know too well. They want to learn a new patience. And it is just the same with an old lady whose recreation (incredible as it may sound) is the dominating and tormenting of human creatures! Mrs Boynton—to speak of her as une dompteuse—had tamed her tigers. There was perhaps some excitement as they passed through the stage of adolescence. Lennox’s marriage to Nadine was an adventure. But then, suddenly, all was stale. Lennox is so sunk in melancholy that it is practically impossible to wound or distress him. Raymond and Carol show no signs of rebellion. Ginevra—ah! la pauvre Ginevra—she, from her mother’s point of view, gives the poorest sport of all. For Ginevra has found a way of escape! She escapes from reality into fantasy. The more her mother goads her, the more easily she gets a secret thrill out of being a persecuted heroine! From Mrs Boynton’s point of view it is all deadly dull. She seeks, like Alexander, new worlds to conquer. And so she plans the voyage abroad. There will be the danger of her tamed beasts rebelling, there will be opportunities for inflicting fresh pain! It sounds absurd, does it not, but it was so! She wanted a new thrill.’
Poirot took a deep breath. ‘It is perfect, that. Yes, I see exactly what you mean. It was so. It all fits in. She chose to live dangerously, la maman Boynton—and she paid the penalty!’
Sarah leaned forward, her pale, intelligent face very serious. ‘You mean,’ she said, ‘that she drove her victims too far and—and they turned on her—or—or one of them did?’
Poirot bowed his head.
Sarah said, and her voice was a little breathless:
‘Which of them?’
Poirot looked at her, at her hands clenched fiercely on the wild flowers, at the pale rigidity of her face.
He did not answer—was indeed saved from answering, for at that moment Gerard touched his shoulder and said: ‘Look.’
A girl was wandering along the side of the hill. She moved with a strange rhythmic grace that somehow gave the impression that she was not quite real. The gold red of her hair shone in the sunlight, a strange secretive smile lifted the beautiful corners of her mouth. Poirot drew in his breath.
He said: ‘How beautiful…How strangely movingly beautiful…That is how Ophelia should be played—like a young goddess straying from another world, happy because she has escaped out of the bondage of human joys and griefs.’
‘Yes, yes, you are right,’ said Gerard. ‘It is a face to dream of, is it not? I dreamt of it. In my fever I opened my eyes and saw that face—with its sweet, unearthly smile…It was a good dream. I was sorry to wake…’
Then, with a return to his commonplace manner:
‘That is Ginevra Boynton,’ he said.
Chapter 12
In another minute the girl had reached them.
Dr Gerard performed the introduction.
‘Miss Boynton, this is M. Hercule Poirot.’
‘Oh.’ She looked at him uncertainly. Her fingers joined together, twined themselves uneasily in and out. The enchanted nymph had come back from the country of enchantment. She was now just an ordinary awkward girl, slightly nervous and ill at ease.
Poirot said: ‘It is a piece of good fortune meeting you here, mademoiselle. I tried to see you in the hotel.’
‘Did you?’
Her smile was vacant. Her fingers began plucking at the belt of her dress. He said gently:
‘Will you walk with me a little way?’
She moved docilely enough, obedient to his whim.
Presently she said, rather unexpectedly, in a queer, hurried voice:
‘You are—you are a detective, aren’t you?’