Andrew and Valentine were keeping up the bantering tone they had established from the first, so that no matter which way Miro decided, they would laughingly turn it into a choice between the two Wiggins. At no point would he have to say, I need to ride because I'm a cripple. Nor would he have any excuse to take offense because somebody had singled him out for special treatment. It was so gracefully done that Miro wondered if Valentine and Andrew had discussed it in advance. Maybe they didn't have to discuss things like this. Maybe they had spent so many years together that they knew how to cooperate to smooth things for other people without even thinking about it. Like actors who have performed the same roles together so often that they can improvise without the slightest confusion.
"I'll walk," said Miro. "I'll take the long way. The rest of you go on ahead."
Novinha and Ela started to protest, but Miro saw Andrew put his hand on Novinha's arm, and as for Ela, she was silenced by Quim's arm around her shoulder.
"Come straight home," said Ela. "However long it takes you, do come home."
"Where else?" asked Miro.
Valentine didn't know what to make of Ender. It was only her second day on Lusitania, but already she was sure that something was wrong. Not that there weren't grounds for Ender to be worried, distracted. He had filled her in on the problems the xenobiologists were having with the descolada, the tensions between Grego and Quara, and of course there was always the Congress fleet, death looming over them from every sky. But Ender had faced worries and tensions before, many times in his years as a speaker for the dead. He had plunged into the problems of nations and families, communities and individuals, struggling to understand and then to purge and heal the diseases of the heart. Never had he responded the way he was acting now.
Or perhaps he had, once.
When they were children, and Ender was being groomed to command the fleets being sent against all the bugger worlds, they had brought Ender back to Earth for a season--the lull before the final storm, as it turned out. Ender and Valentine had been apart since he was five years old, not allowed so much as an unsupervised letter between them. Then, suddenly, they changed their policy, and brought Valentine to him. He was being kept at a large private estate near their home town, spending his days swimming and--more often--floating in utter languor on a private lake.
At first Valentine had thought all was well, and she was merely glad to see him at last. But soon she understood that something was deeply wrong. Only in those days she hadn't known Ender so well--after all, he'd been apart from her for more than half his life. Yet she knew that it was wrong for him to seem so preoccupied. No, that wasn't really it. He wasn't preoccupied, he was unoccupied. He had detached himself from the world. And her job was to reconnect him. To bring him back and show him his place in the web of humanity.
Because she succeeded, he was able to go back into space and command the fleets that utterly destroyed the buggers. Ever since that time, his connection with the rest of humanity seemed secure.
Now again she had been apart from him for half a lifetime. Twenty-five years for her, thirty for him. And again he seemed to be detached. She studied him as he took her and Miro and Plikt out by car, skimming over the endless prairies of capim.
"We're like a little boat on the ocean," said Ender.
"Not really," she said, remembering the time that Jakt had taken her out on one of the small net-laying launches. The three-meter waves that lifted them high, then plunged them down into the trench between. On the large fishing boat those waves had barely jostled them as they nestled comfortably in the sea, but in the tiny launch the waves were overwhelming. Literally breathtaking--she had to slide down from her seat onto the deck, embracing the plank bench with both arms, before she could catch her breath. There was no comparison between the heaving, pitching ocean and this placid grassy plain.
Then again, maybe to Ender there was. Maybe when he saw the acres of capim, he saw within it the descolada virus, malevolently adapting itself to slaughter humankind and all its companion species. Maybe to him this prairie rolled and shrugged every bit as brutally as the ocean.
The sailors had laughed at her, not mockingly but tenderly, like parents laughing at the fears of a child. "These seas are nothing," they said. "You should try doing this in twenty-meter seas."
Ender was as calm, outwardly, as the sailors had been. Calm, unconnected. Making conversation with her and Miro and silent Plikt, but still holding something back. Is there something wrong between Ender and Novinha? Valentine hadn't seen them together long enough to know what was natural between them and what was strained--certainly there were no obvious quarrels. So perhaps Ender's problem was a growing barrier between him and the community of Milagre. That was possible. Valentine certainly remembered how hard it had been for her to win acceptance from the Trondheimers, and she had been married to a man with enormous prestige among them. How was it for Ender, married to a woman whose whole family had already been alienated from the rest
of Milagre? Could it be that his healing of this place was not as complete as anyone supposed?
Not possible. When Valentine met with the Mayor, Kovano Zeljezo, and with old Bishop Peregrino that morning, they had shown genuine affection for Ender. Valentine had attended too many meetings not to know the difference between formal courtesies, political hypocrisies, and genuine friendship. If Ender felt detached from these people, it wasn't by their choice.
I'm reading too much into this, thought Valentine. If Ender seems to be strange and detached, it's because we have been apart so long. Or perhaps because he feels shy with this angry young man, Miro; or perhaps it's Plikt, with her silent, calculating worship of Ender Wiggin, who makes him choose to be distant with us. Or maybe it's nothing more than my insistence that I must meet the hive queen today, at once, even before meeting any of the leaders of the piggies. There's no reason to look beyond present company for the cause of his unconnection.
They first located the hive queen's city by the pall of smoke. "Fossil fuels," said Ender. "She's burning them up at a disgusting rate. Ordinarily she'd never do that--the hive queens tend their worlds with great care, and they never make such a waste and a stink. But there's a great hurry these days, and Human says that they've given her permission to burn and pollute as much as necessary."
"Necessary for what?" asked Valentine.
"Human won't say, and neither will the hive queen, but I have my guesses, and I imagine you will, too."
"Are the piggies hoping to jump to a fully technological society in a single generation, relying on the hive queen's work?"
"Hardly," said Ender. "They're far too conservative for that. They want to know everything there is to know--but they aren't terribly interested in surrounding themselves with machines. Remember that the trees of the forest freely and gently give them every useful tool. What we call industry still looks like brutality to them."
"What then? Why all this smoke?"
"Ask her," said Ender. "Maybe she'll be honest with you."
"Will we actually see her?" asked Miro.
"Oh yes," said Ender. "Or at least--we'll be in her presence. She may even touch us. But perhaps the less we see the better. It's usually dark where she lives, unless she's near to egg-laying. At that time she needs to see, and the workers open tunnels to bring in daylight."
"They don't have artificial light?" asked Miro.
"They never used it," said Ender, "even on the starships that came to Sol System back during the Bugger Wars. They see heat the way we see light. Any source of warmth is clearly visible to them. I think they even arrange their heat sources in patterns that could only be interpreted aesthetically. Thermal painting."