"Yes, you did," she said. "Did I pass yours?"
"I wasn't testing you."
"Like hell," she said. "But in case you didn't notice, I'll tell you--I did pass. Or you wouldn't have said to me all the things you said."
She was gone. He could hear her shuffling down the corridor, and then the computer reported that she was passing through the tube between ships.
He already missed her.
Because she was right. She had passed his test. She had listened to him the way no one else did--without impatience, without finishing his sentences, without letting her gaze waver from his face. He had spoken to her, not with careful precision, but with great emotion. Much of the time his words must surely have been almost unintelligible. Yet she had listened so carefully and well that she had understood all his arguments and never once asked him to repeat something. He could talk to this woman as naturally as he ever talked to anyone before his brain was injured. Yes, she was opinionated, headstrong, bossy, and quick to reach conclusions. But she could also listen to an opposing view, change her mind when she needed to. She could listen, and so he could speak. Perhaps with her he could still be Miro.
3
CLEAN HANDS
The gods first spoke to Han Qing-jao when she was seven years old. She didn't realize for a while that she was hearing the voice of a god. All she knew was that her hands were filthy, covered with some loathsome invisible slime, and she had to purify them.
The first few times, a simple washing was enough, and she felt better for days. But as time passed, the feeling of filthiness returned sooner each time, and it took more an
d more scrubbing to remove the dirt, until she was washing several times a day, using a hard-bristled brush to stab at her hands until they bled. Only when the pain was unbearable did she feel clean, and then only for a few hours at a time.
She told no one; she knew instinctively that the filthiness of her hands had to be kept secret. Everyone knew that handwashing was one of the first signs that the gods were speaking to a child, and most parents in the whole world of Path watched their children hopefully for signs of excessive concern with cleanliness. But what these people did not understand was the terrible self-knowledge that led to the washing: The first message from the gods was of the unspeakable filthiness of the one they spoke to. Qing-jao hid her handwashing, not because she was ashamed that the gods spoke to her, but because she was sure that if anyone knew how vile she was, they would despise her.
The gods conspired with her in concealment. They allowed her to confine her savage scrubbing to the palms of her hands. This meant that when her hands were badly hurt, she could clench them into fists, or tuck them into the folds of her skirt as she walked, or lay them in her lap very meekly when she sat, and no one would notice them. They saw only a very well-behaved little girl.
If her mother had been alive, Qing-jao's secret would have been discovered much sooner. As it was, it took months for a servant to notice. Fat old Mu-pao happened to notice a bloody stain on the small tablecloth from Qing-jao's breakfast table. Mu-pao knew at once what it meant--weren't bloody hands well known to be an early sign of the gods' attention? That was why many an ambitious mother and father forced a particularly promising child to wash and wash. Throughout the world of Path, ostentatious handwashing was called "inviting the gods."
Mu-pao went at once to Qing-jao's father, the noble Han Fei-tzu, rumored to be the greatest of the godspoken, one of the few so powerful in the eyes of the gods that he could meet with framlings--offworlders--and never betray a hint of the voices of the gods within him, thus preserving the divine secret of the world of Path. He would be grateful to hear the news, and Mu-pao would be honored for having been the first to see the gods in Qing-jao.
Within an hour, Han Fei-tzu had gathered up his beloved little Qing-jao and together they rode in a sedan chair to the temple at Rockfall. Qing-jao didn't like riding in such chairs--she felt bad for the men who had to carry their weight. "They don't suffer," Father told her the first time she mentioned this idea. "They feel greatly honored. It's one of the ways the people show honor to the gods--when one of the godspoken goes to a temple, he does it on the shoulders of the people of Path."
"But I'm getting bigger every day," Qing-jao answered.
"When you're too big, either you'll walk on your own feet or you'll ride in your own chair," said Father. He did not need to explain that she would have her own chair only if she grew up to be godspoken herself. "And we try to show our humility by remaining very thin and light so we aren't a heavy burden to the people." This was a joke, of course, since Father's belly, while not immense, was copious. But the lesson behind the joke was true: The godspoken must never be a burden to the common people of Path. The people must always be grateful, never resentful, that the gods had chosen their world of all worlds to hear their voices.
Now, though, Qing-jao was more concerned with the ordeal that lay before her. She knew that she was being taken for testing. "Many children are taught to pretend that the gods speak to them," Father explained. "We must find out if the gods have truly chosen you."
"I want them to stop choosing me," said Qing-jao.
"And you will want it even more during the test," said Father. His voice was filled with pity. It made Qing-jao even more afraid. "The folk see only our powers and privileges, and envy us. They don't know the great suffering of those who hear the voices of the gods. If the gods truly speak to you, my Qing-jao, you will learn to bear the suffering the way jade bears the carver's knife, the polisher's rough cloth. It will make you shine. Why else do you think I named you Qing-jao?"
Qing-jao--Gloriously Bright was what the name meant. It was also the name of a great poet from ancient times in Old China. A woman poet in an age when only men were given respect, and yet she was honored as the greatest of poets in her day. "Thin fog and thick cloud, gloom all day." It was the opening of Li Qing-jao's song "The Double Ninth." That was how Qing-jao felt now.
And how did the poem end? "Now my curtain's lifted only by the western wind. I've grown thinner than this golden blossom." Would this be her ending also? Was her ancestor-of-the-heart telling her in this poem that the darkness falling over her now would be lifted only when the gods came out of the west to lift her thin, light, golden soul out of her body? It was too terrible, to think of death now, when she was only seven years old; and yet the thought came to her: If I die soon, then soon I'll see Mother, and even the great Li Qing-jao herself.
But the test had nothing to do with death, or at least it was not supposed to. It was quite simple, really. Father led her into a large room where three old men knelt. Or they seemed like men--they could have been women. They were so old that all distinctions had disappeared. They had only the tiniest wisps of white hair and no beards at all, and they dressed in shapeless sacks. Later Qing-jao would learn that these were temple eunuchs, survivors of the old days before Starways Congress intervened and forbade even voluntary self-mutilation in the service of a religion. Now, though, they were mysterious ghostly old creatures whose hands touched her, exploring her clothing.
What were they searching for? They found her ebony chopsticks and took them away. They took the sash from around her waist. They took her slippers. Later she would learn that these things were taken because other children had become so desperate during their testing that they had killed themselves. One of them had inserted her chopsticks into her nostrils and then flung herself to the floor, jamming the sticks into her brain. Another had hanged herself with her sash. Another had forced her slippers into her mouth and down her throat, choking herself to death. Successful suicide attempts were rare, but they seemed to happen with the brightest of the children, and most commonly with girls. So they took away from Qing-jao all the known ways of committing suicide.
The old ones left. Father knelt beside Qing-jao and spoke to her face to face. "You must understand, Qing-jao, that we are not really testing you. Nothing that you do of your own free will can make the slightest difference in what happens here. We are really testing the gods, to see if they are determined to speak to you. If they are, they'll find a way, and we'll see it, and you'll come out of this room as one of the godspoken. If they aren't, then you'll come out of here free of their voices for all time. I can't tell you which outcome I pray for, since I don't know myself."
"Father," said Qing-jao, "what if you're ashamed of me?" The very thought made her feel a tingling in her hands, as if there were dirt on them, as if she needed to wash them.
"I will not be ashamed of you either way."
Then he clapped his hands. One of the old ones came back in, bearing a heavy basin. He set it down before Qing-jao.
"Thrust in your hands," said Father.